Sentences with phrase «choreograph new dance»

Texas Ballet Theater Artistic Director Ben Stevenson, O.B.E., choreographed the new dances and calls them Reflections of an Iconic Artist.

Not exact matches

All our dancers will be flat out over the next weeks, polishing old dances for the competitions while simultaneously choreographing and learning lots of new material for the showcase, which this year is being held at the Pegasus Theatre on 16 & 17 February.

Having selected our new dancers we spent the term choreographing and rehearsing dances to be performed at competitions and in our showcase.

For the Under The Lights game against Penn State he unveiled a new special choreographed dance to «Atomic Dog» before his kick and punt returns.

Stepping away from work for a few hours to choreograph and perform the dance and edit the final video is a great way to unblock your head and get a new perspective on your research, Brubert said.

I am constantly looking for new music to choreograph dances too.

Choreograph entirely new routines by making new moves in the Dance Studio, and compose brand new song phrases in My Tune.

Stunningly gorgeous and delicate in both subject and treatment, Reset depicts renowned choreographer and dancer Benjamin Millepied (also known for choreographing the dance sequences in Black Swan) as he attempts to rejuvenate the Paris Opera Ballet in his new position as director.

He talked about the timeless Old Hollywood persona that Gosling and Stone brought to their roles, his creative partnership with composer Justin Hurwitz and Broadway lyricists Benj Pasek & Justin Paul, the brilliant dance sequences choreographed by Mandy Moore, his collaboration with Swedish cinematographer Linus Sandgren who captured an iconic L.A. in a fresh new light, and what it means to pursue your grandest artistic dreams.

Elsewhere in the three - story facility, students are participating in math and reading literacy programs, using the school's new wireless laptops, or choreographing a dance number.

New for the Autumn is our KS1 provision which takes children on a journey into flag football but offering PE sessions working on simple motor skills with practiced dance and choreographed movement patterns.

CHIL shares their vision for the Fairmont Gold level redesign: «Throughout the hotel, the timeless and elegant lines of the furniture work harmoniously with artwork that echoes the outdoors and vintage aeronautics to provide a seamless transition from the flight cabin to the well - appointed rooms... Whether staying in the hotel for meetings, watching the choreographed dance of planes on the tarmac or the view of the distant mountains, the new guestrooms and lounge will provide a quintessential Vancouver experience promising connection, discovery and reverie.»

The gestural nature of the application in this new body of Monochromes is inspired by «The Stand», a dance choreographed by Stever Paxton, who describes it as follows:

Created by Big Dance Theater, Tei Blow, and Suzanne Bocanegra, CounterCurrent festival participants engage in a choreographed tour of The Menil Collection, allowing for new experiences and new viewings of the art and its contexts.

2010Today is not a Dress Rehearsal, SFMOMA live installation in collaboration with Mika Tajima / New Humans, New York Dance With Camera, ICA Philadelphia and touring to Contemporary Arts Museum, Houston Virtuoso Illusion: Cross Dressing and the New Media Avant Garde, MIT / LIST Visual Art Centre, Cambridge, Massachusetts Albrecht Dürer Gessellschaft, Kunstverein Nürnberg, Nürnberg, Germany Recent Acquisitions, De Hallen Haarlem, The Netherlands Move: Choreographing You, Hayward Gallery, London Body / Space Mechanics, De Hallen Haarlem, The Netherlands 100 years, (Version no. 2, Nov 2009): 45 Years of Performance Video from EAI», PS1, New York, touring to Garage «100 years, (Version no. 2, Nov 2009): 45 Years of Performance Video from EAI», PS1, New York, touring to Garage Centre for Contemporary Art, Moscow Time Based Arts Festival, PICA, Portland Institute for Contemporary Art, Portland Nobody Gets to See the Wizard.

She has curated the Robin Rhode exhibition Who Saw Who at the Hayward Gallery for autumn 2008, Walking in my mind (summer 2009), which explored the inner workings of the artist's imagination through the medium of large - scale installation art; Move: Choreographing you a show about the relationship between visual art and dance (2010); Pipilotti Rist: Eyeball Massage (2011); and Art of Change: New Directions from China (2012).

Before the opening in March, Mr. Lassry presented a theatrical performance in an off - site theater with dancers from the New York City Ballet in which he choreographed movements based on fragments from iconic dance works.

The Trisha Brown Dance Company is performing in New York through Sunday in a world première staging of her choreographed version of Franz Schubert's song - cycle «Winterreise,» alternating with two programs of repertory.

