Sentences with phrase «cinematic arts program»

Not exact matches

The latest episode of Observations on Film Art, an exclusive Criterion Channel program that explores elements of cinema as used by great auteurs, features professor Kristin Thompson highlighting one device that has earned the film its permanent spot in the cinematic canon: Renoir's characteristically subtle yet elaborate staging.

The mission of the Napa Valley Film Festival is to celebrate the cinematic arts and enrich the community by presenting an annual world - class festival and year - round education and outreach programs.

He is also the Manager of Sundance Institute's Native American and Indigenous Program and a graduate of the University of Southern California's School of Cinematic Arts and California College of the Arts» MBA program for Design StProgram and a graduate of the University of Southern California's School of Cinematic Arts and California College of the Arts» MBA program for Design Stprogram for Design Strategy.

# 1Recognized as one of the top game design programs in North America by the Princeton Review, USC Games represents an exciting collaboration between the School of Cinematic Arts» Interactive Media & Games Division and the Viterbi School of Engineering's Department of Computer Science.

Students of USC's Interactive Media Program at USC's School of Cinematic Arts, Chen and Santiago were major proponents of showcasing ideas and feelings that gaming hadn't explored in the past.

Nitehawk programmer, Caryn Coleman, has launched a screening program called Art Seen, formed to cultivate the relationship between artist moving images and the cinematic space.

American Film Institute Conservatory Bard College Brooklyn College California College of the Arts California Institute of the Arts Claremont Graduate University Columbia University, School of the Arts, Visual Arts Division Cornell University, College of Architecture, Art, and Planning, Department of Art, M.F.A. Program Cranbrook Academy of Art Harvard University Hunter College (CUNY), Department of Art MIT, Visual Arts Program New York Academy of Art New York University, Tisch School of Art, Film Program New York University, Tisch School of Art, Interactive Telecommunications Program Pratt Institute Rensselaer Polytechnic Institute Rhode Island School of Design Rutgers, The State University of New Jersey, Mason Gross School of the Arts School of the Art Institute of Chicago School of Visual Arts Skowhegan The Core Program at The Glassell School of Art, Museum of Fine Arts, Houston The Glasgow School of Art The Whitney Museum of American Art Independent Study Program Tyler School of Art University of California Los Angeles University of California, Berkeley University of California, San Diego University of Michigan, School of Art and Design University of Pennsylvania University of Southern California School of Cinematic Arts Virginia Commonwealth University School of the Arts Yale University School of Art

«It's very cinematic,» said Cecilia Alemani, director and curator of High Line Art, who has been programming a series of site - specific, commissioned artworks on the billboard — «challenging interventions,» she likes to call them — since she started her job last October.

/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The BakeryProgram, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakeryprogram launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth

It was, according to Christovale, an encouraging entry point into the contemporary art world, and so the graduate of USC's School of Cinematic Arts curates cinema programs and non-traditional exhibitions on the topics of race, identity, citizenship, and sexuality.