Sentences with phrase «cinematic world with»

Before he stunned the cinematic world with the epic series The Decalogue and the Three Colors trilogy, the great Polish filmmaker Krzysztof Kieślowski made his first work of metaphysical genius, Blind Chance.

James Horner has provided the cinematic world with such a multitude of fine scores, one almost has to wonder how he manages to conjure up new themes as delightful as the previous ones.

Not exact matches

The schtick this time around is to marry the world of «South Park» with the tropes of Marvel's cinematic universe, offering a parody of superhero epics like «Civil War» (but with a lot more fart jokes, no doubt).

This is a fascinating story about the power and entitlement others feel of art, with Kim Jong - il desperate for world recognition through the cinematic arts.

The cinematic equivalent of shrink - wrapping, in which all of the ideas, feelings, characters, and images are neatly separated and hermetically sealed to prevent spoilage, abrasion, or any contact with the natural world.

THE ART OF SEEING WITH ONE»S OWN EYES By Kent Jones Darezhan Omirbaev, a world - class cinematic poet from, that's right, Kazakhstan

His last decade of films «W.» (too soon), «World Trade Center» (way too soon), «Alexander» (a disaster) and the sequel to his 1987 «Wall Street» proved he is completely out of touch with what modern audiences want in a cinematic experience.

Unless you've been living in a cave for the better part of 2009, you've already heard the buzz surrounding Inglourious Basterds, an ultimate cinematic package filled with enigmatic performances, ultra-violent imagery, and a revisionist World War II narrative created over the course of a decade by director Quentin Tarantino.

With the movie due to premiere at Sundance, Wain has also released a typically witty director's statement: «After having already made world - changing cinematic statements on adolescence (Wet Hot American Summer), religion (The Ten), service (Role Models), and community (Wanderlust), I teamed up with Michael Showalter to take on a topic that (to our knowledge) has yet been seen in the movies: ROMANCE — particularly heterosexual romance between two white peoWith the movie due to premiere at Sundance, Wain has also released a typically witty director's statement: «After having already made world - changing cinematic statements on adolescence (Wet Hot American Summer), religion (The Ten), service (Role Models), and community (Wanderlust), I teamed up with Michael Showalter to take on a topic that (to our knowledge) has yet been seen in the movies: ROMANCE — particularly heterosexual romance between two white peowith Michael Showalter to take on a topic that (to our knowledge) has yet been seen in the movies: ROMANCE — particularly heterosexual romance between two white people.

The intensity of the film can't match the bolt - tightening, ticking - bomb tension of The Hurt Locker, but the real - world stakes provide tremendous consolation, culminating with a killshot that's both alarming and apropos in its anticlimactic - ness (don't expect any glorified, cinematic catharsis at the end of that night - vision raid).

There's an adequate thriller in «10 Cloverfield Lane» — 60 year - old man saves (or abducts) 30 year - old woman and stashes her in his doomsday shelter, claiming a world - ending chemical attack — but it doesn't deserve to share a name with 2008 cinematic theme park ride «Cloverfield.»

Given that Tarantino is always in conversation * with the rest of the cinematic world, one can't help but feel that this is an implicit slap at Steven Spielberg's Lincoln, a gauzy history of the 16th president's effort to free the slaves that concludes with a flashback of the great man reading his second inaugural.

This was near the start of his post-May 1968 rejection of the filmmaking establishment; a period in which his determination to respond to the increasing radicalisation of the world with increasingly radical cinematic experiments also coincided with his relationship with the late Anne Wiazemsky (played by Stacy Martin), his wife and muse whom he first cast in 1967's La Chinoise, when she was 17 and he was pushing 40.

More than any other film in the Marvel Cinematic Universe, Black Panther addresses the world today in ways that, while not distracting from the action and adventure, fills the movie with deeper meaning and moral weight.

Fantastic Four may not be as exciting or fun as most of the recent Marvel Cinematic Universe productions, but it gives you small things to appreciate, like a villain who is genuinely unafraid to kill, a story that doesn't present world destruction and salvation as pressing and inevitable, and a small cast enabling you to get well - acquainted with them.

It is the reason why science fiction is my cinematic genre of choice — there is something thrilling about breaking the rules and getting away with it, and here is a world in which the laws of... Continue reading Annihilation

With the Marvel Cinematic Universe introducing a new generation of superheroes in its third phase — which also includes the debuts of the Wasp and Doctor Strange, the reintroduction of Spider - Man into the fold, and the upcoming solo Captain Marvel film — and Black Panther officially revealing Wakanda to the world, there's no reason a genius black girl with infinity tricks up her sleeve shouldn't assume the role of its most brilliant ambassaWith the Marvel Cinematic Universe introducing a new generation of superheroes in its third phase — which also includes the debuts of the Wasp and Doctor Strange, the reintroduction of Spider - Man into the fold, and the upcoming solo Captain Marvel film — and Black Panther officially revealing Wakanda to the world, there's no reason a genius black girl with infinity tricks up her sleeve shouldn't assume the role of its most brilliant ambassawith infinity tricks up her sleeve shouldn't assume the role of its most brilliant ambassador.

