Sentences with phrase «cinematic debut of»

Bold, powerful and starkly realistic, this chilling cinematic debut of horror master Wes Craven (Scream) is a shocking journey into the heart of evil.

Not long now before we jet off into space for the cinematic debut of Marvel's GUARDIANS OF THE GALAXY.

Many fans are eagerly awaiting the cinematic debut of Captain Marvel, and the fact that her solo movie, which will be set in the 1990s, takes place in - between Infinity War and Avengers 4 have led some to believe that the character will have a part to play in the team - up movie.

Return to Waterloo marks the cinematic debut of writer / director Ray Davies and, with the exception of a few subsequent documentaries, it's his only filmmaking effort.

The Perks of Being a Wallflower is the cinematic debut of Stephen Chbosky, the author who wrote the book.

Aside from Robert Downey Jr.'s usual charisma in the role of Tony Stark, Iron Man 2's only redeeming feature is that it's also the cinematic debut of Black Widow, the femme fatale who still sorely needs her own turn in the spotlight.

Celebrating this week's slow - mo - friendly cinematic debut of Entourage, this montage of movies demonstrates the art effectively.

Rick Perry is just a method actor gearing up to play George W Bush in the cinematic debut of The Onion.

Not exact matches

Adapted here by Alex Garland, riding on the modest success of his directorial debut, Ex Machina, as an infidelity mystery wrapped in big science fiction ideas and a splicing of cinematic DNA of Andrei Tarkovsky and John Carpenter, among others.

The Room marks the writing - directing - acting debut of Tommy Wiseau, who's not just one of the most unusual looking and sounding (with an unidentifiable Eastern European accent) leading men ever to grace the screen, but a narcissist nonpareil whose movie makes Vincent Gallo's «The Brown Bunny» seem the apotheosis of cinematic self - restraint.

Though Boys scarcely represented Cooper's cinematic debut (he appeared in Neil Jordan's Breakfast on Pluto a couple of years prior, among other films), it did prove a watershed, spurring the young actor on to additional film work.

The directorial debut of Glenn Gordon Caron, the creator of the television series Moonlighting (1985 - 89), this intense, gritty drama was received as one of the best - ever cinematic treatments of substance abuse.

A gifted cinematic presence since her Oscar - nominated «Atonement» debut at age 12, Saoirse Ronan has played everything from a young assassin raised among wolves in «Hanna» to a resident of «Grand Budapest Hotel's» imaginary Zubrowka.

Hayley Atwell «s Agent Peggy Carter was such a scene - stealing standout in Captain America: The First Avenger, she went from a supporting character in Captain America's debut film to a One Shot subject to the lead of her own TV show, Agent Carter (not to mention the fact that her cinematic arc was only just wrapped up in Captain America: Civil War).

When Transformers: The Last Knight debuted with a series - low opening day last year, it was the latest signal that the Michael Bay era might finally be coming to an end after a full decade of cinematic chaos.

This end - credits scene had a high bar to reach given the standard of the Marvel Cinematic Universe's game - changing post-credits stingers and, indeed, Wade Wilson's own debut.

The Hoosier Award, which recognizes a significant cinematic contribution by a person or persons with roots in Indiana, or a film that depicts Hoosier State locales and stories, went to «Columbus,» the debut feature film of director Kogonada, which was set and shot in the southern Indiana city noted for its Modernist architecture.

With the Marvel Cinematic Universe introducing a new generation of superheroes in its third phase — which also includes the debuts of the Wasp and Doctor Strange, the reintroduction of Spider - Man into the fold, and the upcoming solo Captain Marvel film — and Black Panther officially revealing Wakanda to the world, there's no reason a genius black girl with infinity tricks up her sleeve shouldn't assume the role of its most brilliant ambassador.

Set against a budget of $ 70 million, Michael Mann's cybercrime would - be-thriller brought in a grand total of $ 1.7 million in its debut, necessarily deeming Blackhat one of the biggest box office bombs in cinematic history given its wide release status.

To help celebrate the 50th birthday of Josh Brolin, Ryan Reynolds has shared an image that transports his Deadpool 2 co-star back to his cinematic debut: the 1985 classic The Goonies.

Gambit, a.k.a. Remy LeBeau is one of the most popular X-Men characters who, recently, made his debut into the cinematic universe of the franchise in 2009's X-Men Origins: Wolverine then played by Taylor Kitsch (Battleship).

Between Mimic 3: Sentinel («Mimic: Sentinel» on its title card and hereafter «Sentinel») and his remarkable feature debut, the mostly silent NYU student film Soft for Digging, Petty betrays a genuine gift for cinematic storytelling, stripping down dialogue to a skeletal structure and relying on the force of his images for the bulk of the exposition.

And, following all of that, he's riding high on what is a phenomenal debut in the Marvel Cinematic Universe, thanks to a supporting part in Black Panther.

Think of it as Love Story meets Total Recall and Dark City, which doesn't quite do justice to the movie - going experience at hand, but comes close to describing the idiosyncratic, highly cinematic world writer / director George Nolfi generates here for his filmmaking debut.

Therefore, we might expect fans of the Marvel Cinematic Universe to obsessively check their phones or computers on Friday, anxiously awaiting the trailer's debut.

Adam Warlock's debut in the Marvel Cinematic Universe was teased in a mid-credits scene for Guardians of the Galaxy, Vol.