A new dance work choreographed and performed by Katherine Helen Fisher explores the connections between identity and technology.

In January, Rosenquist and the artists» rights advocate Rubin Gorewitz address several hundred artists in Chicago about artists» royalty legislation.19 Rosenquist designs a set for Deuce Coupe II, a dance choreographed by Twyla Tharpe and performed by the Joffrey Ballet at City Center, New York, in the spring.

2011 Becoming, Artsdepot, London Family Matters: The Family in British Art, Norwich Castle Summer Exhibition 2011, Royal Academy of Arts, London Why I Never Became a Dancer, Sammlung Goetz Collection, Haus der Kunst, Munich True Stories, Locks Gallery, Philadelphia Light Fantastic, Broadfield House Glass Museum, Dudley Dance / Draw, ICA, Boston Family Matter, Norwich Castle Museum and Art Gallery, (touring), Norwich The Art of Chess, University of the Queensland Art Museum, Brisbane Crossing Centuries: Works by Women Artists 1830 to 2000, ASC Gallery, London Naked, Jensen Gallery, Sydney Donne, Donne, Donne, Fondazione Pier Luigie Natalina Remotti, Camogli, Move: Choreographing You, K20, Dusseldorf Images From a Floating World, Fredericks & Freiser Gallery, New York Readykeulous, Invisible Exports Gallery, New York Newspeak, The Gallery of South Australia, Adelaide Royal Academicians, I - MYU Projects, Sungnam Art Centre, Seoul Text / Video / Female: Art after 60's, PKM Trinity Gallery, Seoul Watercolour, Tate Britain, London The Shape We're In (Camden), 176 Zabludowicz, London Moving Portraits, De La Warr Pavillon, Bexhill - on - Sea LUMIERE, Durham Sex Drive, Atlanta Contemporary Art Center, Pennsylvania House of the Nobleman, Zabludowicz Collection, London He disappeared into complete silence: re-reading a single artwork by Louise Bourgeois, Frans Hals Museum │ De Hallen Haarlem Sometimes, Ciragan Palace Kempinsky Gallery, Istanbul Fertility, Akim Monet, Berlin At Work, The Government Art Collection, Whitechapel Art Gallery, London Peeping Tom, Kunsthal in Amersfort, Netherlands Paint Me A Drink, 20 Hoxton Square Projects, London Contemporary Art, Fredericks & Freiser, New York

This new exhibition emerges from VanDerBeek's collaboration with dancers in her hometown of Baltimore, Maryland, where she worked with them on the actions and phrases of certain improvised dances, directing them to explore lines and angles, before choreographing and capturing selected movements as photographs.

Intent on attracting new audiences and pushing the limits of live performance, choreographer Benjamin Millepied's L.A. Dance Project live - streamed a series of performances at Donald Judd's Chinati Foundation in Marfa, Tex. «Marfa Dance Episodes» were created exclusively for an online audience, and were choreographed for — and with — the camera.

For Choreograph, Welling photographed performances by over a dozen dance companies in New York and Los Angeles, and superimposed these images with photographs of architecture and landscape.

Pujol is currently working on four new performance commissions for 2011 - 2012, including: Visitation, for the Spencer Museum of Art, a 6 - hour solo performance as an intervention throughout the museum of the embodied gaze of the artist; Walking Ground: Speaking in Silence, for the Contemporary Museum in Honolulu, for 7 performers scattered throughout the city as public orators; Affinitas, a 2 - hour dance performance in honor of the 10th anniversary of 9/11 in Boston; and a new American performance opera, Vortex, choreographed for 12 women.

Since then, she has choreographed several new dance pieces such as The Concept of Dust, or How do you look when there's nothing left to move?

Partnered with Ohne Titel, the bi-coastal artist, who splits her time between New York and San Francisco, exhibited her creative dexterity with a intricately choreographed dance routine involving beautiful woman dressed in post-modern, space - like costumes.

In 1959 they moved to New York where they joined a group of improvisational dancers known as the Judson Dance Theater, for whom Morris choreographed several works, including Arizona (1963), 21.3 (1964), Site (1964), and Waterman Switch (1965).

The repertoire will range from early pieces, including Three Satie Spoons, 1961, and We Shall Run, 1963, to Rainer's newest work, Assisted Living: Good Sports 2, 2011 (one of several that she has choreographed since returning to dance from a nearly three - decade hiatus).

Dance Instructor 1/1/2011 — 12/1/2013 Pine Tree College of Fine Arts — New York, NY Choreographed students» expeditions and the department's biannual show.