Sentences with phrase «chose objects from»

This year, students chose objects from the Museum's permanent collection on long - term view to research and incorporate into a hypothetical Noguchi Museum Annex in the DUMBO neighborhood of Brooklyn.

This year, students chose objects from the Museum's permanent collection on long - term view and Highlights from the Collection: Design Into Art exhibition to research and incorporate into a hypothetical Noguchi Museum Annex in the DUMBO neighborhood of Brooklyn.

This year, students chose objects from the Museum's permanent collection on long - term view and highlights from the Akari: Sculpture by Other Means exhibition to research and incorporate into a hypothetical Noguchi Museum Annex in the DUMBO neighborhood of Brooklyn.

Ask your child to choose an object from the box and to tell you its name.

Under the supervision of Mark Dion and the museum curators, fine arts students will «capture» the museum's collections: The students will choose objects from the departments of art, archeology, natural history and ethnology as examples of collections and collecting showing how the construction and presentation of science and nature can be portrayed.

Not exact matches

If, as the Scriptures and experience tell us, all men are by nature in a state of guilt and depravity from which they are wholly unable to deliver themselves and have no claim whatever on God for deliverance, it follows that if any are saved God must choose out those who shall be the objects of His grace (Boettner, Predestination, 95).

What is chosen therefore is one of those types of act which «in the Church's moral tradition have been termed «intrinsically evil» (intrinsice malum): they are such always and per se, in other words on account of their very object, and quite apart from the ulterior intentions of the one acting and the circumstances.»

It is the sense of the term that one object is freely chosen from among multiple possibilities.

The wordless counting involves two capacities, the first being «seeing numbers» or choosing the object with a certain number of points on it from among a group of objects with points differing in number, size, color and arrangement.

They do this without the free decision of the individual, and thus this sphere of freedom does not remain empty, but contains a definite choice of objects from which man may choose in an always finite decision.

In summary, extending Whitehead's doctrine of eternal objects to include the idea that they form a dense continuum seems to raise at least two problems: (1) it requires that God consciously prehend a nondenumerable multitude of propositions regarding every past actual occasion and (2) it requires either that a new concrescence choose its subjective aim from a nondenumerable multitude of alternatives or that this multitude somehow be restricted before all these alternatives are prehended by the occasion.

But this double «betrayal» stemmed from a single motivation: Weil objected so adamantly to the national idolatry endemic in European (and particularly French) Christianity» the conceit that «holy France» was God's chosen people» that she blamed Israel and its God for inflicting the idea of election on the world in the first place.

The axiom of choice states that if you have a collection of sets, you can always form a new set by choosing one object from each of them.

The objects our winners chose to tag and throw away ranged from a plastic bottle to an old computer.

Choose a suitable heavy object from your surroundings and hoist it up on your shoulders.

To get the perfect image I was moving objects around so I could have more to choose from in the end.

You can choose from several different objects, such as an iron ball, a stone, and a watermelon.

So when the Goblet of Fire, the enchanted object given the task of choosing the winning contestants, pulls from its blue flame a piece of parchment on which is scribbled «Harry Potter,» there are suspicions of interference from evil sources.

Pupils choose from 3 options each time, what they would do if they had no... This quiz is based on household objects, but contains a range of cross-context vocab.

Choose from two backgrounds and construct a scene using the objects.

After you chose your preferred style, you are faced with a simple interface, where all you have to do is drag - and - drop the object you want from the available built - in asset library and place it inside the blank space.

Through a process known as additive manufacturing, solid three ‑ dimensional objects are constructed from a digital file where layers of the chosen material are built up to create the object required.

The Best Websites For K - 12 Writing Instruction / Reinforcement The Best Places Where Students Can Write Online The Best Sites For Grammar Practice Not «The Best,» But «A List» Of Mindmapping, Flow Chart Tools, & Graphic Organizers The Best Resources For Researching & Writing Biographies The Best Resources For Learning How To Write Response To Literature Essays The Best Places Where Students Can Write For An «Authentic Audience» The Best Places Where Students Can Create Online Learning / Teaching Objects For An «Authentic Audience» The Best Places To Read & Write «Choose Your Own Adventure» Stories The Best Sites To Learn About Advertising The Best Websites For Developing Academic English Skills & Vocabulary The Best Online Interactive Exercises For Writing That Are Not Related To Literary Analysis The Best Online Resources To Teach About Plagiarism The Best Resources For Learning Research & Citation Skills The Best Sites For Students To Create & Participate In Online Debates The Best Online Resources For Helping Students Learn To Write Persuasive Essays The Best Spelling Sites The Best Sites For Gaining A Basic Understanding Of Adjectives The «Best» Sites For Helping Students Write Autobiographical Incident Essays The Best Sites To Learn «Feelings» Words The Best Sites For ELL's To Learn About Punctuation The Best Resources To Help Students Write Research Essays The Best Sites For Learning To Write A Story The Best Writing Advice From Famous Authors The Best Resources On Punctuation

