It is not so spring - like around the corner at Marian Goodman Gallery, where the Arte Povera eminence grise Giuseppe Penone offers a wintry grove of white marble tree trunks and branches
choreographed like figures in the urban plazas of Giacometti.
The action sequences are
choreographed like wacky cartoons, as the camera swoops through the complicated mayhem with acrobatic skill.
The film soars on a lyrical mix of scruffy singing heroes, cross-dressing heroines, narcissistic villains, and fantastical action
choreographed like dance.
His gaudy entrances to the ring are
choreographed like music videos.
And baseball isn't
choreographed like football and basketball.
Not exact matches
Previous reports,
like this one from Vice News, said certain elements of the trip seemed
choreographed.
At 2M Smokehouse in San Antonio, Esaul Ramos, and Joe Melig
choreograph their bedtimes
like tag - team wrestlers: one goes in, one comes out.
A highly skilled and fluid team that plays its every move
like a well
choreographed ballet versus a team that has a very direct approach to goal with an intimidating physical presence.
Teaching your child songs with
choreographed movement
like «I'm a little teapot» can also help them learn to sing along and develop language.
One of the things that happens when you flood the brain with high arousing material
like pornography, or very specific behaviors that are
choreographed and ritualized
like with a prostitute?
I
like the idea of a coup; it has drama and adventure attached to it, and the British public love drama and adventure, and if properly
choreographed and played out right, could see Labour winning the next election by a walkoverPeople
like decisive Leaders not afraid to step in to save the Party they love.
«So, literally, you'll have bridges all across the New York City area that are
choreographed — nothing
like this has been done on the planet,» Cuomo told reporters in January.
With just more than two weeks until the Republican National Convention opens in Cleveland, Donald Trump's preparations for what is usually a polished and highly
choreographed affair are looking a lot
like his campaign itself: chaotic, freewheeling and unpredictable.
Of course, it's well -
choreographed moves
like this one — not to mention his appearance at the «No Labels» event at Columbia University — that makes it hard to take Bloomberg at his word that he's really doing nothing else than trying to influence the national discussion and pull the polarized country back to the center.
«So literally, you'll have bridges all across the New York City area that are
choreographed — nothing
like this have been done on the planet,» Cuomo told reporters in January.
Dramas from elections past -
like the way Michael Foot was nearly sacked as Leader half way through the 1983 campaign,
like Kinnock and Hattersley endlessly contradicting each other over Labour's tax plans in 1987,
like Kinnock «s «take to the hills» defence policy against a potential Soviet invasion,
like the tax bombshell,
like Maggie Thatcher's «I want the doctor I want, on the day I want» rant in 1987,
like John Major unleashing the soap box in 1992,
like Neil Hamilton and Martin Bell slugging it out on Knutsford Heath in 1997,
like the Prescott punch of 2001 - seem more vivid than the more measured and
choreographed procession of 2010.
Over the past few years, through studies carried out on yeast DNA, biologists have begun to learn that something that looks
like a simple cog in all living things is actually performing an intricately
choreographed dance.
Building ribosomes — the cell's protein factories — is
like a strictly
choreographed dance.
The stars in the binary pairs orbit around each other, and the two pairs also circle each other
like choreographed ballerinas.
The tradition of capoeira is described as a game, where two competitors duck and weave in mock combat; it can look
like a
choreographed dance.
Suffer from the 10 a.m. dull headache that will no doubt snake up the back of my neck and seize my forehead and temples
like a band of howling wild wolves
choreographed to the sound of Middle Eastern drums?
The Singles Project is definitely not the well -
choreographed stuff of hit dating shows
like The Bachelor.
And almost everything you will see here actionwise is
like nothing you've ever seen before, even when it kinda is: precariously
choreographed fisticuffs high in the backstage rigging of the Vienna opera house (while an opera is being performed below, natch) are gripping; a car + multiple - motorcycle chase does things to vehicles that they shouldn't be able to do; and I'm pretty sure that split - second computer shenanigans and underwater antics have never been combined
like this before.
Beautifully
choreographed and flawlessly executed, it feels
like he's put to good use the lessons he learned when orchestrating Scott Pilgrim vs. the World «s action packed moments.
, a line of police cars, and the Batmobile that is kinetic and beautifully
choreographed (less showy but just as great is an early bank heist that anybody who saw I Am Legend in IMAX is already familiar with)-- and there are exchanges of razor - sharp dialogue delivered
like poison pills.
The set pieces, particularly one deliberately provocative punch - up halfway through, are gloriously
choreographed and shot, sloshing blood around
like a barman shaking a vodka martini.
