A two - story bay window provides
cinematic views of the Manhattan skyline which becomes the backdrop to an interconnecting stainless steel floating staircase joining the top floors.
Viewers are treated to an incredibly
cinematic view of the desert while a narrator describes how the desert never forgets what occurs and that despite the rise and fall of various empires, the desert remembers all.
Installation view April 11 — July 6, 2008 Currents 102: Sarah Oppenheimer is an exhibition by the artist, entitled Horizontal Roll, that offers
a cinematic view of contemporary works in the Museum's collection.
Not exact matches
A
viewing of SHREK THE THIRD, however, might convince them
of the fact
of DEvolution, at least
of the
cinematic variety.
(Or maybe it wasn't so skewed — as we see from some
of their vintage home movies, their apartment gave a good
view of the World Trade Center circa 2000, scene
of the century's most
cinematic catastrophe.)
There were a lot
of movies I loved this year, but what I prized most when I was making my list was extraordinary
cinematic experiences — artful filmmaking that was enhanced by big - screen
viewing; stories and characters that lingered with me.
From a
cinematic point
of view, «The Post» is being compared to «All The President's Men» and -LSB-...]
A deleted scene with commentary is a somewhat superfluous gimmick shot demonstrating vampiric night vision point -
of -
view, and five animated and scored storyboards are well executed but probably superfluous — though a DVD - ROM option offers a nifty Near Dark screensaver and the complete (and very
cinematic) screenplay by Bigelow and Eric Red.
As in Iron Man 2, there's a sense that Dawn
of Justice (as that subtitle implies) is a bridging device, a platform to launch a bigger
cinematic universe, and as such it might work better when
viewed as part
of a 10 - film collection than it does as a standalone.
Even after all this time, and after repeat
viewings, this ensemble continues to reveal new bits
of cinematic love.
Going by the
cinematic version
of Abe's rule, a film should be long enough to last from its beginning to its end — and in the
view of many
of the directors who have brought films to Cannes this year, that can be a long time.
«A
Cinematic Vision» (7:12) discusses the unorthodox filmmaking techniques used to convey Jean - Do's point
of view, from cameras with latex faces attached to letting its leading man react naturally in a soundproof room.
Often dismissed as oppressively tasteful and aesthetically repressed, their best - known films (A Room with a
View, Howards End, The Remains
of the Day) were marked less by any singular
cinematic vision than by the ability to marshal a team
of talented craftsmen — costumers, hair stylists, set dressers, and location scouts — to create a prettily detailed simulacrum
of the past.
In an era when moviegoers are increasingly content to
view films in multiplexes or on their computers or smartphones, this is a rare chance to see a collection
of epic visions in the most sensorially overwhelming manner possible — the kind
of cinematic experience that can make someone fall in love with the cinema all over again.
Being that a large part
of the film is essentially silent, the towering and conflicted performance from Daniel Day Lewis and the searing score lurking around every corner loom large in creating the tension that creeps up and down your spine when
viewing this bold
cinematic vision from Paul Thomas Anderson (Hard Eight, Boogie Nights, Magnolia, Punch Drunk Love.)
Like a
cinematic Donald Trump, Tarantino revels in the unforgiving violence and political incorrectness
of The Hateful Eight, and is so fatalistic in the world
view he is presenting that it feels as though he is egging his critics (and supporters) on.
Taking cues from his
cinematic heroes, Bernardo Bertolucci, Eric Rohmer, and Maurice Pialat, Guadagnino's «Desire Trilogy» offers an unsentimental
view of a very human condition.
Great Directors on TCM: Akira Kurosawa Between his flawless translations
of American genre films (especially crime films and westerns) to Japanese settings both contemporary and medieval, his groundbreaking experiments with
cinematic point
of view and narrative reliability, and his brilliant juxtapositions
of Shakespeare with Japanese tradition, Akira Kurosawa can easily claim to be one
of the greatest and most influential directors
of all time.
This is in no way even a partial
view of the scope
of the film (which plays like a miniseries but is
cinematic in nearly every other way), which encompasses historical fiction, religion, migration, infidelity, camp, drama, comedy, Prospect Park, and Antartica in its vastness.
The ultimate
viewing order for the Marvel
Cinematic Universe timeline has been set, as the chronological order
of the MCU has been complied.
Whatever the source material, the results from a
cinematic point
of view are stunning.
Told from the point
of view of his
cinematic counterpart, Antoine Doinel (Jean - Pierre Léaud), The 400 Blows sensitively re-creates the trials
of Truffaut's own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime.
Keeping in mind that this film has obviously gutted many
of the bells and whistles that make reading a Rowling work such a pleasure for millions, as a movie —
viewing it solely as a standalone
cinematic work, rather than a mere adaptation — it's probably the most successful
of the series thus far.
Similar in tone to the brilliant brainwash montage at the centre
of Alan J. Pakula's The Parallax
View, this short film starts out by showing a most wondrous patriarchal Christmas morning but soon depicts murder and mayhem within a monarchy — a number
of these images rendered all the more tongue - in - cheek by the fact that they're excerpted from
cinematic Shakespeare adaptations
of yesteryear.
