Sentences with phrase «cine film»

Biography: London - based photographer Robin Cracknell explores themes of love, loss and memory using a unique non-digital process combining traditional film photography and cinematography, and shooting with old, sometimes damaged cameras and salvaged 35 mm cine film.

London - based photographer Robin Cracknell explores themes of love, loss and memory using a unique non-digital process combining traditional film photography and cinematography, and shooting with old, sometimes damaged cameras and salvaged 35 mm cine film.

Not exact matches

His documentary feature film My Prague Spring won the Gold Award at the 1993 Houston International Film Festival, Best of Festival at the Berkeley Video Festival and the Cine Eagle.

A few days back, some of the biggest names of Bollywood, the Indian film industry were seen on the red carpet of Zee Cine Awards 2017.

Her performance in the Academy Award ® nominated film LAGAAN for which she was nominated for a Zee Cine Award (Indian Oscar) for Best Supporting Actress, brought her to the attention of American audiences.

One of the films that really stood out for me at the Festival de Cine en Guadalajara (FICG) was Roberto Sneider's dark comedy Me Estas Matando Susana.

Next, we head to Mexico, where our correspondence Eric Ortiz Garcia reports on the Muestra Internacional de Cine, considered to be the most important film event in Mexico City.

The Muestra Internacional de Cine offers the best of the world's cinema and it is considered to be the city's most important film event, aside of the bigger film festivals.

Also on board is an audio commentary from» 09 — Disney, alas, has dropped the picture - in - picture option that made this a full - blown «Cine - Explore feature» on the PE — teaming Leonard Maltin with Disney animator («and unashamed animation geek») Eric Goldberg and film historian J.B. Kaufman, who at the time was writing a book about the making of Pinocchio that finally got published in 2015.

From 3D cane toads on opening night (Cane Toads: The Conquest) to John Woo kung fu to close the program (Reign Of Assassins), possibly the world's first «womantic» feature (the Brisbane - based comedy Jucy) to the utterly indescribable (Tommy Wiseau cult phenomenon The Room), the new look festival — in a new timeslot and new venues (Palace Centro and Barracks cinemas, and Tribal Theatre)-- has assembled an amazing line - up, with films for young (well, 18 and over for the most part, given the severing of links between BIFF and Cine Sparks) and old.

Described by MK2 as an «unpredictable documentary» from a «fascinating storyteller,» Varda's next film will shed light on her own experience as a director, bringing a very personal insight on what she calls «cine - writing,» traveling from rue Daguerre in Paris to Los Angeles and Beijing.

IFI National and Kerry Film Festival present three films from the O'Kalem Collection Tickets $ 18 7.30 pm at Siamsa Tire Theatre, Tralee Original Music composed and conducted by Bernard Reilly Performed by the Cine Theatre Ensemble: Harp — Claire O'Donnell Violin — Brona Fitzgerald Cello - Jane Hughes Flute — Kieran Moynihan Percussion — Roger Moffatt -LSB-...]

Few working filmmakers are as in tune with the curious predicament of being young and capable yet too lazy to bother fighting an uphill financial battle, and still fewer that manage to casually assert their cine - literacy without making a show of it (see the one - two punch of Sansho the Bailiff and Butch Cassidy and the Sundance Kid visual quotations that close the film).

Plus, she wrote the introduction to Hernan Moyano's Manuel de Cine Degenero, a Spanish - language book by about Latin American horror films, and a new introduction for the upcoming first Italian - language edition of her own Broken Mirrors / Broken Minds: The Dark Dreams of Dario Argento.

If that's the level of apathy expressed by passionately cine - literate critics who see innumerable films a year, we should hardly be surprised when industry groups and guilds offer up their own lazily identikit awards lists.

They will bestow the NespressoGrand Prize, the France 4 Visionary Award and the Leica Cine Discovery Prize for best short film.

Is Dziga Vertov's cine - city symphony a film whose time has finally come?

Funny Games extends the counter-cinematic strategies of alienation in the debut trilogy and superimposes the framework of the generic structures of the thriller and the horror film in order to attract the very spectators who, according to Haneke, need to be critically aware of the cine - televisual medium.

Wheatley surpasses the usual approaches to Haneke's films and considers his ethical concerns vis - à - vis cine - televisual images in the framework of Kantian ethics, both established upon the tension between emotion and reason, the pleasure - seeking instinct and moral responsibility.

