Sentences with phrase «cinematic tropes in»

Beaucage brings about this reversibility in the exhibition by choosing a series of paintings that mixes the plot in a non linear fashion, including molly induced moments and cinematic tropes in 3D.

Not exact matches

The tweaking of genres — the prison - escape flick in Chicken Run; monster horror in Were - Rabbit — in ways that made fun of cinematic tropes while also rapturous embracing them has elevated Park's work way above the standard notion of «it's a cartoon, it's just for kids.»

Perhaps intended as loving homage, «The Better Angels» instead borders deeply on self - serious parody, virtually utilizing a checklist of every stylistic trope Edwards» cinematic maharishi uses — hushed ponderous voice - over about the nature of life; that gliding camera; dancing wide - angle shots; jump cuts; dancing in fields; a spiritual connection to nature — and one by one employing them all without a trace of ironic self - awareness.

This film breaks no new ground with the horror genre but rather is content to flex its muscles in the tried and true tropes of its cinematic predecessors.

A work of cinematic minimalism, more a study of a city than its people, The Driver established itself as a watershed moment in crime noir without pandering to tropes or cliché.

Working with editor Masahiro Kirakubo (whose credits appropriately include Danny Boyle's similarly jittery «Transpotting»), von Einsiedel places his focus into a cinematic framework: Sweeping images of nature and glimpses of animal life combine with various genre tropes to create the impression of an operatic tragedy with no clean end in sight.

In addition to the «earned cinematics» we've already discussed, we will cover the trope as it relates to Easter Eggs, Unlockable Costumes, Experience Points, Collectibles, and Achievements.

Artists such as Cindy Sherman and Laurie Simmons employed this strategy, but referenced specific cinematic tropes rather than documentation in their fabricated pictures.

Other artists» approaches to filmmaking approximated various tropes and moods of poetry, bending the medium to poignant ends alternately vested in distance and immediacy: Stanya Kahn's evocations of abject absurdity through stand - up comedy; Barry Doupe's alienated dreams told in disjointed narrations and flattened, chromatically charged figurations; Ryan Trecartin's bewilderingly familiar stream - of - consciousness rants grounded by a intuitive, cinematic fluidity.

The main figure, a former Miss Colorado, becomes an actress in Walker's paintings, playing into the fantasy and cinematic trope of the LA woman with the enviable life of ease and affluence.