Sentences with phrase «cinema scene with»

Since Chan - wook Park emerged into the cinema scene with his critically acclaimed Vengeance Trilogy, he has been a director to pay close attention to.

The actor - writer - director stormed onto the British cinema scene with Kidulthood in 2006.

Not exact matches

Perfect paired with shimmering silvered vases and sparkling mirrored end tables, this beaded design evokes the scene - stealing style of cinema's golden age.

We're highlighting the best movies sex scenes of all time with some of cinema's most authentically sensual private moments caught on camera.

Killer Joe sets the scene for a killer noir, with some killer lines and killer characters, but Friedkin's energy and determination to wrest the story away from the stage and set it free in the cinema deserts him in the final act.

THE AMERICAN boasts the most anti-erotic sex scene to date in American cinema, capped off with Jack or Edward explaining to his prostitute the he is there to get pleasure, not give it.

Critic Consensus: Spielberg takes a behind - the - scenes look at one of modern cinema's most spellbinding talents, with absorbing — albeit somewhat uncritical — results.

Critics Consensus: Spielberg takes a behind - the - scenes look at one of modern cinema's most spellbinding talents, with absorbing — albeit somewhat uncritical — results.

(That wedding night, by the way, is one of cinema's odder sex scenes, with the two of them hissing at each other like cats.)

Certain scenes are uncomfortable to watch and others produce nervous laughter and groans — when Raúl finds out his local cinema that has been showing Saturday Night Fever for so long has replaced it with Grease, it doesn't take him long to bludgeon the cinema attendant who sold him his ticket.

He and del Toro even whip up a powerful dream sequence in the vein of classical cinema that incorporates timeless licensed music complete with singing; it's the most arresting scene of the movie until the ambiguously enchanting climax.

The dominance of European cinema was in part moderated by Crime Scene, an especially creative and popular program, incorporating recent award - winners such as Polisse (Maïwenn, 2011) and Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011) with the Brazilian hit Elite Squad: The Enemy Within (José Padilha, 2010) and the Congolese gangster film Viva Riva!

Aside from the well - noted fact that more superior long - form drama (and comedy) can be found on television than in cinemas, the two most interesting motion picture experiences I had in 2012 were in galleries: The Clock (Christian Marclay, 2010), a staggering and hypnotic achievement of which I still have some of its 24 hours to catch up with, and two multi-screen installations by Candice Breitz: «Him» and «Her» in which many scenes from the films of Jack Nicholson (in Him) and Meryl Streep (in Her), isolate the actors from their filmic background leaving the actors to speak to and interrogate each other across space and time on many themes of character, identity, success, failure, anger and disappointment.

«Ran» is a heroic saga of human destiny, a war movie with some of the greatest battle scenes in the history of the cinema, a costume drama of the utmost magnificence — and a crackling good samurai movie chock full of swordplay and palace intrigue.

The colors (a mixture of the candy colors of golden age fantasy cinema and the muted hues of nostalgia) are lush and the hazy scenes of the stuck - in - fifties small town feel like some misty - eyed time warp with a few weird twists.

Bertolucci cuts these scenes with clips from a wonderful selection of classic cinema: Garbo memorizing her room in Queen Christina, Nadine Nortier's suicide in Bresson's Mouchette, Fred Astaire waking Ginger Rogers in Top Hat, Odile, Arthur, and Franz's sprint through the Louvre in Bande á part, and so on — asking his young actors to mimic these scenes in motions that are part trance, part tango.

Like so many films consumed with the minutiae of daily journalism, «Spotlight» is a magnificently nerdy process movie — a tour de force of filing - cabinet cinema, made with absolute assurance that we'll be held by scene after scene of people talking, taking notes, following tips, hounding sources, poring over records, filling out spreadsheets, and having one door after another slammed in their faces.

Ratner grew no less shy this weekend, according to Twitter and several Vulture sources: After a screening of his film Tower Heist at L.A.'s Arclight Cinemas, the director came out for a Q&A, and when asked by the moderator whether he prepares and rehearses with his actors before shooting a scene, Ratner waved his hand dismissively and said, «Rehearsing is for fags.»

Directed with the equal energy by British director John Hough, whose lean, high - powered action scenes are energized by the dynamic, almost child - like performances of his thrill - addicted characters, it's a classic of seventies speed cinema, where car chase and stunt films were really about rubber hitting — and leaving — the road.

Knight of Cups: For those willing to get on director Terrence Malick's wavelength, this is an ecstatic use of cinema — the story of a screenwriter (Christian Bale) in Hollywood as told through dream images and voice - over, with only fragments of scenes.