One important moment late (sorry, major spoiler if I were to reveal it) in the film is handled very well by Yates from a
cinematic point
of view, but it curiously is not as emotional in punch as the scene would merit.
It also has two great
cinematic moments relating to the suspenseful use
of sound and visuals (when the family dog goes silent and George's golf ball rolls into
view, trouble is coming) and one odd tangent that should have been at the heart
of the film.
i just wan na see a gorgeous and sprawling world in terms
of like
cinematic views and not so much... i do nt wan na say color everywhere, but when people say its beautiful, it shouldn't be just because its colorful.
Wheatley posits that, through the production
of cinematic unpleasure, Haneke forces the spectator to examine the source
of unpleasure and thus become a rationally aware spectator who takes up some responsibility for
viewing.
The actor talks about how «Game Night» is more
cinematic than a lot
of other comedies, if the movie changed during development, and if Netflix shares
viewing numbers
of «Ozark» with him.
Told from the point
of view of Truffaut's
cinematic counterpart, Antoine Doinel (Jean - Pierre Léaud), The 400 Blows (Les quatre cents coups) sensitively re-creates the trials
of Truffaut's own childhood, unsentimentally portraying aloof parents, oppressive teachers, and petty crime.
With the Arslan: The Warrior
of Legend's demo now available in Japan for PlayStation 4 and PlayStation 3, we've recorded a full playthrough
of the PS4's version for your
viewing pleasure, including the game's opening
cinematic.
The
view from TIFF: The raves haven't stopped for MMMM since it debuted at Sundance back in January, and for good reason: This is a terrifying, thought - provoking, strikingly
cinematic piece
of work, playing off the uncertainty
of the heroine's mental state, the disparity between the cult compound and the lake - house, and the vulnerability
of a fragile family unit nestled in the wilderness.
The handsomely produced Horse Whisperer is not the flat - out
cinematic catastrophe that another recent actor - director effort, Kevin Costner's notorious The Postman, was, but for swoony fans
of movie love stories, this uninteresting, uninvolving
viewing chore might as well be.
More than 250
of them were first time
viewings of new releases, and while the year got off to a slow start, it came through in the clutch with a bevy
of cinematic gems to behold.
Most impressive, they find a
cinematic equivalent to McCarthy's language: his narrative ellipses, play with point
of view, and structural concerns such as the exploration
of the similarities and differences between Moss, Chigurh and Bell.
Hosted by Director
of Marvel Digital Ryan Penagos, this legion
of creators debuted some never - before - seen previews
of their upcoming work and sat tight through a special
viewing of some upcoming Marvel
Cinematic Universe footage.
Guided
View delivers a
cinematic presentation
of comic books, but many users would argue that having the ability to access digital content on almost any device out weighs the «awesomeness»
of the feature.
You can easily lose track
of time here while enjoying the
cinematic views over the Mediterranean blue.
The camera will often pan around your helpless adversary to give you a more
cinematic point
of view as you mercilessly humiliate your opponent with a Mortal Kombat style fatality, which can range from stylishly beheading someone with an axe to snapping their neck in gruesome fashion.
In terms
of in - game storytelling, the game has been crafted well, often flowing straight between gameplay and
cinematic, sometimes taking you into a first - person
view in certain situations, which gives you a more personal perspective in certain events.
The main story is, in a nutshell, the same for all characters, but the point
of view in
cinematics and their importance in storytelling, and side - quests changes depending on who your current selected character is.
From the get go Krater's storyline is uniquely interesting, told from the point
of view of a Solside settler alongside comic book style graphics in the
cinematics as well as through dialogue in the gameplay itself.
To simply mock it is to deprive one's self a
view of the unique triumphs
of early game development: to make an engaging experience under dire hardware constraints, to create a game world with a tiny amount
of program space to work with, to get players to percieve the wonders
of a
cinematic triumph in the form
of simple blocky graphics and approaching footsteps.
Experience the traditional stories
of Japan's origin from the points
of view of three warring nations through gameplay and beautiful anime
cinematics.
Simple controls and stunning
cinematic 3D environment with isometric
view puts you in the middle
of a desperate battle
Fitting, since the original Parasite Eve was billed as «The
Cinematic RPG,» and yet not fitting because a cinema is hands - off, while a video game generally requires someone to interact — and that interaction is hard when the camera is constantly taking the enemies out
of view with its wily rotation and unexplained swooparounds.
The streamed kicked off with an exciting new
cinematic introduction (which you can
view at the bottom
of the article) revolving around Lord Saladin who is the runner
of Destinies monthly crucible event; Iron Banner.
Once you have created your character and
viewed the opening
cinematic, you arrive in one
of the game's hub areas as a fresh faced God Eater ready for battle.
Despite the game trying to emulate
cinematic lens
view, a lot
of camera - makers are trying their best to get rid
of chromatic aberration, which is something I think game makers need to realize.
Another new feature is the «kill cam» from Fallout 3, occasionally when you kill an enemy you will be treated to a
cinematic third person
view of you dispatching your foe in a dramatic manner.