Sentences with phrase «cinematic art form»

The piece presents a fictitious time ticking, synched to the real one and infused with a conceptual narrative, resulting in an experience that pushes the experience of watching movies past the cinematic art form into fine art.

There was a lot of emotion this year, some terrific drama, and an immense amount of creativity and advancement of the cinematic art form.

It's a shame, because ballroom dancing, with its built - in fluidity and eroticism, is a highly cinematic art form.

Magic is an inherently cinematic art form, especially now when no illusion seems beyond the reach of a capable visual effects team.

Cinematography is perhaps the most revered of cinematic art forms.

Not exact matches

Although the summer of 2015 has proven to be a largely disappointing season in terms of cinematic achievements for the most part, one definite bright spot has been the gradual reemergence of feature animation as a viable art form after a few years in which the genre has been largely dominated by increasingly formulaic and largely forgettable works that have done little more than fatten up the bottom lines of the studios behind them.

With a rich cinematic lineage and thriving art scene encompassing many forms, Cuba is a place where underrepresented voices need creative and strategic support to share their stories with the world.

Hill's film effectively shaped the genre where noir meets car, and turned the cinematic car - chase into the ultimate art form.

His cinematic language is steeped in his deep understanding and history of his art form, and that comes through in every passionate frame.

Founded in collaboration with the Academy of Motion Picture Arts and Sciences in 1929 over 87 years ago, the USC School of Cinematic Arts has fueled and mirrored the growth of entertainment as an industry and an art form.

Fowler is a filmmaker who uses photographs, archival images and music, building experimental cinematic collages that ultimately deconstruct conventional thoughts about biography and the documentary; the viewer is drawn in and confronted with their own relationship to history and to film as an art form.

Cream and White Form and Square Holes in White (2005) molds form and shadow with harsh lighting - it's connotations of cinematic artifice revealing the art studio as stForm and Square Holes in White (2005) molds form and shadow with harsh lighting - it's connotations of cinematic artifice revealing the art studio as stform and shadow with harsh lighting - it's connotations of cinematic artifice revealing the art studio as stage.

His table - size constructions, based on architectural, art historical and cinematic sources are made of simple materials, pared down to essential forms, and frequently emptied of extraneous detail.

Casebere's table - size constructions, based on architectural, art historical and cinematic sources are made of simple materials, pared down to essential forms, and frequently emptied of extraneous detail.

Luke Fowler is a filmmaker who uses photographs, archival images and music, building experimental cinematic collages that ultimately deconstruct conventional thoughts about biography and the documentary; the viewer is drawn in and confronted with their own relationship to history and to film as an art form.

Nitehawk programmer, Caryn Coleman, has launched a screening program called Art Seen, formed to cultivate the relationship between artist moving images and the cinematic space.

Using cultural matter as his material - medium, he references art, history and theory to form a spatial and temporal narrative arc made up of intercommunicating texts, combined with an interest in the sculptural possibilities of cinematic structures and mise en scène.

The path forward in art - historical terms was split between those artistic movements more aligned with deeper investigations into the increasingly essential properties of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic art.