Sentences with phrase «cinema sound in»

Ever fancied getting in on the whole «cinema sound in your home» experience, but been put off by the mess of cables that inevitably comes with dotting a load of speakers around your living room?

Not exact matches

Though boasting the creativity of a television episode, the short is presented in full Dolby 5.1 sound (with all the language options of the feature film, minus DVS) and cinema - ready 16:9 animation.
The Artist plays around with the distinction between silent and sound cinema, resulting in the superficial entertainment value of a high concept film school joke.
A Quiet Place John Krasinski's thrillingly intelligent post-apocalyptic horror movie, in which he stars with Emily Blunt as a couple trying to protect their family from monsters who hunt by sound, is walking - on - eggshells cinema of a very high order.
Is it an emulated effect, or will home cinema owners be able to hear these ambient effects in Dolby Digital 5.1 sound?
Apparently it's already been and gone from British cinemas, but I don't remember noticing it was there; a pity, because it sounds quite engaging, the kind of lighthearted caper film which used to come from these shores on a frequent basis in days gone by.
He is perhaps best known for delivering some of cinema's most enduring and iconic moments in The Day the Earth Stood Still (1951), West Side Story (1961), and The Sound of Music (1965).
Even the simplest melody can sound marvelous when played by a virtuoso, and in cinema, it's amazing what well - trained, naturally gifted professional actors can do to with even basic material.
Just the fact that the comment «Technical aspects take over filmmaking and I always prefer real flesh and blood actors and original locations over computergenerated stuff» might sound conservative shows that Hollywood cinema is in a bad way right now.
Eventually I enrolled in a sound and image course where I had the opportunity to experience filmmaking with a great teacher — award winning video artist Joan Braderman — and a whole new world opened up for me — not the world of cinema fantasy but the world of documentary.
The early 1970s to the late 1980s was a unique moment in Australian cinema history; a time when censorship was reigned in and home - grown production flourished, resulting in a flurry of exploitation films — sex comedies, horror movies and action thrillers — that pushed buttons and boundaries, trampled over taste and decency, but also offered artistry within their escapism, giving audiences sights and sounds unlike anything they had seen in Australia before.
(the sound of a punch landing in 60's Bollywood films) of Indian cinema and its superlative culinary delights.
Dolby's latest cinema sound technology is Dolby Atmos ®, introduced in 2012.
When working for Owe Svensson from 1997 - 2001 (sound designer for Ingmar Bergman, Bo Widerberg and Andrei Tarkovski), Ekstrand got his passion for the art of sound and music in cinema.
«To be able to play an Austrian with impeccable English vowels, to make us concerned for her because she's the politest rebel in all cinema, to be able to make singing sound exciting whilst never giving the impression it is anything but radiantly enjoyable, above all to challenge Audrey Hepburn in the tomboy stakes.»
Known as an inventive poet of early sound cinema in France, thanks to such sharp, creative films as Under the Roofs of Paris (1930), Le million (1931), and À nous la liberté (1931), Clair had a reputation that preceded him to Hollywood, and I Married a Witch overflows with the same comic irreverence and fleet storytelling as his earlier films.
The film, which opens in cinemas on April 5th, stars Krasinski alongside Emily Blunt and follows a family of four who must live life in silence while hiding from creatures that hunt by sound.
A lot of my film friends have said that sound is the single most important thing in cinema; I'm inclined to agree with that.
In 1931, with a handful of silent shorts and features under his belt, director Jean Renoir made a tentative transition to sound cinema with «On Purge Bébé,» a broad comedy about an upper - class household put on edge by a constipated child.
by Bill Chambers Two Family House and Panic, a pair of overlooked films hopefully not destined to become overlooked DVDs, have more in common than a passing glance suggests, and their joint failure to earn even a pittance sounds the death knell for independent cinema as we knew it in the early -»90s.
If critics have a function anymore besides carving their own gravestones on the marble of modern cinema, it's to point a finger at films like Junebug, which sounds like a thousand other pictures but is actually something all its own: a Southern Gothic in the tradition of Flannery O'Connor that treats its characters as more than plot - movers or cardboard caricatures.
Experience the most powerful sound and imaging technologies in a cinema designed to make you feel you're inside the story.
Unlike a theme park ride which often directs your attention through sound cues placed in a 360 degree fashion around a room (think of the Hall of Presidents in Walt Disney World), cinema sound must contend with a two - dimensional screen on which audiences must stayed focused, even with 3 - D presentations where your eyes remain fixed on a general axis, where any movement outside that axis might reveal the images to be cardboard cutouts — a phenomenon all too familiar to me.
Actor Eddie Redmayne, who plays Scamander, says that seeing the movie in the best cinema you can find is a must: «The better the cinema, the better the sound that you can see it in, I think, it is a dimensional experience.»
One such principle applies to the use of silence in sound cinema.
Dolby pioneered multichannel sound in the cinema, and our experience handling all sound formats (digital, 35 mm, and file - or tape - based playback) is unrivaled.
Discover Dolby partners that provide you with immersive, cinema - style sound in your home.