It's an interesting touch considering the film resembles Beatty's own Bulworth from 1998, itself a liberal cine - brickbat (powered by hip - hop) aimed at the insidious corporate forces who have infiltrated the halls of power.

Other films I liked very much are The Assassin (Hou Hsiao - Hsien), Bridge of Spies (Steven Spielberg), Digging for Fire (Joe Swanberg), Masaan (Neeraj Ghaywan), My Golden Days (Arnaud Desplechin), My Mother (Nanni Moretti), Night Without Distance (Lois Patiño), Results (Andrew Bujalski), Sleeping Giant (Andrew Cividino) and the three cine - essays by Mark Rappaport.

The latest issue of (not intimidatingly so) academic film journal The Cine - Files focuses on sound in film.

Robinson in Ruins, the latest film from British filmmaker Patrick Keiller, is an incredibly dense experimental documentary / cine - essay that tells a tale of the titular Robinson, recently released from prison and currently traveling through England photographing various landscapes while ruminating on a heady combination of historical, political, economic, agricultural, and architectural topics.

To date, Cine - O - Matic has helped support over 3,000 feature films, documentaries, and TV series and has recently begun licensing and producing their own content for distribution.

12 or so «old» films, in the order in which I saw them: Night and the City (UK version, Jules Dassin, 1950): on 35 mm nitrate (May, Rochester) Until They Get Me (Frank Borzage, 1917): an incredibly advanced Western, on 35 mm (June, Bologna); Secrets (Frank Borzage, 1924) was also notable, DCP West Indies (Med Hondo, 1979): 35 mm, anamorphic color print (Bologna) Furcht (Fear, Robert Wiene, 1917): German «impressionism» before «expressionism,» 35 mm (Bologna) Mit hem är Copacabana (My Home is Copacabana, Arne Sucksdorff, 1965): A Swedish documentarian meets Brazilian Cinema Novo, DCP (July, Bologna) El rebozo de Soledad (Soledad's Shawl, Roberto Gavaldón, 1952), DCP (Bologna) Where would the Mexican Cine de Oro have been without Gabriel Figueroa's cinematography?

CINE - SPORTS Only recently, with Rocky, Breaking Away, and Raging Bull, have sports movies become box - office champs, but they have long occupied an honorable place in film history.

* «As the camera swoops through rooms, snakes down staircases and soars around the exterior of this impossible environment, the film feels at its most cine...

Boom writers like Gabriel García Márquez (who briefly attended the Centro Sperimentale di Cinematografia in Rome and oversaw the creation of the Fundación del Nuevo Cine Latinoamericano in Cuba) were having these conversations abroad — but did that mean they needn't have taken place within Anglophone film criticism circles from those Latino writers who were finding their own bilingual voices?

As a result of this exceptionally offbeat aesthetic, his trademark dry wit, Anderson has won critical acclaim from both sides of the Atlantic, and there are certainly not many modern directors whose films can create such an air of anticipation amongst the more cine - literate of regular cinema attendees.

Recently the 2009 Cine Noir Festival of Black Film screened the students» film, which can be viewed in part on YouTube.

In addition the Festival Internacional de Cine de la Riviera Maya is an event that has also continued to grow in popularity among those that enjoy unique underground film festivals.

This screening of HD transfers of Stan VanDerBeek's short animated films, as well as unpublished documentation from his Cine Dreams projects, examines the utopian film experiments that he undertook after his studies at Black Mountain College.

From this starting point, Toukan and Younis have developed a peculiar archeology of research that looks at early Palestinian film production, technocratic Soviet friendships, cine clubs, and Russian language films in Amman.

As part of Ismo, Ismo, Ismo: Cine experimental en América Latina, the Hammer hosts a rare screening of Lydia García Millán's COLOR (1955), one of the first abstract experimental films out of Latin America.

Brazilian curator and critic Gabriel Menotti detailed the successes and pitfalls of Cine Falcatrua, a collective that began by staging free pop - up film screenings and developed (or perhaps, as Menotti hinted, devolved) into a government - funded network of independent film producers and festivals.

JENNY PERLIN GALLERY 400 The raspy clackety - clack of 16 mm cine projectors is already a poignant and wistful sound, and this exhibition of recent films and drawings by Jenny Perlin included four...