Rosenblit's works lean toward the uncanny and maintenance of care, often incorporating text while the process focuses on an improvisational approach to
choreographic thought, locating ways of being together amidst impossible spaces.
Her practice is committed to qualities that affirm the transformative potential of bodies and all things engaged in
choreographic thought.
Recent works focus on an improvisational approach to
choreographic thought, locating ways of being together amidst impossible spaces.
Recent works focus on an improvisational approach to
choreographic thought and ways of structuring bodies as they fall out of relation aesthetically and spiritually while still locating ways of being together.
«Live Creation» locates the performances in the context of an inquiry into the ways in which
choreographic thinking and the agency of dance artists can be made visible and explored.
Not exact matches
I studied Ballet seriously when I was younger and so I
think initially the
choreographic nature and the discipline attracted me to the yoga practice.
So, continuing in the tradition of the Fluxus boxes containing materials for actions and the «dance capsules» that preserve Merce Cunningham's
choreographic work, this box originated as a question: How do we
think beyond objects, to collect and archive nontraditional art practices?
Throughout her PhD research she has been developing an open - ended
choreographic process to support
thinking, imagination, and creative experimentation within techno - scientific research contexts.
Stina Nyberg works with dances Nadja Hjorton, Sidney Leoni, Maryam Nikandish, Zoë Poluch and Rebecka Stillman to expose
choreographic practices up close and offer an insight into the embodied critical knowledge,
thinking and agency at the heart of contemporary dance production.