Ever fancied getting in on the whole «
cinema sound in your home» experience, but been put off by the mess of cables that inevitably comes with dotting a load of speakers around your living room?
Not exact matches
Though boasting the creativity of a television episode, the short is presented
in full Dolby 5.1
sound (with all the language options of the feature film, minus DVS) and
cinema - ready 16:9 animation.
The Artist plays around with the distinction between silent and
sound cinema, resulting
in the superficial entertainment value of a high concept film school joke.
A Quiet Place John Krasinski's thrillingly intelligent post-apocalyptic horror movie,
in which he stars with Emily Blunt as a couple trying to protect their family from monsters who hunt by
sound, is walking - on - eggshells
cinema of a very high order.
Is it an emulated effect, or will home
cinema owners be able to hear these ambient effects
in Dolby Digital 5.1
sound?
Apparently it's already been and gone from British
cinemas, but I don't remember noticing it was there; a pity, because it
sounds quite engaging, the kind of lighthearted caper film which used to come from these shores on a frequent basis
in days gone by.
He is perhaps best known for delivering some of
cinema's most enduring and iconic moments
in The Day the Earth Stood Still (1951), West Side Story (1961), and The
Sound of Music (1965).
Even the simplest melody can
sound marvelous when played by a virtuoso, and
in cinema, it's amazing what well - trained, naturally gifted professional actors can do to with even basic material.
Just the fact that the comment «Technical aspects take over filmmaking and I always prefer real flesh and blood actors and original locations over computergenerated stuff» might
sound conservative shows that Hollywood
cinema is
in a bad way right now.
Eventually I enrolled
in a
sound and image course where I had the opportunity to experience filmmaking with a great teacher — award winning video artist Joan Braderman — and a whole new world opened up for me — not the world of
cinema fantasy but the world of documentary.
The early 1970s to the late 1980s was a unique moment
in Australian
cinema history; a time when censorship was reigned
in and home - grown production flourished, resulting
in a flurry of exploitation films — sex comedies, horror movies and action thrillers — that pushed buttons and boundaries, trampled over taste and decency, but also offered artistry within their escapism, giving audiences sights and
sounds unlike anything they had seen
in Australia before.
(the
sound of a punch landing
in 60's Bollywood films) of Indian
cinema and its superlative culinary delights.
Dolby's latest
cinema sound technology is Dolby Atmos ®, introduced
in 2012.
When working for Owe Svensson from 1997 - 2001 (
sound designer for Ingmar Bergman, Bo Widerberg and Andrei Tarkovski), Ekstrand got his passion for the art of
sound and music
in cinema.
«To be able to play an Austrian with impeccable English vowels, to make us concerned for her because she's the politest rebel
in all
cinema, to be able to make singing
sound exciting whilst never giving the impression it is anything but radiantly enjoyable, above all to challenge Audrey Hepburn
in the tomboy stakes.»
Known as an inventive poet of early
sound cinema in France, thanks to such sharp, creative films as Under the Roofs of Paris (1930), Le million (1931), and À nous la liberté (1931), Clair had a reputation that preceded him to Hollywood, and I Married a Witch overflows with the same comic irreverence and fleet storytelling as his earlier films.
The film, which opens
in cinemas on April 5th, stars Krasinski alongside Emily Blunt and follows a family of four who must live life
in silence while hiding from creatures that hunt by
sound.
A lot of my film friends have said that
sound is the single most important thing
in cinema; I'm inclined to agree with that.
In 1931, with a handful of silent shorts and features under his belt, director Jean Renoir made a tentative transition to
sound cinema with «On Purge Bébé,» a broad comedy about an upper - class household put on edge by a constipated child.
by Bill Chambers Two Family House and Panic, a pair of overlooked films hopefully not destined to become overlooked DVDs, have more
in common than a passing glance suggests, and their joint failure to earn even a pittance
sounds the death knell for independent
cinema as we knew it
in the early -»90s.
If critics have a function anymore besides carving their own gravestones on the marble of modern
cinema, it's to point a finger at films like Junebug, which
sounds like a thousand other pictures but is actually something all its own: a Southern Gothic
in the tradition of Flannery O'Connor that treats its characters as more than plot - movers or cardboard caricatures.
Experience the most powerful
sound and imaging technologies
in a
cinema designed to make you feel you're inside the story.
Unlike a theme park ride which often directs your attention through
sound cues placed
in a 360 degree fashion around a room (think of the Hall of Presidents
in Walt Disney World),
cinema sound must contend with a two - dimensional screen on which audiences must stayed focused, even with 3 - D presentations where your eyes remain fixed on a general axis, where any movement outside that axis might reveal the images to be cardboard cutouts — a phenomenon all too familiar to me.
Actor Eddie Redmayne, who plays Scamander, says that seeing the movie
in the best
cinema you can find is a must: «The better the
cinema, the better the
sound that you can see it
in, I think, it is a dimensional experience.»
One such principle applies to the use of silence
in sound cinema.
Dolby pioneered multichannel
sound in the
cinema, and our experience handling all
sound formats (digital, 35 mm, and file - or tape - based playback) is unrivaled.
Discover Dolby partners that provide you with immersive,
cinema - style
sound in your home.
