Not exact matches
Madeleine Grynsztejn, the Elise S. Haas Senior
Curator of Painting and Sculpture at SFMOMA, who is organizing the Tuttle retrospective there, reflects that Tuttle's courage in scale and willful
choice of ephemeral material influenced many younger artists, such
as Tom Friedman, Jessica Stockholder, Polly Apfelbaum, Jim Hodges, Tony Feher, and Sarah Sze.
As you may have seen on Instagram, the Denver Art Museum held a
Curator's
Choice: #DispatchPortrait contest in conjunction with the opening of the photography exhibition Alec Soth: Colorado Dispatch (on view through November 29).
As this year's chief
curator, Craig - Martin was also given the chance to invite artists of his
choice to submit works, and he has used the opportunity to showcase older, often overlooked contemporary artists.
Given his spotlight - stealing video piece Re'Search Wait»S at the New Museum's 2009 inaugural «Younger Than Jesus» Triennial and his widespread critical acceptance
as one of the most important artists of his generation, Ryan Trecartin seems to be a prudent
choice for co-curating this year's Triennial «Surround Audience» alongside the Museum's in - house
curator Lauren Cornell.
As curators take on the rights and responsibilities to make
choices in and around the manifestation and installation of Gonzalez - Torres's work, every exhibition provides the opportunity for a more expansive, complex conceptualization of the artist's practice rather than an attempt to present (or preserve) a singular concrete or «correct» interpretation of the work.
Reckitt's familiarity with Atlanta and her recent experience
as a
curator for Toronto's 2012 Nuit Blanche, the event upon which Flux Night was modeled, make her the ideal first
choice.
The museum's chief
curator Jennifer Chi responded: «Kristen is the perfect
choice to build upon the Brooklyn Museum's track record
as an innovator in the collection and exhibition of the arts of Africa».
The jury, which included Brooklyn Museum
curator Rujeko Hockley, artist Sara VanDerBeek, artist and Director of General Studies at ICP Marina Berio,
as well
as artist / publisher and Board Co-President at BAXTER ST Michi Jigarjian, was very impressed by the overall quality of the submissions, and the final
choice was very difficult.
Ralph Rugoff,
curator of «The Infinite Mix», figures an ideal spectator
as a mixer or filter, for whom the works «open up and extend our involvement -LSB-...] prompting us to make continual
choices, whether conscious or not, about where we direct our attention».
As one of the
curators I was allowed to invite an artist — your personal
choice — to exhibit.
The eight
curator / co-authors will be on hand at the Museum of Modern Art's Bartos Theater this Friday, May 4th for «DEFINING CONTEMPORARY ART: Writing Art History
as it Happens,» a lively roundtable discussion that will see these contemporary art experts speak on their
choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going strong.
In 1994, the British artist and
curator Matthew Higgs asked a group of artists showing at London's Cabinet Gallery to each produce their own top ten list on a subject of their
choice, to be published
as part of Higgs's publishing project Imprint 93 (itself the subject of an upcoming retrospective at Whitechapel Gallery, opening September 2016).
Although potential comparisons between Bangkok and Phnom Penh can be drawn on many levels, the
curators emphasise their
choice of the two cities
as «arbitrary».
The position, identity, and dislocations of the three painters in the exhibition, their political allegiances, intellectual influences, levels of reception and inscription in art histories,
as well
as their formal
choices will be discussed by
curators Cosmin Costinas and Inti Guerrero, M + Ink Art
curator Lesley Ma, and independent
curator and art historian David Teh.
An American who had never been to Australia before this winter, Ellegood was an unexpected and roundabout
choice for this pavilion: Armanious, who was picked by an Australian - based selection committee, tapped her
as his
curator.
Recent Acquisitions:
Curator's
Choice, Part I presents a first look at artworks, mostly prints, drawings, and photographs by artists
as diverse
as Annie Leibovitz, Edward Steichen, and Rembrandt van Rijn.
That spirit was underscored with the 2009
choice of an American
as its new director: Ann Goldstein, who was then a senior
curator at L.A.'s Museum of Contemporary Art.
The result is The Opinion Makers — an exhibition conceived
as paired juxtapositions (one work by an artist -
curator, together with one work by an artist of their
choice) which aims to create an open discussion about the dual role of the artist -
curator; to tackle head on the issues that arise from it; and to use it
as a unique window into the intricate subjectivity of the curating process.
As the exhibition
curator, José Jiménez, professor of aesthetics and art theory at the Universidad Autónoma de Madrid, explains, the
choice of artists is not a closed list, but it is open to new considerations and inclusions.
The position, identity, and dislocations of the three painters in the exhibition, their political allegiances, intellectual influences, levels of reception and inscription in art histories,
as well
as their formal
choices will be discussed by
curators Cosmin Costinas and Inti Guerrero, independent
curator and art historian David Teh and moderated by M + Ink Art
curator Lesley Ma.
Less conspicuously, but very significantly,
as curator he initiated the Artists
Choice series.
The artist spoke with
curator and longtime friend Sir Norman Rosenthal, creator of such seminal exhibitions
as Sensation and A New Spirit of Painting.What follows is a series of
choice quotes from Kiefer's conversation, plus some needed context to the artist's super classy German accent.
One can enjoy it
as simply a smart
curator's wildly personal
choices.
The architect Zaha Hadid loved it, and chose it
as a festival
Curator's
Choice winner a few years ago.