Not exact matches
When working for Owe Svensson from 1997 - 2001 (
sound designer for Ingmar Bergman, Bo Widerberg and Andrei Tarkovski), Ekstrand got his passion for the art of
sound and music in
cinema.
In part two of our conversation, fellow
sound designers Randy Thom and Chris Foster pose questions to Walter, we discuss the state of
cinema sound before and after Apocalypse Now, why film school can be a good idea, and how you can underline a character's emotional state with carefully chosen
sound effects.
In part one of our talk, Walter takes questions from other leading
sound designers Ren Klyce and Gary Rydstrom about his work, talks about how documentary film has affected modern
cinema style, discusses his work in Apocalypse Now and The Conversation, and ends the episode with a discussion of the use of music in The Godfather and The English Patient.