Common Core & State - Aligned Content Choose from hundreds of question / answer slide sets and thousands of lessons including topics from 1:1 object - number correspondence to high school algebra.

Gamebooks [ii], for example, draw on the Choose Your Own Adventure books (and also role - playing games) Storybook apps take their name — and core form — from print storybooks, with the typical addition of animated objects, voice recording to retell the story, etc..

No matter which length of day you choose; the day - night cycle showcases a total contrast in skies, lighting and even dynamic casting of shadows from structures, objects and foliage as sunrise becomes mid-day, mid-day progresses into sunset and sunset transitions into midnight before looping back around again in what is a graphically authentic depiction of a day - night cycle.

Choose games from categories hidden object puzzles, match games, sports, pinball, card game challenges, word problems and more!

Choose from the classics including hidden object, match 3, solitaire, sports, time management, pinball, mahjongg, word games, and many more!

- using the Mii Mask makeup item now colors all exposed body parts - ability to sit down on big rocks found around villages - floor cushions are laid out in houses - ability to shake trees while holding a one - handed piece of equipment - place objects on top of certain pieces of furniture - hang clothing on the walls - upload screenshots directly from the game - Villagers give a full week's notice before they ship on out of town - choose who to kick out of a town if they manage to convince a visitor to move in longterm

- get Public Works tasks from Isabelle - early on you'll have to build a school - choose the outside look from a selection of options then work on the inside - inside includes work on benches, lockers, tables and more - later you'll work on a hospital, cafe, a shop and more - the hospital tasks you with working on multiple rooms - use the stylus to drag and drop items into the playing field - tap the object to change the perspective and move them all easily to somewhere on the grid - drag the characters around as well - tapping on the D - Pad lets you change the camera angle - move around with the Circle Pad and interact with others by pressing the A-button - the plaza is where old and new animals are gathered - a speech bubble above a head denotes requests - once you've wrapped up the development of a property, a scene will play where the animals interact with the property - animals will say specific things when they are in stores / school or comment on things that are placed around the house - throw in your own favorite characters by purchasing amiibo cards - scan them and they will enter the house or scene - cards also give requests from characters before you even meet them in the game - some characters are exclusive to the cards - put data back on the card and give that information to the friend

Apart from the puzzle solving objects, your only objects are the matches liberally littered throughout the prison that are your only source of light, and a child's «colourful» diary that you only choose to read through at given points within the game.

Choose from a range of shareware hidden object adventure games, seek - and - find, arcade and action games, time management and strategy games, match 3 and marble popper games, card and board games, educational kids games and puzzles.

The controls are well mapped to the DualShock 4 controller by updating the controls for every season to that of A New Frontier with the control scheme consisting of pressing X, triangle, square or O to perform actions, start a conversation with a person in your group or to choose a response in a conversation with the buttons being clearly marked towards the bottom of the screen; pressing R2 to run or perform fight actions when defending yourself; pressing up or down on the d - pad to look at your inventory; mashing certain face buttons such as X, triangle, square or O when in one - on - one encounters with walkers; changing the direction of the left analogue stick to move around cover in a tight situation or walking around as you explore the environment during your search to find people and supplies; changing the direction of the right analogue stick to move the cursor around the environment for you to investigate and observe certain objects and items of importance as well as deciding who to start or continue a conversation with or even positioning your aim when you are about to defend yourself from a walker; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

You interact with the world by selecting verbs from a menu in the bottom left, and then choosing an object onscreen to apply that verb to.

The whole thing is played from a first person perspective from which you select objects and talk with people by choosing dialogue from a tilt wheel that is often time - limited to such a heavy degree that it's nearly impossible to absorb your options and make a deliberate choice.

