The montage of elements — from translucent sectioned windows which resemble the sprockets on a filmstrip, to the empty
cinema space with its luminescent white screen and a series of artworks being prepared for installation — form a matrix of visual representation that highlight the relationship between, film, architecture and art.
Not exact matches
Located on the most influential spot of La Croisette, on the rooftop of the Palais des Festivals, the new
space welcomes the world of
cinema in a casual yet stylish atmosphere where «the French Art of Living» will be savored
with a glass of the new limited edition of Mouton Cadet wine.
With such titles as 2001: A
Space Odyssey and Planet of the Apes, the 1960s proved to be a particularly rich decade for science fiction
cinema, and Fantastic Voyage stands as one of the period's most imaginative efforts.
2001: A
Space Odyssey is one of
cinema's most eternally beguiling films,
with a seemingly endless amount of theories bandied about on what it all means.
The film's staging and editing is comparable to something on the Charlie Kaufman / Spike Jonze / Michel Gondry side of
cinema,
with multiple locations and characters converging on a single
space as Ingrid keeps interpreting and reinterpreting sounds — nearly always imagining that she's overhearing the secret sex lives of her husband and neighbors.
Aside from the well - noted fact that more superior long - form drama (and comedy) can be found on television than in
cinemas, the two most interesting motion picture experiences I had in 2012 were in galleries: The Clock (Christian Marclay, 2010), a staggering and hypnotic achievement of which I still have some of its 24 hours to catch up
with, and two multi-screen installations by Candice Breitz: «Him» and «Her» in which many scenes from the films of Jack Nicholson (in Him) and Meryl Streep (in Her), isolate the actors from their filmic background leaving the actors to speak to and interrogate each other across
space and time on many themes of character, identity, success, failure, anger and disappointment.
A hit at the London Film Festival, the film encouraged an assessment of the director's fiction and film work, and gave notice of a
cinema with time for naturalistic performance and authentic
space years before the indie directors» apparent invention of «quirky» American representations.
A Quiet Place achieved its fine result despite fresh competition in the genre
space from the Jason Blum - produced Truth or Dare, which debuted
with a solid # 931,000 from 442
cinemas.
The last film Bruce Broughton worked on that was released in
cinemas was the 1998 big - screen retelling of Irwin Allen's tv show Lost in
Space,
with Gary Oldman, William Hurt and Matt le Blanc; sadly for Broughton, who surely saw the movie as a way of gaining more exposure and therefore more work, it tanked and became as critically - lambasted as other event movies from the time like Batman and Robin and The Avengers.
I have my own personal disdain for arthouse
cinema, but
with a story strong enough to support Ford's vision, he has the
space to add as many dream - like, thought - provoking shots as he wishes.
The centrepiece of the podcast is a wide ranging interview
with Ruby herself covering, among many things, her initial entry into film criticism, her promotion of the
cinema as a social
space, the legacy of her concept of New Queer
Cinema, and the possibility of a political
cinema in the digital age.
SCREEN -
SPACE honours the work of one of the film community's greatest unsung artists
with eight posters from Bill Gold's eight decades of sublime
cinema marketing...
Note: this is a continuation from yesterday's post: How Stanley Kubrick broke the rules of Classical Hollywood
cinema and made a better film
with» 2001: A
Space Odyssey»: My MA thesis redux — part 2 of 4
«Gravity» After a summer in which one would - be blockbuster after another failed to inspire much enthusiasm, moviegoers were starving for something that reminded them of the genuine sense of magic that the
cinema could inspire in the right hands and they got it
with Cuaron's visually stunning and emotionally gripping thriller about a
space mission that goes horribly wrong and leaves two astronauts (Sandra Bullock and George Clooney) floating in the cosmos
with little chance of returning to Earth.
For instance, both films displayed the complex constructions of cinematic time and
space normally associated
with art
cinema.
With a focus on
cinema, Hans wrote a thesis analyzing Stanley Kubrick's 2001: A
Space Odyssey against the Hollywood form.
Opena's illustration is every bit the
cinema lovers dream, marrying high concept
space battles and decloaking armadas
with some grim character moments, such a confrontation in the Inhuman court.
The poolside lounge is the perfect
space to get immersed in a book,
with your favorite tunes piped through the villa's built - in speakers, or to recline on a daybed in front of a movie on the
cinema screen.
Kuta Beachwalk is a grand dining, shopping and entertainment complex just across the road from the sands of Kuta Beach, which occupies 3.7 hectares of
space with numerous shops and restaurants of international brands and franchises, a movie
cinema and other family entertainment facilities onsite.
The inside of the museum is even more impressive and houses the most important modern art museum in Europe
with more than 50,000 works of art from 5,000 artists, as well as a library,
cinema and various performance
spaces.
The villa's interior also brims
with comfy and fun kid - friendly
spaces,
with the
cinema room a big highlight, and a games room
with a custom designed pool table and TV entertainment system.
This eight - bedroom villa has the largest built
space of any Samujana villa at an impressive 1808 SQ.. M complete
with gym,
cinema and Jacuzzi.
Combining the intense third - person shooting action of Resident Evil 4
with the
space horror of cinema classic Alien, Dead Space gripped more than a few players when it first rele
space horror of
cinema classic Alien, Dead
Space gripped more than a few players when it first rele
Space gripped more than a few players when it first released.
Two years later, in 1997, she has installed her piece called A House for Pigs and People in Kassel, Germany.In the late 90s, together
with Thea Djordjadze, Trockel designed Image Movement, which is a film shop and
cinema space within Sprüth Magers» gallery in Berlin.
A huge 32 - by -18-foot LED screen has been positioned on the northern facade of the expansion
with the aim to ideally and visually connect BAMPFA
with the urban
space around, and to create a small public outdoor
cinema.
