So while there is a value in improving narrative or adding
cinematic effects in video gaming, it should never be at the price of trimming down agency.
Not exact matches
Striking observations of the
effects of Hurricane Ivan — which swept across the Atlantic
in 2004 — reveals the 100 - foot wave which ended the movie The Perfect Storm were no
cinematic exaggeration.
Director Andrew Kuehn has excerpted brief segments of terror and suspense
in a wide variety of horror movies and strung them together with added commentary, as well as some enacted narrative, to create a compilation of
cinematic, fright - inducing
effects.
It's an unapologetically over-the-top premise that, although employed to exceedingly entertaining
effect within the book, inevitably results
in a middling
cinematic endeavor, as Howard - working from a script by David Koepp and Akiva Goldsman - emphasizes a consistent tone of reverence that proves an incongruous match with the comparatively light - hearted nature of Brown's eponymous bestseller.
However, one still wonders why on (Middle) Earth Jackson chose to shoot his new trilogy
in this way and not allow the detailed world to be shown off
in all its
cinematic glory instead of it being masked by this peculiar
effect (of course this won't matter
in regular 24 fps 2D).
Whether digital or analog, we're
in an age when
cinematic effects can convince us of anything, transport us to anywhere.
The
effects of slavery did not dissipate and most likely will not resolve themselves until complex and yes, black, heroes like Django are not the outliers but just the norm
in a vibrant
cinematic world allowing for multiple interpretations.
i really enjoyed this game completed it like 4 times with the DLC i think i liked it more than the previous Mass
Effect's the only bad thing is that
in PS3 sometimes the
cinematics kind of freeze and theres only sound is really weird but other than that great game a must play for previous gen and
in my opinion the best game series ever.
Since «Iron Man»
in 2008, the Marvel
Cinematic Universe (MCU) has been using cutting - edge visual
effects to tell entertaining stories on a grand scale, and has billions
in box office gross to show for it.
This familiar studio entreaty against spoilers has by now hardened into ritual, like some of the other built -
in features of the Marvel
Cinematic Universe: amusing jokes, dynamic action, state - of - the - art
effects, a happy ending, a post-credits teaser.
You're not there because of the new ground - breaking
cinematic techniques being utilized; you're there because the
effects that are used have been done excellently
in keeping with the fantastic nature of the story.
Check out the befriending of ants, the impressive
effects of miniaturization and the riveting scene
in which Thomas the Tank Engine —
in a
cinematic first — wreaks havoc.
With the help of Joseph Gordon - Levitt, cinematographer Dariusz Wolski, production designer Naomi Shohan, and visual
effects supervisor Kevin Baillie, he's created an amazing film that makes dazzling use of
cinematic storytelling and deserves to be seen
in 3 - D.
The exploration of James Franco's contributions to the
cinematic world continues, with the oppressive summer heat kicking
in with full
effect.
Those 30K visual
effects, alone and collectively, have contributed to long - form, serial storytelling (the Marvel
Cinematic Universe [MCU] by another name) without equal
in size, scope, or scale among Hollywood studios.
Gary Ross did a solid job crafting the
cinematic world of Collins» novels, but «The Hunger Games» was lacking
in certain areas, particularly the action sequences and visual
effects.
Written and produced by the Chiodo brothers — known for their work on a host of special -
effects laden hits such as «Team America: World Police» and the Critters movies — «Killer Klowns from Outer Space» is a
cinematic experience unparalleled
in this galaxy, now newly restored by Arrow Video for this stellar edition.
Out of that, I developed a theory of a certain
cinematic style, a Transcendental Style, and published a book to that
effect in 1972.
Combat plays out
in Dragon Quest-esque battles, yielding turn - based strategy and simple sprite based attacks over flashy
cinematic cutscenes and summon
effects.
And the further you probe into the
effects of the Winter Soldier on the [Marvel
Cinematic Universe], by not bringing
in other people, we're actually ignoring content.»
The seaside locales that stand
in for Dunkirk offer a scenic oasis from the horrors back home and the peeks into how primitive
cinematic effects were achieved are fun to witness.
Chris Corbould's digital and practical
effects wizardry,
in tandem with Guy Dyas's awe - inspiring production design, paint a
cinematic portrait unlike any other.
Avengers: Infinity War took the Marvel
Cinematic Universe
in a whole new direction — and there's a chance that it could have a lasting
effect on one character.
From liquid crystal
effects and interactive elements
in the flashbacks paired with a traditional
cinematic approach to the horror boogeyman, Strauss - Schulson keeps the film engaging throughout.
