Sentences with phrase «cibachrome paper»
That backward - forward sensibility is highly apparent in Heinecken's first posthumous retrospective, which includes his mash - ups of men's magazines and popular newsweeklies and «videograms» made by pressing Cibachrome paper against a television screen.
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As supplies of analogue Cibachrome paper are increasingly threatened by the popularity of digital technology, Miller has had to stockpile his beloved raw materials.
Using no lens, Fuss's images are created by placing objects on large sheets of cibachrome paper that are briefly exposed to light.
«5 This distinction is probably most clearly articulated in a work Heinecken made on January 20th, 1981, when he pressed an 11 x 14 — inch piece of Cibachrome paper to a small color television set as Ronald Reagan gave his first inaugural address.6 The resulting image, a blurry «videogram,» in Heinecken's idiosyncratic terminology, embodies this tension.
Not exact matches
He introduced and refined different techniques and formats, including color 20» x 24» Polaroids, photogravures, platinum prints on paper and linen, Cibachrome and dye transfer color prints.
From Struycken a major work from the «70s is shown, a spectacular wall - sized set of 29 screenprints on paper as well as a great work from the «80s consisting of 6 cibachrome prints.
Monticello # 3, 2001 framed Cibachrome (dye destruction) print paper: 46 1/2 x 58 inches (118.1 x 147.3 cm) framed: 49 1/2 x 61 inches (125.7 x 154.9 cm) edition of 5 with 2 APs JC - 102
Flooded Hallway, 1998 framed Cibachrome (dye destruction) print paper: 46 1/2 x 58 3/8 inches (118.1 x 148.3 cm) framed: 49 1/2 x 61 3/8 inches (125.7 x 155.9 cm) edition of 5 with 2 APs JC - 30
Two Bunk Cell, 1998 framed Cibachrome (dye destruction) print paper: 58 1/8 x 46 1/2 inches (147.6 x 118.1 cm) framed: 61 1/8 x 49 1/2 inches (155.3 x 125.7 cm) edition of 5 with 2 APs JC - 58
Arcade, 1995 framed Cibachrome (dye destruction) print paper: 58 3/4 x 46 1/2 inches (149.2 x 118.1 cm) framed: 61 3/4 x 49 1/2 inches (156.8 x 125.7 cm) edition of 5 with 2 APs JC - 119
Yellow Hallway # 2, 2001 framed Cibachrome (dye destruction) print paper: 46 1/2 x 58 inches (118.1 x 147.3 cm) framed: 49 1/2 x 61 inches (125.7 x 154.9 cm) edition of 5 with 2 APs JC - 125
Nevisian Underground # 2, 2001 framed Cibachrome (dye destruction) print paper: 59 1/2 x 46 1/2 inches (151.1 x 118.1 cm) framed: 62 1/2 x 49 1/2 inches (158.8 x 125.7 cm) edition of 5 with 2 APs JC - 104
Sequoia - Shadow - Light - Reflection series, 2013 pigment print on archival paper, 120 x 90 cm, 2 parts Perspective of Disappearance, 2008 cibachrome print in lightbox, 190 x 235 x 60 cm Girl Making a Model of a Landscape - Sceneries series, 2005 - 2007 pigment print on archival paper, 100 x 100 cm
On the ground right: Martin Kippenberger Richter - Modell (interconti), 1987 a 1972 Gerhard Richter painting, wood frame, metal legs From right to left: Lucio Fontana — Hisachika Takahashi Concetto spaziale, Attese, 1966 oil on canvas; Louise Lawler Chandelier, 2007 cibachrome mounted on museum box Elad Lassry Man (Selfie), 2014 c - print photograph; Sturtevant Duchamp Man Ray Portrait, 1966 black and white photograph; Louise Lawler Marilyn, 1999 cibachrome, museum mount; Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Francis Bacon four slashed canvas oil on canvas; Asger Jorn Brotherhood Above All, 1962 oil on canvas; Asger Jorn The Sweet Life II, 1962 oil on canvas Asger Jorn Rutting Stag in the Royal Forest, 1960 oil on canvas; Background wallpaper: Sara Cwynar 72 Pictures of Modern Paintings, 2016 wallpaper On the ground left: Vija Celmins To Fix the Image in Memory XIII, 1977 — 1982 tones and painted bronze
From the series Alien Landscape, cibachrome prints on paper, 40 × 50 in.
From left to right: Jean - Auguste - Dominique Ingres Autoportrait de Raphael, 1820 — 1824 oil on canvas; Cy Twombly Copy of a Picasso, 1988 acrylic on canvas; Pierre Huyghe De Hory Modigliani, 2007 oil on canvas; Maurizio Mochetti Mochetti di Mochetti (Jean Harlow), 1976 Conté de Paris on paper Sturtevant Warhol Marilyn (study for Warhol diptych), 1973 silkscreen and acrylic on canvas; Louise Lawler Marilyn, 1999 cibachrome, museum mount
After experimenting with many different papers and processes, we selected Cibachrome for the brilliance of its color and its proven longevity.