In keeping with the film's laugh - track sensibilities, nary an act can perform without the stage collapsing, the sound equipment short - circuiting, the ceiling caving in or somebody stepping in the copious dog poop left behind by Kristal's diarrheic dog — an apt metaphor for how any serious punk aficionado is likely to feel upon leaving the cinem
In keeping with the film's laugh - track sensibilities, nary an act can perform without the stage collapsing, the
sound equipment short - circuiting, the ceiling caving
in or somebody stepping in the copious dog poop left behind by Kristal's diarrheic dog — an apt metaphor for how any serious punk aficionado is likely to feel upon leaving the cinem
in or somebody stepping
in the copious dog poop left behind by Kristal's diarrheic dog — an apt metaphor for how any serious punk aficionado is likely to feel upon leaving the cinem
in the copious dog poop left behind by Kristal's diarrheic dog — an apt metaphor for how any serious punk aficionado is likely to feel upon leaving the
cinema.
Chapter 2 is an analysis of the soundtrack of Sauve qui peut (la vie) made with Anne - Marie Miéville — a film which «looks back to the problematic status of the human body and voice
in early
sound cinema» (Fox, 34).
The principle aspects of the stylistic system of film, cinematography, editing, mise en scène and
sound are well - established
in cinema studies and a primary tool for film analysis.
In the latest episode of Observations on Film Art, Professor Kirstin Thompson explores the sonic innovations that Fritz Lang pioneered in a masterpiece of early sound cinem
In the latest episode of Observations on Film Art, Professor Kirstin Thompson explores the sonic innovations that Fritz Lang pioneered
in a masterpiece of early sound cinem
in a masterpiece of early
sound cinema.
The entire illusion of how
sound is created and manipulated in cinema is on complete display in Berberian Sound Studio and yet this somehow enhances its myst
sound is created and manipulated
in cinema is on complete display
in Berberian
Sound Studio and yet this somehow enhances its myst
Sound Studio and yet this somehow enhances its mystique.
Hollywood, CA (November 1, 2017)-- The Hollywood Film Awards, continuing its tradition of recognizing excellence
in the art of
cinema in all disciplines of filmmaking, also announced today the honorees
in the categories of Cinematography, Film Composer, Editor, Visual Effects, Costume Design, Make - Up & Hair Styling, Production Design and
Sound:
The Cole Porter score features approximately a dozen tunes, including the wildly entertaining «Stereophonic
Sound» (a clever salute to the new technical wonders of
cinema in the 1950s) and «The Ritz Roll and Rock» (a gentle dig at the burgeoning rock n» roll scene).
Sound of My Voice, the dazzling genre flick from Zal Batmanglij, was woefully underseen after it followed Margaret into Odeon Panton Street — the sole
cinema in London that fights to programme things that otherwise wouldn't be screened theatrically.
Peter Strickland's ode to classic giallo film, Berberian
Sound Studio hits screens of all shapes and sizes
in the US on June 14th when IFC Midnight releases the film
in select
cinemas, on iTunes and VOD June 14th.
A History of Violence had most of the audience
in my
cinema laughing uncomfortably, squirming at the gore, and generally
sounded disappointed by the time the credits rolled.
In remembrance of the late, great David Bowie, Sight &
Sound examines the icon's connection to
cinema.
«I think that
in a few years,
in ten,
in twenty, or thirty years, we shall know whether Hiroshima mon amour was the most important film since the war, the first modern film of
sound cinema.»
Upstream Color is a symphony, concerned with linking music and
sound with editing — the very stuff that makes up the
cinema —
in an abstract form that rewards both your head and your heart.
There will also be masterclasses
in improvisation for silent
cinema, while Caoimhe Doyle of Ardmore
Sound, returns to offer her Foley artist workshops.
Launching
in the
cinema, Dolby Atmos delivers a more natural and realistic
sound - field, which transports people into the story with a lifelike, sensory experience.
At this point
in the history of film criticism, the auteur theory has become passé as a totalizing framework for understanding moviemaking as art, but Martel's three features (and this one
in particular),
in their distinctive, shared point - of - view and unique approach to mise - en - scène and
sound, provide irrefutable evidence that international art
cinema still serves as a showcase for singular directorial talents who are, indeed, the principal creative forces behind their films.
«Ray Dolby was a brilliant scientist whose inventions are
in use every day
in recording studios,
sound editing suites, mix stages and
cinemas worldwide,» said MPSE president Frank Morrone.
Launching
in the
cinema, Dolby Atmos delivers an even more natural and realistic
sound - field, by transporting people into the story with a life - like, sensory experience.
The artist called the most «Japanese» of Japanese directors, famous for the quiet restraint and rigorous simplicity of his
sound films, was a voracious film buff more interested
in Hollywood movies than his own national
cinema early
in his career and he thrived
in a great variety of genres.
Meanwhile Franco's film adaptation of William Faulkner's novel, The
Sound and the Fury, came out last week
in US
cinemas.
In larger pieces Matt Van Vogt unearths the efforts to reduce theater noise during the early years of
sound cinema, while Laura L. Beading shows how the Coens use
sound, voiceover, and music to mark the sharp difference between the exhausted masculinity of No Country for Old Men and the implacable, feminine vitality at the heart of their True Grit.
Lee himself had hopes of a theatrical release, particularly as audience figures were slightly disappointing — it looks and
sounds so much better
in cinemas.
Following up on the critically praised «Berberian
Sound Studio,» Strickland stirs his love of Giallo
cinema and sinister atmospherics
in a cauldron containing the tastiest potions available
in cinema, and creates a spell that had us hypnotized, immersed, and still awestruck.