Making a mark with a thriller, Intacto (you could argue that both Intacto and 28 Weeks Later deal with the ugliness of predestination), that boasts one of the most perfect scenes in cinema from 2001, Fresnadillo adopts the handheld ethic of Boyle's picture and injects it with the energy of the vertiginous opening moments of Narc.

She burst onto the scene with a memoir about her brief career working as a stripper before winning an Oscar for her work on Juno, one of the finest films released in a great year for cinema, 2007.

The Safdie Brothers match Pattinson and Duress» individual and collective performances with visual pyrotechnics of their own, swapping out an early reliance on claustrophobic close - ups, beginning with the notably disorientating scene between Nick and the social worker that opens Good Time, for a cinema vérité - inspired, often exhilarating mix of location shooting, hyper - active editing, and dense, propulsive plotting.

I am just back from the cinema and I am still imitating the lines from blak thunder.The touch of ethan cohen make the sense of the film spread in so many ways.He must to had drunked at least one night with Stiller and decide to make the film that represent the sbluf hollywood production system and his stars.The first scene that comes on mine mind in this moment is the «Appocalypsis Now» scene with Stller and Downey at the end and the quasi-phycological dialog.Wonderfull for a men who was searching for a good comedy, my lastone good comedy was Burn After Reading, before that The Boss of it All fromm LArs von Trier.

We won't try to answer this one today in a single blog post, but we'll explore more about nudity in cinema soon with the Most Iconic Nude Scenes in American Cinema.

Fenton also conducted the show in other cities around the world (including LA, at the Hollywood Bowl) and it became so popular itself that it inspired the show's producers to combine some of the most dramatic scenes into a movie to be released in cinemas, Deep Blue (this time with narration from Sir Michael Gambon).

Perhaps Schumacher, knowing how Prince's vision so impressively transitioned between scenes and scenery with almost - cinema - ready fluidity, felt more attention needed to be paid to streamlining the libretto into a screenplay, and he indeed corrects some structural and dramatic issues with Lloyd Webber and Richard Stilgoe's book.

There's scene with a tampon in it, during which my cinema - going companion exclaimed «OH GROSS!»

It's smart filmmaking — and also totally duplicitous and self - serving, the arthouse craftsmanship nearly hiding the film's middle - brow triteness (see also: I Am Love), every scene ladled with big dollops of cinema's most respectable cop - out: ambiguity.

The thing with Korean cinema is that they are unhappy with simply making a good fight scene.

The finale is intense and gross, but that potato sack scene is executed so well and catches you so off - guard... it goes down as one of the truly creepiest moments of horror cinema for me; and I'm pretty confident saying many horror fans would agree with me.

Tagged With: aging parent, cinema, death scene, end - of - life decisions, film, Laura Linney, THE SAVAGES

In this moment, Campion finds one of her earliest platforms for experimenting with expressionistic conventions of cinema like the chiaroscuro - style lighting of Ingmar Bergman, the inky suburban subconscious of David Lynch and Peter Weir's haunting images of lost girls.3 With this scene, Campion also perfectly encapsulates the isolating, confusing and ultimately frightening mood around adolescent, female sexuality in pre-feminist Australian suburbia of the «with expressionistic conventions of cinema like the chiaroscuro - style lighting of Ingmar Bergman, the inky suburban subconscious of David Lynch and Peter Weir's haunting images of lost girls.3 With this scene, Campion also perfectly encapsulates the isolating, confusing and ultimately frightening mood around adolescent, female sexuality in pre-feminist Australian suburbia of the «With this scene, Campion also perfectly encapsulates the isolating, confusing and ultimately frightening mood around adolescent, female sexuality in pre-feminist Australian suburbia of the «60s.

Tagged With: aging parent, cinema, death scene, end - of - life decisions, film, Laura Linney, movie, narrative, plastic bag, risks, suffocation, THE SAVAGES

Sentimentality — combined with scenes of excessively lingering brutality — are among the great cinema vices of our times, especially among directors who purport to be grim realists.

Designer Tom Ford made his writing - directing debut (based on the novel by Christopher Isherwood) with the film that somehow turns the above scene of domestic bliss into one of the most romantic in cinema.

And make no mistake: The Exorcist is most definitely a horror film: though it may be filled with rigorously examined ideas and wonderfully observed character moments, its primary concern is with shocking, scaring and, yes, horrifying its audience out of their wits — does mainstream cinema contain a more upsetting image than the crucifix scene?

This is easily the most sentimental movie Del Toro has ever written and directed; besides an unconventional love story, The Shape Of Water is one of those gushing valentines to the cinema, complete with scenes set in a classic movie palace and lots of lovingly lavish throwback period detail.