If the
choreographed sex scenes break into the pedestrian plot and dialogue of Body of Evidence
like numbers in a musical comedy, that's because they appear to be the only scenes the filmmakers really care about; otherwise the characters and story can go straight to hell, one feels, as they eventually do.
Harris's performance in the
choreographed numbers was superb, and so were some of his off - the - cuff one liners,
like a quip about best documentary short winner Dana Perry's dress festooned with furry globes and how «It takes a lot of balls to wear a dress
like that.»
Proving — just
like La La Land itself — that cheerful, elaborately
choreographed musical numbers can get you a lot of positive attention (if not necessarily love), an Arizona teenager earned a written response from Emma Stone via an over-the-top prom invitation.
Finalists: It was a great year for action, largely thanks to George Miller's new action masterwork but even in less perfect films there were inarguable standout sequences
like the
choreographed unbroken take on the Johnson vs. Sporino fight in CREED or the Hulkbuster Suit vs. Hulk in AVENGERS: AGE OF ULTRON both of which were so strong it's unfortunate to leave them out of the top five.
(However, one couldn't imagine the Thai filmmaker pulling off something
like Kaili Blues» pièce de résistance: a 41 - minute unbroken handheld shot
choreographed across an entire village.)
«With kissing you can do whatever, but sex scenes have to be
choreographed -
like, what do I do with my hands?
Fiennes spent months
choreographing his Rolling Stones gyrations: «Ralph is so disciplined and prepared;
like Tilda, he chisels things.»
Choreographed and staged with intricate detail, the film's visuals are
like nothing ever experienced before in film.
Playing a little more
like an entry in the Bourne series than the Bond series, not only with its «rogue agent who can't trust his organization» story, but also its hyperkinetic way of editing the sometimes brutal action sequences, Quantum of Solace falls a bit from star Daniel Craig's debut due to the fact that impressively
choreographed hand - to - hand combat fails to impress when the action and stunts are this grandiose.
Like The Adventures Of Tintin, though, The BFG exhausted me more than delighted me — partly because I was constantly conscious of how difficult it must have been to
choreograph and execute shots, partly because Barnhill belongs to the Hayley Mills tradition of «spunky» child actors who only vaguely resemble actual little kids.
Adonis» fight scenes are
choreographed with both technical fluidity and a palpable intensity: Heads don't dramatically snap back
like they did when the Italian Stallion fought Drago in Rocky IV — instead, the blows land with a realistic force.
In many ways, it feels
like an excuse for people to marvel at
choreographed car crashes and for Ron Howard to wet his feet behind the camera.
They're very well
choreographed and you know, Brad invented this kind of Pub Fu thing which is stylised and it's not
like a real pub fight, it's more stylised, but it felt
like, in some respects, that's what the film was
like.
Even for a master cinematographer
like Roger Deakins, Sicario was a tricky project to pull off — a logistical puzzle with many moving pieces, including aerial and night - vision footage and highly
choreographed action sequences.
Costumes are all vibrant and rooted in charmingly tacky Americana
like an 80s Jonathan Demme picture, while the action scenes take the idea of
choreographing shootouts as dance sequences rather literally.
Then we had the dance of their movements, so we'd
choreograph our movements
like they did it.
Plenty of well -
choreographed and well - shot action sequences (the action junkie in me was very much appeased), I did
like Tauriel's character, and oh my god, Smaug stole the show!!
Set to Italian pop hits of the eighties, this nearly wordless gem plays both
like a perfectly
choreographed extended dance piece and a deliriously woozy wander into the nocturnal heat, with entire relationships playing out in brief street - corner scenes.
These thrillingly
choreographed sequences of carmageddon build to a jaw - dropping finale, replete with roof - mouthed metronome -
like poles that allow road warriors to swoop down and snatch their prey from adjacent vehicles.
As one of the best
choreographed superhero films of the 90s, Blade's action sequences stand head and shoulders above the
likes of Batman and Robin, and even much of the CGI heavy superhero films of the early 2000s.
The fight scenes were well
choreographed, as it looked
like James did his own stunts.
Leitch does a more than adequate job, I mean it's not
like this is The Crow: City of Angels or anything, but it feels
like he was too busy
choreographing balls - out action sequences to make us care about the characters caught in the middle of all that manufactured mayhem.
Amirpour can
choreograph and shoot scenes of grotesque brutality
like nobody's business, but her command of pacing and composition really sets her apart.
If you are fortunate, you had a few creative teachers — ones
like those who challenge students to write long division raps,
choreograph geometry dances, perform World War II radio commercials, and paint literary quotes on ceiling tiles.»