Feelings of nostalgic longing for a remembered past and a hoped - for future haunt, mingle, and coalesce in Shurts»
cinematic landscapes which hover between representation and abstraction.
Since his Times Square Show debut, his pictorial universe has been incredibly consistent and meticulously staged: a
cinematic landscape often flattened into eerie planes and characterized by classic foreign sports cars, French pop singers, camouflaged Spitfires and troop ships, icons of European cinema and snowy Alpine peaks — a series of very particular, rhapsodic infatuations, through
which he has conjured a fully - realized, unironic, modern - day narrative mythology.