Disc Features - High - definition digital restoration, approved by cinematographer Mark Lee Ping - bin, with 5.1 surround DTS - HD Master Audio soundtrack on the Blu - ray edition - @ «In the Mood for Love,» director Wong Kar - wai's documentary on the making of the film - Deleted scenes with director's commentary — Hua yang de nian hua (2000), a short film by Wong - Archival interview with Wong and a «cinema lesson» given by the director at the 2001 Cannes Film Festival - Toronto International Film Festival press conference from 2000, with stars Maggie Cheung Man - yuk and Tony Leung Chiu - wai - Trailers and TV spots - The music of In the Mood for Love, presented in an interactive essay, on the DVD edition - Essay by film scholar Gina Marchetti illuminating the film's unique setting on the DVD edition - Photo gallery on the DVD edition - Biographies of key cast and crew on the DVD edition - Two new interviews with critic Tony Rayns, one about the film and the other about the soundtrack, on the Blu - ray edition - A booklet featuring the Liu Yi - chang story that provided thematic inspiration for the film, an essay by film critic Li Cheuk - to, and a director's statement (DVD edition); a booklet featuring an essay by novelist and film critic Steve Erickson and the Liu Yi - chang story that provided thematic inspiration for the film (Blu - ray edition)

The scene with his prayer: «Let them be weak like children...» is certainly one of my favourite scenes in all of cinema.

«Queen and Country» begins with a reprise of one of the most famous scenes in British cinema.

Alissa: There's Armie Hammer dancing in the town square, of course, but the scene that sticks with me — one of the great scenes in contemporary cinema, in my opinion — is when Elio, Oliver, and Elio's father go to see the sculptures brought up from the clear water.

Anderson has created for himself — and to some extent by himself (he directed it, wrote it and, though uncredited, shot it)-- a work through which he can freely exercise his gift for ecstatic cinema, never mind how banal or understated a scene might seem to be: Reynolds conducting his morning ablutions, for instance, shaving luxuriously, taming his hair with a pair of brushes, dressing to the nines just to have breakfast.

Audiences will undoubtedly drone over the obvious comparisons to «Crouching Tiger, Hidden Dragon» with its similar gravity - bending rules and ballet - like fight scenes, but what most Americans don't realize is that this particular genre (Wuxia, which typically incorporates fantastic abilities like flying) has been at the core of Chinese cinema for decades.

Although the mix - tape scene had most of the cinema snorting with laughter.

Once you get past the title and the ponderous opening scene with its straining - for - importance score, the fourth film by Russian art cinema's Great White Hope proves to be his most enjoyable and least oppressive to date.

With exactly a week to go until Ready Player One arrives in cinemas, IMAX has released a behind the scenes featurette for the upcoming big screen adaptation of Ernest Cline's cult novel which includes interviews with director Steven Spielberg, author Cline, stars Lena Waithe, Tye Sheridan, Olivia Cooke, and Ben Mendelsohn, producers Kristie Macosko Krieger, Donald -LSB-With exactly a week to go until Ready Player One arrives in cinemas, IMAX has released a behind the scenes featurette for the upcoming big screen adaptation of Ernest Cline's cult novel which includes interviews with director Steven Spielberg, author Cline, stars Lena Waithe, Tye Sheridan, Olivia Cooke, and Ben Mendelsohn, producers Kristie Macosko Krieger, Donald -LSB-with director Steven Spielberg, author Cline, stars Lena Waithe, Tye Sheridan, Olivia Cooke, and Ben Mendelsohn, producers Kristie Macosko Krieger, Donald -LSB-...]

With a very compact 95 minute runtime, not a minute of screentime is wasted and it's full of memorable scenes and stunts which comes to a climax with a climactic, tense and perfectly choreographed break - out chase that remains one of cinema's truly great action sceWith a very compact 95 minute runtime, not a minute of screentime is wasted and it's full of memorable scenes and stunts which comes to a climax with a climactic, tense and perfectly choreographed break - out chase that remains one of cinema's truly great action scewith a climactic, tense and perfectly choreographed break - out chase that remains one of cinema's truly great action scenes.

«Boyhood»: Richard Linklater's masterwork, and a piece of cinema as superb as it is unique, with one boy's step - by - step trek through the years brought to meaningful, beautiful life in a film made up almost entirely of the kinds of real, wrenching and funny scenes other, lesser movies either cut or never include in the first place.

That is surely the case with Oh Boy (A Coffee In Berlin, Jan - Ole Gerster, 2012), in which the meeting of a young boy and an old witness of fascism, at a former spot of terror, creates one of the most resounding film scenes of recent cinema.