Sentences with phrase «choreographic works»

in the case of literary, musical, dramatic, and choreographic works, pantomimes, and motion pictures and other audiovisual works, to perform the copyrighted work publicly

Renowned as both choreographer and dancer, Merce Cunningham (1919 — 2009) revolutionized dance through his partnerships with dozens of artists who created costumes, lighting, films, music, and décor for his choreographic works.

Kennesaw State University Department of Dance offers a presentation of experimental choreographic works developed during a three - day choreographic intensive.

It begins with her early choreographic works and pioneering video performances, and culminates with her most recent piece «They Come to Us without a Word».

J. Soto hails from New York where his choreographic works investigating the queer experience through an interigation of race and class.

FlucT is the collaboration between performers Sigrid Lauren and Monica Mirabile, who create highly charged choreographic works exploring social control and power dynamics enacted upon the body.

Mr. Stout is active in professional circles including the Association of the Bar of the City of New York (Art Law Committee 1997 — 1999), and the American Bar Association (Patent, Trademark and Copyright Section: Committee for Pictorial, Graphic, Sculptural and Choreographic Works).

Christopher Williams (dancer) is a choreographer, dancer, and puppeteer devoted to crafting and performing choreographic works in New York City and abroad since 1999.

How Cunningham transformed postwar culture through collaboration Renowned as both choreographer and dancer, Merce Cunningham (1919 — 2009) also revolutionized dance through his partnerships with the many artists who created costumes, lighting, films and videos, and décor and sound for his choreographic works.

It begins with her early choreographic works and pioneering video performances, such as the Organic Honey series, and culminates with her most recent piece They Come to Us without a Word, which was presented in 2015 at the Pavilion of the United States for the 56th edition of the Venice Biennale, and will premiere in North America at DHC / ART.

It was within this context that Rauschenberg began producing his own choreographic works.

In Madison Square Park, Josiah McElheny's sculptural installation serves as a backdrop for choreographic works by Rashaun Mitchell, Silas Riener, Netta Yerushalmy and others.

Works on which you're able to obtain a copyright fall into eight categories: literary works; musical works; dramatic works; pictorial, graphic and sculptural works; sound recordings; pantomimes and choreographic works; audiovisual works; and architectural works.

The project on view will feature a two - channel projection a new choreographic work shot within the Parrish Art Museum.

In Persona Non Granted, Rawls draws parallels between the laborious construction of stop - motion images and the choreographic work of animating bodies by juxtaposing video documentation of the filmmaking process with completed animation sequences of his choreography.

Her choreographic work, Run Mary Run, was on The New York Times» list of Best Concerts for 2012 and was most recently performed as part of Jason Moran and Alicia Hall Moran's BLEED at the 2012 Whitney Biennial.

So, continuing in the tradition of the Fluxus boxes containing materials for actions and the «dance capsules» that preserve Merce Cunningham's choreographic work, this box originated as a question: How do we think beyond objects, to collect and archive nontraditional art practices?

It can be read as an early indicator of her need to impose a limiting framework upon herself — in this case an imagined box — but the score also connects her choreographic work to concurrent visual arts practices.17 Locus» gridded demarcation of the cube echoes any number of contemporary works, such as Robert Barry's sketches for wire installations and Mel Bochner's Measurement Room (1969), for which the vertical and horizontal dimensions of a room were inscribed directly onto the walls of the space, drawing attention to the physical characteristics of the gallery itself.

Bokaer's Platform project will feature a two - channel projection of a new choreographic work for film, shot within the dramatic vistas of the Parrish Art Museum.

J. Soto is a New York - based artist, generating work in performance and text, whose choreographic work investigates the queer experience through an interrogation of race and class.

Since then, he has collaborated with Lucky Plush Productions, Same Planet Performance Project, and Molly Shanahan / Mad Shak on performance and choreographic work; and has lectured and led workshops nationally and internationally.

In 1994, Yamazaki became a finalist in the platform of Bognolet choreographic competition (the International de Bagnolet Councours) in France for his second choreographic work Reflection.

Not exact matches

To my taste, however, neither film comes close to Chan's or Woo's best work: in terms of choreographic and musical invention, Rumble in the Bronx pales alongside Chan's Drunken Master II (1978), and Broken Arrow, though it's often better conventional entertainment than Woo's earlier films, lacks most of the campy mannerisms that made them so singular.

Director Celia Rowlson - Hall, no stranger to working with filmmakers Lena Dunham and Gasper Noe, will be a guest of MIFF with her debut feature Ma - a contemporary, choreographic road movie re-imagining the Virgin Mary's story.