In keeping with the film's laugh - track sensibilities, nary an act can perform without the stage collapsing, the sound equipment short - circuiting, the ceiling caving in or somebody stepping in the copious dog poop left behind by Kristal's diarrheic dog — an apt metaphor for how any serious punk aficionado is likely to feel upon leaving the cinemIn keeping with the film's laugh - track sensibilities, nary an act can perform without the stage collapsing, the sound equipment short - circuiting, the ceiling caving in or somebody stepping in the copious dog poop left behind by Kristal's diarrheic dog — an apt metaphor for how any serious punk aficionado is likely to feel upon leaving the cinemin or somebody stepping in the copious dog poop left behind by Kristal's diarrheic dog — an apt metaphor for how any serious punk aficionado is likely to feel upon leaving the cinemin the copious dog poop left behind by Kristal's diarrheic dog — an apt metaphor for how any serious punk aficionado is likely to feel upon leaving the cinema.
Chapter 2 is an analysis of the soundtrack of Sauve qui peut (la vie) made with Anne - Marie Miéville — a film which «looks back to the problematic status of the human body and voice in early sound cinema» (Fox, 34).
The principle aspects of the stylistic system of film, cinematography, editing, mise en scène and sound are well - established in cinema studies and a primary tool for film analysis.
In the latest episode of Observations on Film Art, Professor Kirstin Thompson explores the sonic innovations that Fritz Lang pioneered in a masterpiece of early sound cinemIn the latest episode of Observations on Film Art, Professor Kirstin Thompson explores the sonic innovations that Fritz Lang pioneered in a masterpiece of early sound cinemin a masterpiece of early sound cinema.
The entire illusion of how sound is created and manipulated in cinema is on complete display in Berberian Sound Studio and yet this somehow enhances its mystsound is created and manipulated in cinema is on complete display in Berberian Sound Studio and yet this somehow enhances its mystSound Studio and yet this somehow enhances its mystique.
Hollywood, CA (November 1, 2017)-- The Hollywood Film Awards, continuing its tradition of recognizing excellence in the art of cinema in all disciplines of filmmaking, also announced today the honorees in the categories of Cinematography, Film Composer, Editor, Visual Effects, Costume Design, Make - Up & Hair Styling, Production Design and Sound:
The Cole Porter score features approximately a dozen tunes, including the wildly entertaining «Stereophonic Sound» (a clever salute to the new technical wonders of cinema in the 1950s) and «The Ritz Roll and Rock» (a gentle dig at the burgeoning rock n» roll scene).
Sound of My Voice, the dazzling genre flick from Zal Batmanglij, was woefully underseen after it followed Margaret into Odeon Panton Street — the sole cinema in London that fights to programme things that otherwise wouldn't be screened theatrically.
Peter Strickland's ode to classic giallo film, Berberian Sound Studio hits screens of all shapes and sizes in the US on June 14th when IFC Midnight releases the film in select cinemas, on iTunes and VOD June 14th.
A History of Violence had most of the audience in my cinema laughing uncomfortably, squirming at the gore, and generally sounded disappointed by the time the credits rolled.
In remembrance of the late, great David Bowie, Sight & Sound examines the icon's connection to cinema.
«I think that in a few years, in ten, in twenty, or thirty years, we shall know whether Hiroshima mon amour was the most important film since the war, the first modern film of sound cinema
Upstream Color is a symphony, concerned with linking music and sound with editing — the very stuff that makes up the cinemain an abstract form that rewards both your head and your heart.
There will also be masterclasses in improvisation for silent cinema, while Caoimhe Doyle of Ardmore Sound, returns to offer her Foley artist workshops.
Launching in the cinema, Dolby Atmos delivers a more natural and realistic sound - field, which transports people into the story with a lifelike, sensory experience.
At this point in the history of film criticism, the auteur theory has become passé as a totalizing framework for understanding moviemaking as art, but Martel's three features (and this one in particular), in their distinctive, shared point - of - view and unique approach to mise - en - scène and sound, provide irrefutable evidence that international art cinema still serves as a showcase for singular directorial talents who are, indeed, the principal creative forces behind their films.
«Ray Dolby was a brilliant scientist whose inventions are in use every day in recording studios, sound editing suites, mix stages and cinemas worldwide,» said MPSE president Frank Morrone.
Launching in the cinema, Dolby Atmos delivers an even more natural and realistic sound - field, by transporting people into the story with a life - like, sensory experience.
The artist called the most «Japanese» of Japanese directors, famous for the quiet restraint and rigorous simplicity of his sound films, was a voracious film buff more interested in Hollywood movies than his own national cinema early in his career and he thrived in a great variety of genres.
Meanwhile Franco's film adaptation of William Faulkner's novel, The Sound and the Fury, came out last week in US cinemas.
In larger pieces Matt Van Vogt unearths the efforts to reduce theater noise during the early years of sound cinema, while Laura L. Beading shows how the Coens use sound, voiceover, and music to mark the sharp difference between the exhausted masculinity of No Country for Old Men and the implacable, feminine vitality at the heart of their True Grit.
Lee himself had hopes of a theatrical release, particularly as audience figures were slightly disappointing — it looks and sounds so much better in cinemas.
Following up on the critically praised «Berberian Sound Studio,» Strickland stirs his love of Giallo cinema and sinister atmospherics in a cauldron containing the tastiest potions available in cinema, and creates a spell that had us hypnotized, immersed, and still awestruck.
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