«Ex Machina» is the directing debut of writer Alex Garland, who burst onto the cinematic scene in 2000 with Danny Boyle's adaptation of his novel «The Beach».

In Jose Villalobos Romero's remarkable cinematic debut, he utilises vivid tableaus and stylised perspective to paint a beautifully unique and emotional portrait of a man divided.

Aside from the death toll in Avengers: Infinity War, one of the movie's biggest surprises was the reintroduction of Captain America's former nemesis, the Red Skull, albeit in a far different role than he held when he debuted in the Marvel Cinematic Universe.

A great mix of old and new cinematic gold, this year's lineup includes Ildikó Enyedi's Berlinale Golden Bear - winner On Body and Soul; Mrs. Fang, Wang Bing's unflinching document of an elderly woman in her final days, which won the Golden Leopard at Locarno; the North American premiere of Katharina Wyss's powerful debut feature Sarah Plays a Werewolf, about a woman who channels her fears into theater; Govinda Van Maele's fiction feature debut Gutland, featuring Phantom Thread's Vicky Krieps; the U.S. premiere of Slovenian director Rok Biček «s The Family, a compassionate portrait of a young man's life over the course of 10 years; and experimental artist Bertrand Mandico's exhilarating, gender - bending Wild Boys.

Extras: «Road to Justice» journeys alongside DC comic creators as they explore over 50 years of the Justice League, from comic books to animated adventures to their cinematic debut; «Heart of Justice» in which the cast and filmmakers share their admiration for DC's iconic Trinity: Superman, Wonder Woman and Batman; «Technology of the Justice League»: From Batman's arsenal to Cyborg's alien tech, interface with the Justice League database to learn their most advanced secrets; «Justice League: The New Heroes»; «Steppenwolf the Conqueror»; «Scene Studies: Revisiting the Amazons»; «Scene Studies: Wonder Woman's Rescue»; «Scene Studies: Heroes Park»; «Scene Studies: The Tunnel Battle»; «Suit Up: The Look of the League.»

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

There's an often - true stereotype about directorial debuts by actors: they've got great performances and plenty of moments for a talented cast to make an impact, but such movies don't yet necessarily reveal any visual flair or cinematic storytelling style.

He is, of course, known for his role as Happy Hogan in the Marvel Cinematic Universe; his character debuted in Iron Man, which he also directed, and was most recently spotted in Spider - Man: Homecoming.

ABC's Jimmy Kimmel Live will host several stars of the Marvel Cinematic Universe next week, while debuting the first Doctor Strange trailer.

Those who've seen the Captain America or Iron Man movies have probably already heard of these characters among popular media, even before catching their cinematic debut.

During Marvel's big Phase Three announcement, Chadwick Boseman was announced as having secured the role of T'Challa in the Marvel Cinematic Universe, making his debut in Captain America: Civil War before headling his own Black Panther movie (and presumably reprising the role for the two - part Avengers: Infinity War).

King of American animated comedy Seth MacFarlane (Family Guy) makes his cinematic debut with this R - rated comedy about one man and his foul - mouthed teddy bear.

Evangeline Lilly is set to reprise the role of Tauriel next month for Peter Jackson's The Hobbit: The Battle of the Five Armies, after which she'll be joining another blockbuster franchise as she makes her Marvel Cinematic Debut as Hope Van Dyne in July's Ant - Man.

He has supplemented his full slate of contractually obligated Marvel Cinematic Universe appearances with an array of films, including the romantic comedy Before We Go, which marked his directing debut, and Bong Joon Ho's acclaimed Snowpiercer.

A slew of actors will be making their Marvel Cinematic Universe debut in next year's Captain America: Civil War, including The Hobbit and Sherlock actor Martin Freeman, whose exact role is still unknown.

Michael Pearce's feature debut Beast, on the other hand, is intensely cinematic from start to finish, a dark contemporary fairytale set on the windswept isle of Jersey.

Berg, making her fiction debut, and her director of photography, Rob Hardy, push Every Secret Thing into the overcast dimness that has become a color - palette requirement for cinematic narratives in which loved ones get murdered or go missing.

In early 2009, the «everything - is - connected» movie finally hit bottom when its chief architect, writer Guillermo Arriaga (21 Grams, Babel), made his directorial debut with The Burning Plain, a film that epitomized the dirge - like self - importance of the worst cinematic puzzles.

For more on Kojima and the future of Metal Gear, you can check out our report from the PAX Prime panel, as well as Metal Gear Solid: Ground Zeroes» North American cinematic debut from the same panel.

In his much celebrated feature debut «Hedwig and the Angry Inch,» the actor / director pealed his own creation from the stage and molded it into a cinematic experience that became one of the most accomplished films of 2001.

In 1999, a group of sex - obsessed Michigan students made their cinematic debut.

The story deals with the co-dependence between friends and how that disintegrates with the tensions of class and lineage — note how this topic seems fairly similar to another debut film from a famous television impresario who revealed himself to be completely tone deaf to cinematic storytelling.

The movie marks the noteworthy directorial debut of Etan Cohen, whose successful mix of over-the-top slapstick and subtle social satire yields a cinematic experience as silly as it is thought - provoking.

When Tom Ford, already an iconic figure in the world of fashion, made his cinematic debut in 2009 with A Single Man, it was easy to be skeptical: The universe is rarely kind to those who excel in one field and then try to conquer another.