Sentences with phrase «cinematic vision for»

More on eco-disaster movies: Eco-dystopia: Trendy Cinematic Vision for the Planet?

Actor - turned - screenwriter Hampton Fancher came next, as he built out the screen story by adding its noir elements; filmmaker Ridley Scott (Alien) contributed his staggering cinematic vision for a dystopian near - future and ever deeper layers of meaning, aided by late - coming screenwriter David Webb Peoples.

Not exact matches

In «Digging for Fire,» he begins with an impulse, a sentiment, an experience, and elaborates it into a vision that's at once dramatically complete and utterly natural; he conveys an inevitability that makes it seem as if it has always been there, like a cinematic song, and that appears, for exactly that reason, too self - evident, simple, and straightforward to be as furiously original as it is.

Working through an enormous canon of cinematic influences in a far more satisfying way than Carax's glib offering (Gomes» titular allusion to Murnau is no coincidence), Melbourne's resplendent Forum Theatre proved a fittingly grand venue for Gomes» expansive vision: this film is a joy to watch.

After the unsuccessful performance of I Heart Huckabees, David O. Russell didn't make a film for 6 years, depriving the audience of his particular vision and cinematic delivery.

And though that may limit the willingness of some to embark upon Park's vision, those willing to invest in the various threads of his ouroboros narrative and allow themselves to become an author in Park's craning whirligig of Shakespearean tragedy and sardonic sexual exasperation will find the The Handmaiden is filled with sick pleasures many and makes for a rather rewarding cinematic experience.

Director Edgar Wright was initially slated to direct but as actress Evangeline Lilly has already revealed, it is thought his vision for the character did not fit in the Marvel Cinematic Universe and he consequently left the project.

Hellman is a true artist with a vision for disorientation that carries all the way through «Road to Nowhere,» but the lasting impact of the film will be up to the individual viewer and their personal appetite for cinematic riddles.

... is set for release on April 29th 2016 in the UK and May 6th 2016 in the States, with Anthony and Joe Russo (Captain America: The Winter Soldier) directing a cast that includes Marvel Cinematic Universe veterans Chris Evans (Steve Rogers / Captain America), Robert Downey Jr. (Tony Stark / Iron Man), Anthony Mackie (Sam Wilson / Falcon), Jeremy Renner (Clint Barton / Hawkeye), Scarlett Johansson (Natasha Romanoff / Black Widow), Sebastian Stan (Bucky Barnes / The Winter Soldier), Elizabeth Olsen (Wanda Maximoff / Scarlet Witch), Paul Bettany (The Vision), Don Cheadle (James Rhondes / War Machine), Paul Rudd (Scott Lang / Ant - Man), Emily VanCamp (Sharon Carter) and Frank Grillo (Brock Rumlow / Crossbones) and William Hurt (General Thaddeus «Thunderbolt» Ross) alongside new additions Chadwick Boseman (Get on Up) as T'Challa / Black Panther, Daniel Bruhl (Rush) as Baron Zemo, Martin Freeman (Sherlock) and Tom Holland (The Impossible) as Peter Parker / Spider - Man.

Martin Scorsese's Taxi Driver is acclaimed for its gritty realism, but it has an equal amount of cinematic reverie; screenwriter Paul Schrader contributed just as much to the film's Dostoyevskian vision.

Zack Snyder's stylishly violent swords and sandals epic, 300, was a surprise box office smash (taking in $ 456 million worldwide in the spring of 2007), but no one kids themselves into believing that his cinematic vision was not responsible for that chest - beating comic book adaptation being so enjoyable to watch.

At this point it may be tempting to call Smith's vision «cinematic,» as more than a few professorial types in the past have staked a claim on his lyrics for literature, but this ignores the unbridgeable gaps between aural, written, and moving - image art — and he remained stubbornly a man of rock»n' roll.

For fans of the Coens, though (and I consider myself one), it suggests, especially on the heels of No Country for Old Men, that they have rediscovered their cinematic vision after several lean yeaFor fans of the Coens, though (and I consider myself one), it suggests, especially on the heels of No Country for Old Men, that they have rediscovered their cinematic vision after several lean yeafor Old Men, that they have rediscovered their cinematic vision after several lean years.

Co - writer / director Kornel Mundruczo can get a little clunky with his reaches for Great Social Cinematic Vision but he has an undeniably confident eye, which sometimes results in striking, memorable imagery.

The new vision for the cinematic universe should be a very modern reimagining.

