Sentences with phrase «cinematic portraits of»

Best known for his large - scale cinematic portraits of young women in vast... Continue reading →

Israeli artist Yigal Ozeri is best known for his large - scale cinematic portraits of young women in vast transcending landscapes.

New York City based Israeli artist Yigal Ozeri is best known for his large - scale cinematic portraits of young women in vast transcending landscapes.

Anchored by an exacting, measured but sweetly responsive lead performance by Gary Oldman, Darkest Hour is the best of many great cinematic portraits of Churchill.

Adapting short stories by Maile Meloy, she has created a cinematic portrait of several disparate women set in desolate Livingston, Montana.

This thought - provoking documentary offers an unusually - unguarded, cinematic portrait of an unassuming Hollywood icon due to its 65 year - old subject's allowing herself to be shot without concern about finding flattering camera angles.

I decided to write a movie about Norman, a cinematic portrait of him, or maybe an investigation into his operating system, when I realized that this duality in how I felt towards him is a reflection of my own burning identity crisis.»

Diego Luna's powerful cinematic portrait of the legendary activist stars Michael Pena (End of Watch), America Ferrera (Ugly Betty), Rosario Dawson (Sin City) and John Malkovich (In The Line of Fire).

(In English and Yiddish with subtitles) Sholem Aleichem: Laughing in the Darkness (Unrated) Cinematic portrait of the legendary Jewish playwright (1859 - 1916) whose Yiddish tales about a pious milkman served as the basis for the Broadway musical «Fiddler on the Roof.»

General Orders No. 9 (Unrated) Cinematic portrait of the State of Georgia shot by first - time director Robert Persons who laments the escalating encroachment of urbanization on the South's natural habitats.

Turn your speakers up, switch to full screen, press play and be prepared to be amazed by this breathtaking, cinematic portrait of Afghanistan — a look at the country like you've never seen it before.

Brian Rogers, The Last Girl Scout is a cinematic portrait of a «final girl» fit for the 21st century.

A version of his cinematic portrait of Zidane — a black and white film in which the camera follows just the footballer in the space of a 90 - minute game and which was shown to great acclaim at the Cannes Film Festival — has also been bought by Scottish National Gallery of Modern Art.

Not exact matches

Filmmaker Nicholas Jarecki offers a celluloid portrait of a cinematic mastermind at work in this documentary shot over an eight month period and following director James Toback through each phase of production of his 2004 thriller When Will I be Loved.

Imagine a cinematic equivalent of a Picasso cubist portrait, but instead of showing multiple perspectives of an object in an image, it presents experiences from different periods in a life in a single narrative.

This story is both a deeply personal and introspective portrait of a modern family, as well as a probing cinematic essay examining one of society's major ailments.

In Jose Villalobos Romero's remarkable cinematic debut, he utilises vivid tableaus and stylised perspective to paint a beautifully unique and emotional portrait of a man divided.

«A life spent at the movies gets the cinematic epitaph it richly deserves in Life Itself, documentarian Steve James» meticulous and intensely emotional portrait of the late Roger Ebert.»

The film is handsomely mounted and Lewin uses an interesting cinematic device to great effect: he cuts to full color when the new portrait is first unveiled and when the aged, diseased image of Dorian is revealed after his descent into depravity, which provides a visual shock to the black and white drama and enhances to horror of the grotesque mutation of the painting.

A great mix of old and new cinematic gold, this year's lineup includes Ildikó Enyedi's Berlinale Golden Bear - winner On Body and Soul; Mrs. Fang, Wang Bing's unflinching document of an elderly woman in her final days, which won the Golden Leopard at Locarno; the North American premiere of Katharina Wyss's powerful debut feature Sarah Plays a Werewolf, about a woman who channels her fears into theater; Govinda Van Maele's fiction feature debut Gutland, featuring Phantom Thread's Vicky Krieps; the U.S. premiere of Slovenian director Rok Biček «s The Family, a compassionate portrait of a young man's life over the course of 10 years; and experimental artist Bertrand Mandico's exhilarating, gender - bending Wild Boys.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

So the game doesn't only revolve around animated portraits with text message to forward the story but tries to tell a cinematic story mixed with the nostalgic visuals of the past, resulting in an RPG is easily one of the best classic RPG I have played this year.

