John Akomfrah, CBE (born 4 May 1957)[1] is a British artist, writer, film director, screenwriter, theorist and curator of Ghanaian descent, whose «commitment to a radicalism both of politics and of
cinematic form finds expression in all his films».
Not exact matches
I
find Malick's current
form of filmmaking to be insufferable, yet I can not help but marvel at the
cinematic beauty that he puts before my eyes.
Speaking as someone who
found the studio's late - 2000s run of WALL - E, Up, and Toy Story 3 among the most impressive
cinematic — and I don't merely mean animated — streaks of all time, I have high hopes for a return to
form in 2015 with the long - in - the - works Inside Out by Pete Docter (Monsters Inc., Up).
Founded in collaboration with the Academy of Motion Picture Arts and Sciences in 1929 over 87 years ago, the USC School of
Cinematic Arts has fueled and mirrored the growth of entertainment as an industry and an art
form.
Today, however, the two
forms are joined as never before: screenings, «expanded cinema», video installations and
cinematic black boxes are all routinely
found in exhibition contexts.
Conner started the assemblage in
cinematic form, using
found footage to create a poetic as well as a political sense of Einsteinian montage.