«In the darkened gallery
space a round wooden platform
with textile walls and an iron pole is spinning around its own axis, reminiscent of both, a merry - go - round, a
cinema theatre and a mobile war tent... the merry - go - round is spinning so fast that the spectator's gaze can not fully grasp what's inside the tent;» (PR Klosterfelde gallery).
Although there are references to
cinema, particularly
with Aitken and Julien, the photographs are not film stills, rather photographs / prints taken at the same time as the film, resulting in works which exist in an intriguing
space between photography and film.
It is in reality an experimental
space at the margins of a much bigger culture of the moving image — a place for talented film - makers to mess around
with a freedom they could never enjoy in commercial
cinema or mainstream television, but which the true artists among them hunger to apply in those bigger, more important arenas.
As such, Bohbot immortalises everything from swimming pools, basketball courts, libraries, theatres,
cinemas, train stations and fairs — a plethora of structures through which he balances the power of architecture
with the poetry of everyday
spaces.
Speaking of her work, Mar said: «My training in
cinema and audiovisual, and my specialisation in art direction, are facts that have emphasised my fascination
with scenography and the treatment of
space, I firmly believe that a character can be defined by a
space, even if is not present at all.»
Chapter is one of Europe's largest and most dynamic arts centres
with cinemas, theatre, exhibition
spaces, studios, cafe and award - winning bar.
Hito Steyerl: Artists
Space For a wild look at what «the expanded field of
cinema» might mean in the future, look no further than this brilliantly visual, powerfully political artist who uses scenes of aircraft boneyards in California, an interview
with an eccentric American entrepreneur, and CGI clips, all blended into incredible optical essays about information, power, the movement of capital, logarithms of the mind, and the human body.
The Tuba Thieves respond to these thefts as a springboard for exploring the material and aural
space of
cinema through collaborations
with hearing, deaf, and hard - of - hearing artists and musicians.
But McQueen says that
cinema is its own medium,
with a power that stems not just from its aesthetic but from its populism — it can bring images of slavery to the most people in the most affecting way, far more so than a gallery
space.
With Tetine, she has also extensively performed live from opening «Tropicalia — A Revolution in Brazilian Culture» exhibition at the Barbican Centre in London to numerous art performances for museums, art
spaces,
cinemas and festivals around the world.
Currently, Bridget's research focuses on the status of the image in contemporary culture in a twofold manner — exploring the
spaces for the projection of images and our interface
with images through curatorial projects such as The
Cinemas Project (2011 - 14, and ongoing), which explores the spectral
spaces of
cinema in regional Australia; and through a growing body of writing and research that seeks to understand the changing technologies of the image, and the convergences of the body and image in relation to political philosophy as well as art practice.
In writing, the author, and
with them the reader, is able to seamlessly shift between different times and
spaces, however in
cinema the montage or cut is always a hard - edged tool which never passes unnoticed.
With two thousand fifteen, artist Mark Geffriaud (FR, 1977) revisits some of the formal and narrative characteristics of this literary text — an anonymous, detached voice speaking in the second person; the closed - off, almost metaphysical
space where the story unfolds — and deploys them to further his own research into the phenomenon of time in
cinema.
The first
space will be saturated
with colour and dominated by two huge screens,
cinema spaces and photographs.
Lizzie Fitch and Ryan Trecartin transform the
space of the Zabludowicz Collection in an open air suburban
cinema with «Priority Innfield», their first exhibition in the UK, reconfiguring their untitled work first commissioned for the 55th Venice Biennial.
A newly commissioned in - gallery
cinema and performance
space created by artist Tucker Nichols expands the survey
with live events by a variety of artists, including D - L Alvarez and Kevin Killian, Cliff Hengst, Anne McGuire, Shana Moulton and Nick Hallett, My Barbarian, Rashaad Newsome, Margaret Tedesco, and Richard T. Walker and daily screenings by artists such as Keren Cytter, Christian Jankowski, George Kuchar, Rosemarie Trockel, and Robert Wilson.
In 2003 he co-founded the alternative
cinema space Studiofilmclub
with fellow artist Peter Doig and is currently a lecturer at the University of the West Indies Creative Arts Campus.
He is always welcome in the
space to show experimental
cinema, work
with live musicians, and so on.
My training in
cinema and audiovisual, and my specialization in art direction, are facts that have emphasized my fascination
with scenography and the treatment of
space, I firmly believe that a character can be defined by a
space, even if is not present at all.
Though mostly active in the mid-market
space, the practice also handles some impressive premium M&A: Andrew Kerr acted for Nirma on its $ 1.4 bn purchase of Lafarge India from LafargeHolcim, Leman advised AMC Theatres on its $ 1.2 bn acquisition of Odeon & UCI
Cinemas Group, and Robert Moir assisted Redefine Properties
with its $ 1.2 bn purchase of a 75 % stake in Dutch property company Echo Prime Properties.
Ready for Ultra HD video and premium 4K content, the TX - NR545 features HDMI and HDCP 2.2 compatibility
with one output that can pass 4K / 60 Hz video complete
with 4:4:4 color
space and 21:9
cinema aspect ratio from source devices to display.
Combining the intense third - person shooting action of Resident Evil 4
with the
space horror of cinema classic Alien, Dead Space gripped more than a few players when it first rele
space horror of
cinema classic Alien, Dead
Space gripped more than a few players when it first rele
Space gripped more than a few players when it first released.
The property is 97 percent leased,
with principal tenants Regal
Cinemas, Anthropologie and Banana Republic and includes a 298 -
space parking garage.
The old center had a vintage five - screen
cinema set in line
with other retail
space.
There's a modern fitted kitchen, a dining room
with space for 10, a full home gymnasium,
cinema room, and even a spa treatment room.