Sentences with phrase «choreographic movement»

While their bodies dissected the dynamics of choreographic movement that shifted between soulful and robotic, their words reflected upon what it means to be a performer within the art market and within capitalism more broadly.

In a crossover of queer activism, art and choreographic movement, the Project will culminate in a performance.

(Carlos Motta, John Arthur Peetz, Carlos Maria Romero); A crossover of queer activism, art and choreographic movement; performances featured at 2.30 pm and 5.30 pm at Frieze London.

Not exact matches

It uses a wide array of choreographic elements such as contrasts between square lighting patters and fluid, circular movement; unison movement and individuals breaking out of it; everyday movement and expressive, intimate moments.

A robust public programme also accompanies the show, including the opening and closing night performances of Thomas Teurlai's intriguing Score for Bodies and Machines (2017) in which two photocopying machines create a choreographic sequence for, and in response to, the movements of local performers Benjamin Wardell and Anna - Martine Whitehead.

This 456 - page volume, published in conjunction with the Walker Art Center and MCA Chicago's exhibition, reconsiders the choreographer and his collaborators as an extraordinarily generative interdisciplinary network that preceded and predicted dramatic shifts in performance, including the development of site - specific dance, the use of technology as a choreographic tool and the radical separation of sound and movement in dance.

Global Movements, May 23 - June 3, features works by Welch, Trey McIntyre, a former Choreographic Associate at Houston Ballet, and William Forsythe.

Aligned with the culmination of a year long choreographic residency at Rebuild Foundation, award - winning performing artist Barak adé Soleil presents reRaceDis: a movement installation on Saturday, January 7th from 4:00 pm — 6 pm at Stony Island Arts Bank, within the currently exhibited installation of noted visual artist Glenn Ligon's A Small Band.

Pilgrim hopes to make research, conversation and dialogue that explores Japanese artistic movements relating to Feminist, Activist and Socially engaged practice to develop a series of choreographic methodologies and music questioning how environmentalism provides a basis for social and political emancipation.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Their collaboration broke sharply with choreographic tradition in permitting the individual dancer any movement meaningful to him or her and relieving the performer of any obligation to tell a story, symbolize something, or find equivalents for the music.

This includes photography and many films — including the forthcoming documentary, Linda Karshan, Choreographic Page, by Ismael Annobil of Stonedog Productions; a group of 4 short films from Dresden by Harald Schluttig; the seminal film by Candida Richardson, Movements and their Images; and the acoustic drawing, «Soundings» as Karshan drew during one day in her London Studio.