Captain America: Civil War is set for release on April 29th 2016 in the UK and May 6th 2016 in the States, with Anthony and Joe Russo (Captain America: The Winter Soldier) directing a cast that includes Marvel Cinematic Universe veterans Chris Evans (Steve Rogers / Captain America), Robert Downey Jr. (Tony Stark / Iron Man), Anthony Mackie (Sam Wilson / Falcon), Jeremy Renner (Clint Barton / Hawkeye), Scarlett Johansson (Natasha Romanoff / Black Widow), Sebastian Stan (Bucky Barnes / The Winter Soldier), Elizabeth Olsen (Wanda Maximoff / Scarlet Witch), Paul Bettany (The Vision), Don Cheadle (James Rhondes / War Machine), Paul Rudd (Scott Lang / Ant - Man), Emily VanCamp (Sharon Carter) and Frank Grillo (Brock Rumlow / Crossbones) and William Hurt (General Thaddeus «Thunderbolt» Ross) alongside new additions Chadwick Boseman (Get on Up) as T'Challa / Black Panther, Daniel Bruhl (Rush) as Baron Zemo and Tom Holland (The Impossible) as Peter Parker / Spider - Man.

The worst of it is that in order to facilitate Sandler's milk - fed vision of the controversy-less world of the privileged male, Anger Management concludes with the revelation that the whole thing was, in fact, an elaborate fiction along the lines of Fincher's The Game — a conceit that in this context speaks nothing of cinematic deconstruction and everything of an irredeemable disdain for the intelligence and expectations of its audience.

With so much bonus material offered on an independent release like «Garden State,» the DVD release is impossible to pass on for fans of the film and is also a smart post-Christmas purchase for those who haven't yet experienced Braff's cinematic vision.

It's a tight, unsparing 85 minutes (that will feel much longer to those not engaged by cinematic visions like «Dead Man,» for example, that aren't overly concerned with plot).

At a recent roundtable interview, Anderson and production designer Adam Stockhausen talked about how the project first came together, what inspired the story, the influence of Viennese writer Stefan Zweig's work on the multi-layered storytelling approach, their collaboration on the vision for the movie, how they created this rich, lush cinematic world and brought the audience into it, how Anderson cultivated a communal atmosphere on set and made available a large selection of books and films to the cast during production, Stockhausen's favorite day of shooting, and the challenge of using different aspect ratios.

While plenty of films have successfully turned their stage - bound origins on their heads and spun them into cinematic gold, Carnage's lack of directorial vision ultimately makes this a disappointing venture for Polanski and his collaborators.

Finding a cinematic equivalent for a literary vision is one thing; equaling its power in the context of another medium is something else entirely.

«Fast Five» saw Lin envelope all of the previous films into the foundation for his vision of an expansive cinematic universe on par with Marvel, bringing in fan favorite characters from the previous movies and having them work together as high - octane international thieves.

Make sure to note his talk of the Mind Stone, formerly in Loki's Sceptre and now affixed to the Vision's temple, and it as part of the «Infinite Six» - the Marvel Cinematic Universe name for the Infinity Stones.

That knowledge makes the already graceful cinematic language of Lynne Ramsay's film adaptation (the Scottish director's third feature, and her first in a regrettable period of nine years) all the more remarkable: altering not a jot of narrative detail, Ramsay and co-writer Rory Kinnear have ingeniously hollowed out Shriver's wordy text into a largely tacit, imagistic memory collage that substitutes sound and vision for dialogue as extensively as possible.

Tech specs for LG B7 are following: — 3840 x 2160 resolution — OLED Display Type — Display format 4K UHD 2160p — HDMI ports: 4 (HDCP 2.2)-- Other inputs: 3 USB, 1 RF In (Antenna / Cable), 1 Composite In, Component In (Shared w / Composite), 1 Ethernet, 1 Optical, 1 RS232C (Mini Jack)-- webOS 3.5 — Speaker system: 2.2 Channel — Other features: Active HDR with Dolby Vision ™, Perfect Black, Cinematic Color, Billion Rich Colors, Ultra Luminance, Pixel Level Dimming

Meanwhile, and ad over at Forza developer Turn 10 (via CVG) sees the studio asking for a cinematics art director capable of «defining and driving the cinematics vision and techniques needed to achieve exceptionally high quality content for our Next Generation of games.»

Taking an extremely hands on approach, I was responsible for overseeing the overall artistic vision and creative direction of all cinematic storytelling (including pre-visualisation, camera work, lighting and storyboard development) and in - game set - pieces from initial concept to shipped title.

