As he continued to accept commercial work at magazines like Harper's Bazaar and Vogue, Croner pursued his own photography, producing vigorously experimental,
cinematic images of cafeterias, solitary diners and the
city after dark.
Complimenting her previous two exhibitions «Polyester» and «Big Valley,» the L.A. native builds on her creepy
cinematic images with «Week - End,» the final comment on her home
city's «strange picture
of perfection.»