Not exact matches
As I sat there in the
cinema, watching this
scene, I remember thinking, «Wow, I didn't know James Bond was supposed to
look like that!»
Critic Consensus: Spielberg takes a behind - the -
scenes look at one of modern
cinema's most spellbinding talents, with absorbing — albeit somewhat uncritical — results.
Look to a
scene driving back from Cannes where a decade or so of French
cinema plays out in one conversation, the petty argumentation and indifference wonderfully captured within the proscenium of a car windshield.
Critics Consensus: Spielberg takes a behind - the -
scenes look at one of modern
cinema's most spellbinding talents, with absorbing — albeit somewhat uncritical — results.
It's an issue not ameliorated by the appearance of house - painter Hubert (Janet McTeer), who, in one of the more terrifying
scenes of nudity in the history of
cinema, reveals that he is also a she, and married, I guess, to the oddest -
looking one from The Commitments (Bronagh Gallagher).
Horror
cinema has a long history of
scenes of extreme bodily violence that dare us to
look away from the screen.
As seasoned in visual effects
cinema as perhaps all but Cameron, Spielberg, and George Lucas, the director maximizes the impact of this fundamental
scene, letting us
look behind the curtain of a relatable modern experience turned vivid nightmare.
Probably the most famous sex
scene in
cinema history is the one between Donald Sutherland and Julie Christie in Nicolas Roeg's «Don't
Look Now» (1973).
When a developer has gameplay that
looks nearly as good as their
cinema scenes, they add a note that says it's the «Actual Gameplay Footage,» because gameplay footage usually isn't as good.
When it comes to the
cinema / dialogue
scenes, the art
looks worse than during normal gameplay — which I think is backwards.
In Rome, she will spend three months immersed in the diverse art
scene and cultural history of the city whilst researching the project and
looking at the relationship between the Commedia dell» Arte and Italian
cinema.
Hito Steyerl: Artists Space For a wild
look at what «the expanded field of
cinema» might mean in the future,
look no further than this brilliantly visual, powerfully political artist who uses
scenes of aircraft boneyards in California, an interview with an eccentric American entrepreneur, and CGI clips, all blended into incredible optical essays about information, power, the movement of capital, logarithms of the mind, and the human body.