Case in point: the most well - regarded critic of Latin American cinema stateside is American B. Ruby Rich, who may well be the face of New Queer Cinema criticism, but who was one of the few English - language critics paying attention to the changing Latin American
cinema scene since the seventies.
World Premiere Notable: Intriguing time - jump premise from Kim who has made a name for herself on the global
cinema scene since 2006's «In Between Days.»
Not exact matches
Seriously, has there been a better werewolf transformation
scene in
cinema since?
Since Chan - wook Park emerged into the
cinema scene with his critically acclaimed Vengeance Trilogy, he has been a director to pay close attention to.
Oldboy reinvented the fight
scene and while it the boundaries have been pushed to extreme lengths
since then (see the Raid or Atomic Blonde), the origins of this style of
cinema can easily return to Park Chan - wook's masterpiece.
It is
cinema's most excruciating sex
scene since Ryan Gosling and Michelle Williams booked into the tacky love motel in Blue Valentine, and its seismic impact will reverberate through the entirety of their lives to come.
Speedsters on screen have been well - established through ultra slow motion
since the breakout Quicksilver
scene in X-Men: Days of Future Past, and Zack Snyder's introduction of The Flash into
cinema follows the same template.
Of course, love letters aren't enough, and although there is an underlying sadness knowing that the African nation of Wakanda is as fictional as unicorns, every
scene stands as a defiant middle finger to damaging stereotypes that have plagued black viewers and actors
since the beginning of
cinema.
Those have been the familiar signposts of Aki Kaurismäki's style
since the Finnish auteur burst onto the world -
cinema scene in the 1980s.
Since our first audiovisual performances and video projections as Celestial Twins (a collective of experimental
cinema and avant - garde music platform), my mission as an independent curator has been to create space that reclaims and reflects on the poetic, political and erotic, and to support greater female representation as a dynamic force in the international
scene, encouraging subversions to audiovisual language, abstractions and occult art.
Since Dolby Atmos arrived on the
cinema scene in 2012, the technology has set a precedent for movie sound.