After the starter activity on the PowerPoint sit pupils in their groups and give them the QR code for their anthology set work for them to watch (on their phones or on iPads) and write notes about the choreographic devices that they see.

Recent works focus on an improvisational approach to choreographic thought and ways of structuring bodies as they fall out of relation aesthetically and spiritually while still locating ways of being together.

A room devoted to Rauschenberg's work in performance and his collaborations with the likes of Trisha Brown, Cunningham and Yvonne Rainer feels, by contrast, constrained and oddly austere, so that you have to struggle among the archive photographs and documents to properly compass the wit and invention of his choreographic excursions.

Prior to the premiere, NYCB dancers perform excerpts from the work and Mr. Peck, Mr. Dessner, Mr. Dzama, and Mr. Baker discuss their creative process with moderator Ellen Sorrin, director of the George Balanchine Trust and managing director of the New York Choreographic Institute.

David Kelley's work is a hybrid of experimental documentary and ethnographic practices that make use of imaginary, choreographic and performative strategies.

Dances and Films showcases the Getty's complete archive of Rainer's work — with journals, photographs, sketches, choreographic notation, films of performances, and a complete retrospective of her avant - garde films.

Elmgreen & Dragset consider an exhibition to be a work of art in itself, with all its narrative, choreographic and social possibilities and «Biography» will examine the very conditions of exhibiting.

He makes works for the theatre and provides Choreographic Services.

Tony Orrico is a visual artist, performer, and choreographer whose work merges the act of drawing with choreographic gesture and bio-geometrics.

Global Movements, May 23 - June 3, features works by Welch, Trey McIntyre, a former Choreographic Associate at Houston Ballet, and William Forsythe.

His work reflects upon the limitations and awe - inspiring possibilities of man as machine, where subtle «imperfections» in the final drawings reveal the intervention of human presence in an otherwise mathematically precise choreographic gesture.

Recent works focus on an improvisational approach to choreographic thought, locating ways of being together amidst impossible spaces.

The kind of dancing, choreographic translation of this method is vivid in works such as Spugne (1969), where single then paired ochre sponge prints jump up the left - hand margin of the page and across the top, like the exuberant hopping game of a child or the play - fighting of a young pup.

Florence Peake's work has been shown nationally and internationally; she is a recipient of the Jerwood Choreographic Research project, 2016.

Her solo work Horrible Mixtures (2014), made in collaboration with Andros Zins - Browne, is a choreographic seance departing from a sceptics interest in spirituality.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Stina Nyberg works with dances Nadja Hjorton, Sidney Leoni, Maryam Nikandish, Zoë Poluch and Rebecka Stillman to expose choreographic practices up close and offer an insight into the embodied critical knowledge, thinking and agency at the heart of contemporary dance production.

The MAC is exhibiting two works by Sehgal, one more choreographic and the other grounded in discourse and exchange.

Her work is a mash - up of sculptural making, choreographic landscapes and performative actions in the public / nonpublic.

Through the work of Oskar Schlemmer, we discover another Bauhaus, which is not only a school of applied arts, but also a key territory for performative and choreographic experiments in the interwar, until the closure in 1933.

The exhibition shows his desire and ambition to establish a modern theatrical and choreographic art through his manifesto - work, the «Triadic Ballet», but also through the Bauhaus performances and dances, or his staging of works by important composers, such as Igor Stravinsky or Arnold Schönberg.

Gordon's choreographic process prompted her to begin planning (and saving) early; she works three jobs, budgeting each income stream along the way, and was able to borrow money from her parents.

Choreographers Lacina Coulibaly (Burkina Faso), Ousmane Wiles (Senegal) and Nora Chipaumire (Zimbabwe) were commissioned by Harlem Stage to develop new works or reimagine existing pieces from their choreographic canons; wrestling with questions that push the boundaries of what it means to be African in America now.

Rosenblit's works lean toward the uncanny and maintenance of care, often incorporating text while the process focuses on an improvisational approach to choreographic thought, locating ways of being together amidst impossible spaces.

The Walker commissioned new works and sponsored choreographic residencies in Minneapolis, and the choreographer was a primary focus of the 1999 exhibition Art Performs Life: Cunningham / Monk / Jones.

The artist — who was born in Tbilisi, Georgia and now resides in New York — produces complex sculptural installations, which bring together a wide variety of forms — shifting, rearranging, dislocating, and transforming these diverse materials through their combination.There is a strong choreographic impetus evident in both the making, and the positioning of her work, which allows new and different sides to become visible as one walks around it.