Sentences with phrase «choreographed by»

In September 1995, Sugiyama composed the Dragon Quest Ballet, which was choreographed by Minoru Suzuki.

«The flash mob was choreographed by Alayna Miller, a lawyer at Sevigny Westdal LLP, as well as Vice Chair for the Ontario Bar Association's Young Lawyers Division (OBA - YLD), and, more importantly, a member of the Ottawa dance company Ottawa Dance Fusion.»

The New York City Ballet's The Most Incredible Thing, a performance based on Hans Christian Andersen's fairy tale for which Dzama created the costume and stage design (choreographed by Justin Peck; music by Bryce Dessner), premiered in February 2016.

First appearing as a figurative element in his works on paper in the mid-1990s, and since incorporated into his large - scale drawings, paintings, and films, masks were most recently featured in the artist's critically - acclaimed stage and costume design for the New York City Ballet's The Most Incredible Thing in 2016, a performance choreographed by Justin Peck and based on Hans Christian Andersen's fairy tale.

«Move Beyond» is choreographed by the duo Nappytabs, whose attention - getting work includes stints with «So You Think You Can Dance.»

Mirza created a captivating lighting system which interacted with Boulez's electronic score and the architecture of the Palais Garnier, with dance choreographed by McGregor.

The performance is curated and choreographed by Mitchell Center guest artist Allison Orr, of Folklift Danceworks, in collaboration with local choreographers via Dance Houston.

Created and directed by Solange and choreographed by Brennan Gerard and Ryan Kelly, the work involved about 50 dancers interacting with a large, white minimalist open - cube structure sited on a green expanse.

The centerpiece of the exhibition is a display of costumes designed by Chagall in 1942 for the production of the ballet Aleko, choreographed by Léonide Massine with music by Pyotr Ilyich Tchaikovsky.

1987 Set design for Rambert Dance Company; Replacing, choreographed by Lucy Bethune, performed at the Riverside Studios, London, September

/ collaborations 2014 - 16 microLandscapes (sound, visuals, programming), interdisciplinary project by Emma Fishwick 2013 - Bodied Assemblies (sound), improvised dance work by Rhiannon Newton (ongoing) 2013 Three Squared, (sound), dance work by Rhiannon Newton with Unkempt Dance 2012 - 14 Motion, (sound) with Andrew Brooks, Berish Bilander, Brett Thompson, Hugh Harvey and Sam Zerna 2013 Prompter (visuals and sound design), hybrid theatre work by Hydra Poesis, premiered at Arts House Meat Market, Melbourne 2013 Wintering (visuals), dance work by Aimee Smith, premiered at State Theatre Underground, Perth 2012 All My World is Scaffolding (sound), choreographed by Jo Pollitt and Tara Daniel, PICA 2010 Memorial (sound), dance work by Michael Whaites, LINK Dance Company 2009 Caused to Happen (sound), dance work by Craig Bary (NZ), LINK Dance Company

The new attachments choreographed by the machine include; a sand spreader, a lightbulb pulley, a filament light countdown, a slide projector beaming cursory commands onto a pillar, and the obbligato — The Palindrone Jukebox.

Simon Heijdens» installation shades NOW Gallery with an intelligent skin applied to the 7 metre glass, and it forms a kaleidoscope of light and shadow choreographed by the elements.

Last year the Irish artist Duncan Campbell won the prize for «It for Others,» a video artwork that blends old - fashioned educational films with dance footage choreographed by Michael Clark.

Choreographed by Gerard & Kelly, the piece featured 14 CalArts dancers.

Choreography by Madeline Hollander Music by Celia Hollander aka $ 3.33 Dancers: Jeremy Pheiffer, Marielis Garcia, Madeline Hollander Presented in conjunction with Elizabeth Jaeger's solo exhibition, Six - Thirty, on view through November 9th DRAFT is a continuously looping performance choreographed by Madeline Hollander featuring live music by the LA - based sound artist, Celia Hollander ($ 3.33).

The vibrant and athletic troupe BOOMERANG kick off the series on April 1 with an outdoor performance of For the toward, choreographed by Kora Radella.

Dancers in «Plastic» — choreographed by Cyprus - born artist Maria Hassabi — discuss their experiences performing at MoMA.

A scene from «Klein Paradiso,» a performance choreographed by Adam Linder at the Hammer Museum.

In addition, in 1936 he produced a set of stage designs and costumes for the ballet Les Presages, choreographed by Leonide Massine, after which he completed designs for Hamsun's La Faim (1939), Cervantes's Numance (1937) and Milhaud's Medea (1940).

The artist photographed complex dance pieces choreographed by the likes of Merce Cunningham with equal sensitivity.

Serena Korda was Artist in Residence at the Camden Arts Centre, London in August; the residency culminated in the dance performance Decosa Tradition, Stockholm Kiefer / Pin, choreographed by Korda.

