Sentences with phrase «choreography of a film like»
Given the painstaking frame - by - frame choreography of a film like this, it seems Anderson failed to entirely consider how this might come off to an even remotely skeptical viewership.»
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Not that her long shots serve her well, either: in one, a chorus line of guys waddle like ducks to «Lay All Your Love on Me,» the film's most unintentionally hilarious bit of choreography; a later shot of Streep running up a hillside to «The Winner Takes It All,» her pink shawl flowing behind her, has all the pathos of a perfume ad.
Ultimately, it's a showcase for elaborate stunt - work and fight choreography, and, because I'm starting to think of Stahelski's film like the films directed by Yuen Wo Ping, that's totally all right.
Smartly, the filmmakers — who include screenwriters Jenny Bicks and Bill Condon (the latter directed the live - action Beauty and the Beast and Dreamgirls and wrote the film version of Chicago)-- also know how to keep a four - quadrant family musical from sinking into Chitty territory by employing devices that also will please the Broadway crowd, particularly the Bob Fosse - like opening number as well as sensational choreography throughout.
Featuring interviews with the likes of Paula Abdul, Matthew Morrison and Harry Shum Jr. of «Glee,» and the directors and choreographers of recent movie and TV musicals, the featurette is an interesting retrospective on the film that covers the choreography, ensemble cast and the effect that it still has on Hollywood today.
Blu - ray Highlight: There really isn't a standout special feature on Universal's two - disc release, but there are still a few good extras worth checking out, including a short but sweet making - of featurette that covers a range of topics like the script, casting and production; an in - depth look at the film's fight choreography; and a featurette on ex-CIA operative Luis Falcon III's assistance in making the movie as accurate as possible.
If you ever wondered what the brilliant music video created for Taylor Swift's hit song «Blank Space» would have been like with all of the fancy trappings left intact but without the wit, insight, strong writing, convincing performances and plausible choreography, then «Fifty Shades Freed,» the conclusion of the three - film saga based on the distinctly cut - rate but insanely popular series of books by E.L. James, will no doubt prove to be your jam.
Blu - ray Highlight: As you might expect from a movie like «Safe,» the coolest piece of bonus material is a 10 - minute featurette called «The Art of the Gunfight» that takes a look at the action choreography in the film, focusing on three sequences in particular.
Collaborating with Eshkol's students as well as a newer generation of dancers, Lockhart staged and filmed performances of Eshkol's choreography in a minimal, gallery - like setting punctuated only by Eshkol's remarkable wall carpets, rotated from dance to dance like elements in a stage set.