Construct Studio's interactive narrative VR title, The Price of Freedom, has received various awards and honors including Runners - Up for Best Cinematic VR / Narrative Achievement of Vision Summit (2016), and Nominee for Best VR Experience of BIG Festival (2016).

Sydney, Australia — August 11, 2015 — Plastic Wax Animation and Deep Silver today revealed the studio behind the powerful and disturbing vision of a compromised mainland USA in a new cinematic trailer for the up - coming open - world FPS Homefront: The Revolution.

A twelfth work in the series of specimen is also currently up for examination in the «Cinematic Visions» exhibition at Victoria Miro Gallery in London.

«The Turner Prize», Ebrington, Derry - Londonderry (cat) «Art from Britain and Poland since 1990», Centre for Contemporary Art, Ujazdowski Castle, Warsaw «Folk Devil», David Zwirner, New York «Cinematic Visions: Painting at the Edge of Reality», Victoria Miro, London «The Future Generation Art Prize@Venice 2013», 55th International Art Exhibition — la Biennale di Venezia, Palazzo Contarini Polignac, Venice «The Encyclopedic Palace», 55th Venice Biennale, Venice «The Souls — A Twice - Told Tale», CEAAC, Strasbourg «The Roving Eye: Aura and the Contemporary Portrait», Oakland University Art Gallery, Oakland University, Rochester, MI

,» Ellis King, Dublin, Ireland; «Imagine,» Brand New Gallery, Milan, Italy; «Introductions,» La MaMa La Galleria, New York, NY; «Eden, éden,» Galerie Torri, Paris, France, curated by Timothée Chaillou; «The Ukrainian Diaspora: Women Artists 1908 - 2015,» The Ukrainian Museum, New York, NY; «Painters NYC,» Páramo Galeria, Guadalajara, Mexico, traveled to Museo de los Pintores Oaxaqueños (MUPO); «Disturbing Innocence,» The FLAG Art Foundation, New York, NY; «Sargent's Daughters,» Sargent's Daughters, New York, NY; «The Golden Ass,» Blindarte Contemporanea, Naples, Italy; «Cinematic Visions: Painting at the Edge of Reality,» Victoria Miro, London, England; «Pivot Points: 15 Years & Counting,» Museum of Contemporary Art North Miami, Miami, FL; «Fairy Tales, Monsters and the Genetic Imagination,» Frist Center for the Visual Arts, Nashville, TN, traveled to Winnipeg Art Gallery, Winnipeg, Canada; Glenbow Art Museum, Calgary, Canada; and «The Sound of Painting,» Palazzo Saluzzo Paesana, Turin, Italy.

,» Ellis King, Dublin, Ireland; «Imagine,» Brand New Gallery, Milan, Italy; «Introductions,» La MaMa La Galleria, New York, NY; «Eden, éden,» Galerie Torri, Paris, France, curated by Timothée Chaillou; «The Ukrainian Diaspora: Women Artists 1908 - 2015,» The Ukrainian Museum, New York, NY; «Painters NYC,» Páramo Galeria, Guadalajara, Mexico, traveled to Museo de los Pintores Oaxaqueños (MUPO), Oaxaca, Mexico; «Disturbing Innocence,» The FLAG Art Foundation, New York, NY; «Sargent's Daughters,» Sargent's Daughters, New York, NY; «The Golden Ass,» Blindarte Contemporanea, Naples, Italy; «Cinematic Visions: Painting at the Edge of Reality,» Victoria Miro, London, England; «Pivot Points: 15 Years & Counting,» Museum of Contemporary Art North Miami, North Miami, FL; «Fairy Tales, Monsters and the Genetic Imagination,» Frist Center for the Visual Arts, Nashville, TN, traveled to Winnipeg Art Gallery, Winnipeg, Canada; Glenbow Art Museum, Calgary, Canada; and «The Sound of Painting,» Palazzo Saluzzo Paesana, Turin, Italy.

In addition, the 18:9 aspect ratio, QHD + resolution and Dolby Vision offer a superior picture quality for a more authentic cinematic viewing experience, perfect for streaming movies.

LG G6 comes with a new 5.7 - inch Full Vision display, which the company says offers a better cinematic viewing experience and support for wide - angle cameras, though this has narrow bezels on the side.

The Dell UltraSharp 34 Curved Monitor (U3417W) takes the benefits of curved, ultra-wide screens even further with a more immersive viewing experience; it's perfect for going deeper into gaming action with extended peripheral vision and 18W speakers for a cinematic experience.