Sentences with phrase «cinemascope aspect»

The enlarged, grainy photographs of Allegories are systematically produced in horizontal cinemascope aspect ratios and feature Minimalist hallmarks of isolation, coordination and objectification of fetishized parts.

THE BLU - RAY DISC Likewise amazing, Criterion's Blu - ray release presents The Innocents in its original CinemaScope aspect ratio of 2.35:1, in a 1080p transfer the liner notes describe as «created in 4K resolution on an Oxbery wet-gate film scanner from the 35 mm original camera negative.»

THE DVDs Carrying the «Vault Disney» tag within its platters but not on the cover art itself, Disney's THX - certified, 2 - disc Special Edition of 20,000 Leagues Under the Sea (overseen by production house Sparkhill) presents the film at its original, true CinemaScope aspect ratio of 2.55:1 in a transfer enhanced for 16x9 displays.

This is somewhat true of Damien Chazelle's La La Land, with its CinemaScope aspect ratio (complete with Tarantino - like title card), lush and dreamy 35 mm colors, visual nods to Singin» In The Rain, and a coda that recalls The Umbrellas Of Cherbourg.

Not exact matches

, a CinemaScope cartoon presented in dupey non-anamorphic widescreen at an aspect ratio of 2.35:1.

Established in 1889, the standard format of 35 mm film with an image aspect ratio of 1.33:1 was not seriously challenged until Twentieth Century Fox's invention of CinemaScope (initially 2.55:1, later 2.35:1) in the early 1950s.

The film was shot in 2.35:1 aspect ratio, called Cinemascope.

The very first image we see announces Chazelle's grand ambitions: we see a black - and - white square frame — the old pre-1953 Academy aspect ratio of 4:3 — with the word CinemaScope framed in the center, its right and left syllables cut off, which suddenly expands to the wider aspect ratio that the word implies (in this case, 2.55:1), gaining color at the same time.

THE DVD East of Eden comes to DVD in a lovely 2.55:1, 16x9 - enhanced transfer faithful to the wider aspect ratio of early CinemaScope titles.

How strange is it, then, that both 4 Months, 3 Weeks, and 2 Days and Beyond the Hills are shot in a widescreen aspect ratio — the 2.35:1 often associated with the grand, expansive CinemaScope Hollywood epics of the 1950s?

There is the fact that the movie was created in CinemaScope, the wider aspect ratio with which film responded to television, a screen format briefly very popular, mostly in the middle of the 1950s.

The first Disney movie made in Cinemascope widescreen, the film is represented in its original theatrical aspect ratio of about 2.55:1, and is enhanced for 16x9 televisions.

Demme changes the aspect ratio from 16 × 9 to Cinemascope, swaps the pale color palette for warm hues and starts shooting in a more conventionally bland style.

Each will focus on a different aspect of Dean's practice; the NPG will show her portrait work, including her six - screen portrait of Merce Cunningham, the National Gallery will display still lifes (both 15 March — 28 May), and the RA will show landscapes — among them, a new 35 mm CinemaScope film called Antigone (19 May — 12 August).