Not exact matches
Jobs
worked the
stage methodically, with somber reverence and weighty pauses, holding tightly
choreographed events on weekday mornings for maximum media impact.
Then, taking the
stage, Sotheby's auctioneer Oliver Barker led the evening's proceedings, corralling collectors while
works on the block were paraded by handlers, the whole procession
choreographed to a Top 40 playlist compiled by Phelan and Zuckerman.
Previously, David
choreographed his figurative
works to imply dramatic narratives, at times using the exhibition space as a
stage.
Choreographed sculptures on a
stage coalesce into a multifaceted and atmospheric
work that unfolds over the course of the day.
Initiating the Symposium, Artist Brendan Fernandes (Artist Monique Meloche Gallery, b. 1979 in Nairobi, Kenya)
stages a site - specific iteration of his performative
work Révérence (2015), featuring a series of
choreographed dancers to both welcome and confront the audience.
First appearing as a figurative element in his
works on paper in the mid-1990s, and since incorporated into his large - scale drawings, paintings, and films, masks were most recently featured in the artist's critically - acclaimed
stage and costume design for the New York City Ballet's The Most Incredible Thing in 2016, a performance
choreographed by Justin Peck and based on Hans Christian Andersen's fairy tale.