Sumptuously photographed and exceedingly intelligent, The Portrait of a Lady is a cinematic fever dream fascinated by the pictorial and sensuous forms of dominance within James's text, and the inextricable bond between romantic love and violence.

While Mickey Rourke is laying bare his soul on the screen, Aronofsky and Alberti are meeting him half - way with an affectionate portrait and a sense of realism that might remind the viewer of one of the many examples of cinematic non-fiction Alberti has filmed in her time.

Regardless of your personal feelings towards Vidal, Gore Vidal: The United States of Amnesia attempts to paint a cinematic portrait, both intimate and expansive, of this controversial man.

Filmed over the course of twelve years, Richard Linklater's coming - of - age portrait is an astonishing experiment in cinematic time.

San Francisco filmmaker Terry Zwigoff's first cinematic effort, the 1985 Louie Bluie, is a wry, ribald, and magical portrait of the country - blues string band player and irrepressible raconteur Howard Armstrong (a.k.a. Louie Bluie).

In very different ways, each adaptation is sure footed enough to give cinematic expression to the complexity of the original authors» portrait of extraordinary systems and ordinary lives.

Turning up the knob on cinematic advocacy to 11, the film unfolds from 2008 through 2012, painting a fairly dire portrait of an American health care system on the verge of outright collapse.

And it's definitely not a good portrait of Daphne Milne, but it is a great cinematic Selfish Mother trope.

What was happening in the 1967 cinematic landscape which necessitated such a profound portrait of a breakneck, ultra-desensitized New York to become immediately obscured?

«Chasing Ice»: Science, spectacle and human passion mix in this stunningly cinematic portrait as National Geographic photographer James Balog captures time - lapse photography of glaciers over several years, providing tangible visual evidence of climate change.

Cate Marquis: In part, HEAL THE LIVING is a medical procedural, like on ER or countless television dramas, but what sets it apart is its fuller emotional portrait of the patients and their families, and its lush cinematic approach to the subject.

Unfortunately, it also has Slumdog Millionaire's brand of exploitative uplift, in which cinematic jazziness is mercilessly employed to sugarcoat portraits of human misery.

Told in cinematic style by acclaimed writer Mal Peet, this brilliant coming - of - age novel is a gripping family portrait that interweaves the stories of three generations and the terrifying crises that define them.

The book jacket features a cinematic, full colour illustration of the team at work in the Arco Tower, while the interior of the book sees pivotal moments and interviewee portraits rendered in a manga-esque monochrome style.

I love the art style that is used for the character portraits and cinematics coupled with multitudes of «mechs and different weapon combinations makes for some pretty amazing strategies.

The self - portraits remind me of Cindy Sherman's self - portraits where she poses as different cinematic or imagined characters.

From August Sander's portraits of society to Tina Barney's depictions of social elites to Cana Bilir - Meier's cinematic exploration of the forgotten stories of migrant workers, How To Live Together shows that the stranger, the other, is something people are made into.

The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the objectifying gaze of cinematic light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.

Chamberlain calls them «self - portraits of my nervous system» — fragments of what could be considered the artist's cinematic stream of consciousness.

Making the best use of natural light, his portraits are incredibly beautiful with a contemporary, cinematic style.

«The Turner Prize», Ebrington, Derry - Londonderry (cat) «Art from Britain and Poland since 1990», Centre for Contemporary Art, Ujazdowski Castle, Warsaw «Folk Devil», David Zwirner, New York «Cinematic Visions: Painting at the Edge of Reality», Victoria Miro, London «The Future Generation Art Prize@Venice 2013», 55th International Art Exhibition — la Biennale di Venezia, Palazzo Contarini Polignac, Venice «The Encyclopedic Palace», 55th Venice Biennale, Venice «The Souls — A Twice - Told Tale», CEAAC, Strasbourg «The Roving Eye: Aura and the Contemporary Portrait», Oakland University Art Gallery, Oakland University, Rochester, MI

Through the vision of these 31 individuals, we can discover cinematic scenes of horror and violence; diptych portraits of struggling yet hopeful people living in immense public housing projects; staged, metaphoric images that transcend the reality that most of us know, and much more...

In her self - portrait photographs, she assumes the role of an actress performing cinematic clichés of femininity.

The Irish Film Institute screening of two film - works by Parreno, 8 June 1968, 2009, and Zidane, a 21st Century Portrait, 2006, allows the viewer to see these films on large cinematic screens.