Sentences with phrase «choreography of the fight scenes»

The choreography of the fight scenes was top - notch.

Not exact matches

Johansson's infinitely bland, which is better than her normal awful (regardless of her acting, her fight scene has some great choreography).

Uwais said that all of the fight scenes were hard to shoot, as it wasn't easy to memorize the elaborate fight choreography.

The Japanese setting provides for some nice samurai style fight choreography, but most of the fights scenes are nothing special.

Brawl in the Hall — A fascinating and hilarious inside look at the process of creating Brave's fighting Scots, through animation, crowd simulation and fight choreography — not to mention a room full of grunting men whose vocal chortles added authenticity to the raucous scene.

I love how the chain is an integral part of the fight choreography (it even pays off later in an equally great scene).

A few of the fight scenes feel a little «same - same» as you notice fight choreography repeating, but Evans manages to provide enough variety in the execution to ensure each sequence heightens the escalation of the narrative.

A thirteen - and - a-half minute documentary called «Jet Li is «The One»» is a fawning thing detailing how Jet is indeed the coolest cat in the alley (and probably deserving of a better vehicle), while another docu called «Multiverses Create «The One»» (also 13 + minutes) imparts some intriguing fight choreography information whilst presenting behind - the - scenes footage and an interview with fight master Corey Yuen.

Sammo Hung's choreography, with fight scenes shot as cartwheeling flurries of gold, blue, and crimson, is just one of the pleasures in a film that also includes shapeshifting heroines, talking stags, a toppling colossus, cheesy digital compositions, and wacky exchanges («What's a Phantom Bazaar?»

The impressive special effects, exceptional fight choreography, and explosions of the Korean casino scene would be at home in most big - budget action movies.

Although he does put his body on the line in terms of stunts and fight choreography, it is in the scenes where there is no action that he truly delivers, as you can sense the pain and anguish of the moment, providing the necessary punctuation to make every interchange among the characters very compelling.

«You Do Not Mess with Jack Reacher: Combat & Weapons» (10:27) turns our attention to the film's brand of semi-old-fashioned action, with behind - the - scenes looks at fight choreography and stunt filming.

Chu's penchant for choreography, as seen in his previous helming of Step Up 2: The Streets and Step Up 3D, is also an apt fit for the impressively - staged series of fight scenes, particularly a mountain - set martial arts sequence.

The fight choreography, long takes, and stylish trickery captured by the camera of first - time feature cinematographer Jung - hun Park amplify the intimate and splattered intensity of every scene.

Ramayana — Abduction of Sita â $ cents Choreography: Islene Pinder, Carlos Fittante â $ cents Fight Scene: Toshinori Hamada & Carlos Fittante â $ cents Music: a compilation of Balinese gamelan music and vocals arranged by Pinder / Fittante, performed and refined by the Semara Ratih Gamelan.

The opening scenes take place in and around a dodgy London boozer, which makes a surprisingly pleasant change after playing through two games worth of jungles and temples, and the fist - fight right at the start is a masterful example of playable, flexible choreography.

1) The Hallway fight scene... having heard of Nolan's love for live - formed visuals rather than CGI practices leads me to think that perhaps, that hallway was built on an axis that was slow rotated during the choreography.