Bodies in Urban Spaces is a performance trail, choreographed by Willi Dorner, that will see participants create a trail of weird and wonderful site - specific body interventions around Margate OldMore details

In response to my paintings, the Leopold Group modern dance company will perform «A Hole Piece,» choreographed by Artistic Director Lizzie Leopold.

The modern way of life has been undoubtedly shaped and choreographed by large networks and digital data.

In January, Rosenquist and the artists» rights advocate Rubin Gorewitz address several hundred artists in Chicago about artists» royalty legislation.19 Rosenquist designs a set for Deuce Coupe II, a dance choreographed by Twyla Tharpe and performed by the Joffrey Ballet at City Center, New York, in the spring.

Choreographed by Stephen Petronio, «Into The Maze» is performed by the Stephen Petonio Company and organized by Jill Brienza, curator of «Alan Shields: In Motion» currently on view through January 19, 2015.

In lieu of red carpet, the collectors and curators who lined up to enter the Frieze London on Wednesday were greeted with «performative sculpture» (think wrestling / yoga / acrobatics) choreographed by Mexican artist Martin Soto Climent in a dirt - floored courtyard with pantyhose stretched across the sparse trees to resemble a spider web.

Friedman created the backdrop for a dance piece choreographed by Silas Riener ’06 for the 2014 Spring Dance Festival and collaborated again with Riener on her installation at Art Basel / Miami in 2015.

Choreographed by Pierre Halet; sets and costumes designed by Calder; music by Jean Ferrat; produced by Gabriel Monnet.

Choreographed by Tatiana Leskova; mobiles by Calder; music by César Franck.

Choreographed by Norbert Schmuki; sets and costumes designed by Calder; music by Edgard Varèse.

Calder creates mobiles for Symphonic Variations, choreographed by Tatiana Leskova with music by César Franck.

Choreographed by René Goliard; sets and costumes by Alexander Calder; music by Charles Ives.

5 — 29 June: The Glory Folk, a ballet choreographed by John Butler with sets by Calder, is performed during the «Festival of Two Worlds,» Spoleto, Italy.

Choreographed by Florence Peake in collaboration with dancers Katye Coe, Amaara Raheem, Susanna Recchia and Rosalie Wahlfrid.

Calder designs sets for Eppur Si Muove, a ballet choreographed by Joseph Lazzini and performed at the Marseilles Opera.

Choreographed by Martha Graham; mobile sets designed by Calder; music by Norman Lloyd; costumes by Graham.

The Drexel Dance Ensemble performed a work in this space choreographed by Tania Isaac.

Nearby, in Our Labyrinth a performance choreographed by Lee Mingwei who was born in Taiwan but lives in the United States, a dancer silently swept piles of grain into delicate patterns.

The show ends with the 54 minutes of Campbell's It for Others, which includes chunks of a 1953 French film essay by Chris Marker and Alain Resnais on colonialism and African art, and a dance routine choreographed by Michael Clark expressing economic equations from Karl Marx's Das Kapital.

Abstract dance sequences, choreographed by Lucinda Childs and Andrew de Groat, were juxtaposed against a sequence of large, recurring images projected on a screen at the back of the stage.

From A to B via C is choreographed by Alexandra Bachzetsis and features performances by Bachzetsis, Anne Pajunen and Gabriel Schenker.

This time was also punctuated by his introduction into printmaking in the mid-60s, and his designs in 1967 for the set and costumes for Scramble, a dance performance choreographed by Merce Cunningham.

Immovable, a ballet choreographed by Julia K. Gleich and created in collaboration with artist Rachel Beach, is coming to the Visual Arts Center of New Jersey on Sunday, March 19, as part of the closing reception of Beach's exhibition, Touchstone.

Pairing a selection of recent watercolors from 2011 and 2012 by Thomas Schütte with a selection of previously unpublished poems written by Robert Walser in Bern between 1924 and 1933, this book is a deeply personal exploration of our everyday selves, choreographed by one of our most important living artist.

The gestural nature of the application in this new body of Monochromes is inspired by «The Stand», a dance choreographed by Stever Paxton, who describes it as follows:

Exhibitions include «Illuminations d'eau» (directed and choreographed by Robert Castle, with a creative reconstruction of fragments of the (now lost) original score by Willy Merz) at the Fondazione Mario Merz, Turin (2008); «The solitary body», Riccardo Costantini Gallery, Turin (2013); «Glasstress 2011», 54th Esposizione Internazionale d'Arte, Venice Bienale, on display at the Palazzo Cavalli Franchetti and the Berengo Centre for Contemporary Art and Glass on Murano.

In a sharply registered contrast, very intimate moments are almost choreographed by the regulatory strictures of the visitation, and are enacted by a number of variously connected and detached agents: muralist, guard, photographer, camera, visitor, inmate receiving a visit, inmates not receiving a visit, and the room of spectators.

They consist mostly of large, boldly chromatic sheets of dyed cloth, hung from rattan poles, interspersed with some works that arrange the poles themselves, paused at intervals, like slender dancers choreographed by Cunningham.