The lack of touch pad implementation is surprising as the Vita's touch screen control scheme was pretty much perfected as it saw the cursor being replaced with icons and consisted of tapping on an icon to perform a particular action, interact with an object, start a conversation with a person in your group or to choose a response in a conversation, while dragging your finger around the touch screen would move Clementine around cover or exploring the environment as you search for supplies and people, so it is difficult to understand why such functionality could not have made the transition from the Vita to the DualShock 4 controller.

The control scheme consists of pressing X, triangle, square or O to perform actions, start a conversation with a Fable or to choose a response in a conversation with the buttons being clearly marked towards the bottom of the screen; pressing R2 to run or perform fight actions when defending yourself; pressing L2 to show selectables or to perform fight actions; pressing up or down on the d - pad to cycle through your inventory; mashing certain face buttons such as X, triangle, square or O when in one - on - one fights with Fables as the buttons are randomly generated each time you play; changing the direction of the left analogue stick to move Bigby as he walks around to explore the environment; changing the direction of the right analogue stick to move the cursor around the environment for you to investigate and observe certain objects and items of importance as well as deciding who to start or continue a conversation with or even positioning your aim when you are about to defend yourself from a Fable; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

The controls are well mapped to the DualShock 4 controller by retaining the improvements from the second season with the control scheme of Michonne consists of pressing X, triangle, square or O to perform actions, start a conversation with a person in your group or to choose a response in a conversation with the buttons being clearly marked towards the bottom of the screen; pressing R2 to run or perform fight actions when defending yourself; pressing up or down on the d - pad to look at your inventory; mashing certain face buttons such as X, triangle, square or O when in one - on - one encounters with walkers; changing the direction of the left analogue stick to move around cover in a tight situation or walking around as you explore the environment during your search to find people and supplies; changing the direction of the right analogue stick to move the cursor around the environment for you to investigate and observe certain objects and items of importance as well as deciding who to start or continue a conversation with or even positioning your aim when you are about to defend yourself from a walker; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

The game controls are very simple and work well, X will make you jump as well as interacting with various objects, and also mounts and dismounts your from your chosen steed, which can range from Horses to Elephants!

The lack of touch pad implementation is surprising as the Vita's touch screen control scheme was pretty much perfected as it saw the cursor being replaced with icons and consisted of tapping on an icon to perform a particular action, interact with an object, start a conversation with a person in your group or to choose a response in a conversation, while dragging your finger around the touch screen would move Lee around cover or exploring the environment and finding people, so it is difficult to understand why such functionality could not have made the transition from the Vita to the DualShock 4 controller.

Choose from a huge variety of objects to be able to design tons of interesting Levels.

Initiating conversations based on objects in the environment and having a variety of responses to chose from, depending on the situation, is one of the main gameplay mechanics.

As you wait for your army (yes, Sisyphus has managed to inspire followers) to construct a rocky missile, you'll choose from a number of objects via a radial menu and place them on most parts of the track.

You simply choose the object that you want to place from a menu, drag it to the position and that is it, it is really that easy!

Mr. Rowland, who was born in Philadelphia in 1988 and earned a B.A. in studio art from Wesleyan University, has been exhibiting for less than five years but has become known for his carefully chosen, sometimes arcane use of existing objects.

Reproducing objects taken from everyday life and highlighting some of their formal aspects this way, Engh provokes a kind of transposition of the meaning of the chosen subject, and manages, with a simple gesture, to shift the attention from the historical detail to the formal detail, likening these objects to pure forms.

While Hamilton might think she has picked out the «typical things», the curators instead stress her skill at choosing, or drawing inspiration from, objects that others might easily overlook.

A three - part exhibition, the first gallery provides a glimpse of McGinness's studio practice, the second displays a selection of the objects McGinness chose from the museum's collection alongside his sketches and final image, and the last portion features early works the artist made while growing up in Virginia Beach.

As the first American artist chosen for this prestigious program, Avery collaborated with seamstresses from the Holding Textile Hermès and their fabric printing facilities for four months and created 300 performative objects from opulent gold, silk, cotton and fleece fabrics printed with her drawings, photocopies, and repurposed trash from Hermès.

Her subject matter is sourced from found objects and images chosen for shape, as well as the surrounding environment which is recorded through observational drawing and photography.