In an era less focused on the construction of
cinematic universes, The Dark Tower might have been a faintly cheesy cult classic, one where the low - grade special
effects and «Scene Missing» lacunae were part of its charm.
The movie plays like a master's course
in cinematic technique delivered by the master himself, crammed with giddy
effects and visual jokes.
In Blue Ruin, Jeremy Saulnier's second feature, a handful of sequences give off the intoxicating effect of watching a historic cinematic landmark, but in real tim
In Blue Ruin, Jeremy Saulnier's second feature, a handful of sequences give off the intoxicating
effect of watching a historic
cinematic landmark, but
in real tim
in real time.
Monsters vs. Aliens — from DreamWorks Animation vets Rob Letterman (Shark Tale) and Conrad Vernon (Shrek 2)-- isn't trying to be deep: that's just an unintended side
effect (and one the audience can safely ignore, if it wants to) when you riff on just about every monster movie ever made and do it this cleverly,
in ways that know you know way too much about the subject of
cinematic apocalypse already.
Even as yet another superhero origin story, there are some truly next - level visual
effects and action sequences
in director Scott Derrickson's film, and opening the Marvel
cinematic universe up to all the possibilities that come from the realms of the mystical is an exciting prospect.
It's revealing that Senator John McCain felt obligated to speak up
in defense of «American Sniper,» a one - note piece of
cinematic propaganda so obnoxious that it threatens to undermine the very nature of its intended
effect.
So while the acquisition is possible it's unknown how much of this will
effect the Marvel
Cinematic Universe
in Phase 4 moving forward.
If you're
in the mood for a little mobile war gaming with a twist, download Dustoff Vietnam for your Android device and enjoy epic action with [what the developers accurately describe as]
cinematic sound
effects.
By looking at
cinematic techniques and ways sound is conveyed for specific
effect in movies, fiction writers can see how to do similarly
in their stories.»
Despite the
cinematic effects, your innate creativity can play a significant role
in determining what elements of reality through motion pictures to present promote your book according to your budget.
Well, today Bioware have announced Mass
Effect 3: Extended Cut, a completely free DLC pack that promises to, «give fans seeking further clarity to the ending of Mass
Effect 3 deeper insights into how their personal journey concludes,» by adding
in brand new
cinematic sequences and epilogue scenes.
When a franchise like Mass
Effect is already a
cinematic experience
in itself, why not make it into a movie?
This announcement comes after just having announced that Mass
Effect 3 will be getting an Extended Cut DLC pack
in the Summer that will add
in new
cinematic sequences and epilogue scenes at no extra cost to gamers.
In this one scene, which should be a dramatic and hear - rending moment, the shoddy animation, lack of detail and background music as well as the crap sound
effects leaves the whole thing feeling like a badly done pantomime rather than stunning
cinematic moment.
Combat plays out
in Dragon Quest-esque battles, yielding turn - based strategy and simple sprite based attacks over flashy
cinematic cutscenes and summon
effects.
Originally releasing
in 1991 for the Amiga and the Atari ST, the game was highly regarded at the time for the
cinematic effects that were prevalent throughout, with both cutscenes and
in - game animation earning Another World praise from most that played it.
Insomniac Games is looking for an artist to create
effects to work and assist
in gameplay, environment, and the
cinematics of the game.»
The game is an old - school
cinematic - platformer that proved innovative through its use of
effects in the graphics, sound and cut scenes with characters communicating through their facial features, gestures, and actions only to tell the story.
With Mass
Effect 2, BioWare has addressed the original game's weaknesses, and produced an incredibly well - written,
cinematic thrillride that improves upon its predecessor
in every way.
There's
cinematic depth to the backgrounds, colors and weather
effects and a sense of beauty
in the movement.
The footage features environmental
effects like rain, some
cinematic footage with a Krogan and a human
in a standoff, explosion
effects, and perhaps most exciting, a jet pack.
This approach gets us high pixel quality
in combination with complex shading and
effects, allowing us to achieve a
cinematic look.
* High resolution soft shadows * GPU - simulated particle
effects, numbering
in the tens of thousands * Textured, reflective surfaces * SpeedTree - powered vegetation rendering * High polygon character models * Post processing
effects, for a a more
cinematic style
With stunning
cinematic effects, advanced lighting, and detail that is unparalleled, users will feel like they are actually
in the game.
Hulick also composed the score for MASS
EFFECT 3: EXTENDED CUT which includes new and extended
cinematics that feature more of the emotionally impactful material Hulick was responsible for
in MASS
EFFECT 3.
Returning for the third chapter
in the MASS
EFFECT series, Hulick's compositions for MASS
EFFECT 3 enhance many of the key
cinematic and emotional scenes including the climactic conclusion.