With the exception of a few rare, chaperoned excursions into the outside world, these hothouse flowers — ages 16 to 24 when we meet them — sit in front of a TV devouring Hollywood history like a cinematic wolfpack.

The Cornetto Trilogy (aka «Three Flavours Trilogy») is a cinematic delight in every sense of the word, and its status as such was solidified with the third and final entry in the loosely connected trio of films, The World's End.

Filed Under: Gary Collinson, Movies, News Tagged With: Ant - Man, Avengers: Age of Ultron, Captain America: The Winter Soldier, Guardians of the Galaxy, Iron Man 3, Marvel, Marvel Cinematic Universe, Thor: The Dark World

Lionsgate / Summit are overseeing this cinematic trick, which may also bag Christi Dembrowski (of Depp's Infinitum Nihil company) for production duties with Frank Marshall (JURASSIC WORLD) and Bruce Cohen (SILVER LININGS PLAYBOOK).

The Marvel Cinematic Universe is a world in which those questions can be asked in earnest and the Wakandan people have to grapple with the possible answers.

For much of the story, Keller and Loki are on parallel paths and when their worlds collide with each other, they do with a cinematic sizzle that will live audiences wanting more.

With its creatures and plant life, and its ethereal, smoky, rainbow - covered world photographed by cinematographer Rob Hardy, the Shimmer is cinematic world - building at its finest.

VF.com will be covering all of Cannes — from the films to the parties to the backroom deals — throughout the festival, so continue to check in with us for reviews, reports, and exclusive photos from the world's premier cinematic event.

Debuting in 1996 with the very first Tomb Raider game for PC, Playstation and the now forgotten Sega Saturn, Lara Croft, though shakily animated in early 3 - D rendering, has long stood the female equivalent to the predominantly male adventurer / archeologist figure throughout the video game and cinematic world.

The French filmmaker discussed revisiting the world of his breakthrough feature, his desire to communicate with a younger generation, and his signature cinematic flourishes.

Filed Under: Articles and Opinions, Chris Cooper, Movies Tagged With: Ant - Man, Avengers: Age of Ultron, Captain America: The First Avenger, Captain America: The Winter Soldier, Guardians of the Galaxy, Iron Man, Iron Man 2, Iron Man 3, Marvel, Marvel Cinematic Universe, The Avengers, The Incredible Hulk, Thor, Thor: The Dark World

As far as films go, the script and direction by Richard LaGravenese (Paris I Love You, Living Out Loud) aren't going to set the cinematic world on fire, as he imbues his tale with ample amounts of artistic license in order to get his overall message across.

The exploration of James Franco's contributions to the cinematic world continues, with the oppressive summer heat kicking in with full effect.

Filed Under: Articles and Opinions, Gary Collinson, Movies, News, Television, The Week in Spandex Tagged With: Agent Carter, Agents of S.H.I.E.L.D., Ant - Man, Ant - Man and the Wasp, Aquaman, Arrow, Avengers: Age of Ultron, Batman v Superman: Dawn of Justice, Black Panther, Captain America: Civil War, DC, DC Extended Universe, DC's Legends of Tomorrow, Deadpool, Doctor Strange, Gotham, Guardians of the Galaxy, Iron Man 4, Jessica Jones, Luke Cage, Marvel, Marvel Cinematic Universe, New Mutants, Spider - Man, Suicide Squad, Supergirl, The Flash, Thor: Ragnarok, Thor: The Dark World, Wolverine 3, Wonder Woman, X-Men, X-Men: Apocalypse

It is the reason why science fiction is my cinematic genre of choice — there is something thrilling about breaking the rules and getting away with it, and here is a world in which the laws of nature really don't apply.

Instead of baiting us with a cinematic teaser, Capcom wheeled out some actual Monster Hunter: World gameplay footage.

Filed Under: Gary Collinson, News, Television Tagged With: Deception, Designated Survivor, Inhumans, kevin probably saves the world, Marvel, Marvel Cinematic Universe, Quantico, the crossing, The Greatest American Hero

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

This cinematic shorthand only works because of the fantastic performances of Hiroyuki Sanada, Rinko Kikuchi, and the rest of the Shogun cast who seamlessly blend the similarities their characters share with the Westworld Hosts, with the subtle differences caused by their dissimilar worlds.

Arrival, with its handwringing worthiness and easy answers, certainly meets these criteria as escapist balm for the masses, but this analysis ignores the fact that M Night Shyamalan's 2002 film Signs is not just a superior film about alien invasion (funnier, darker, more cinematic), but also a stronger allegory for the apocalyptic fever that has gripped America and, by extension, the world.

The worst of it is that in order to facilitate Sandler's milk - fed vision of the controversy-less world of the privileged male, Anger Management concludes with the revelation that the whole thing was, in fact, an elaborate fiction along the lines of Fincher's The Game — a conceit that in this context speaks nothing of cinematic deconstruction and everything of an irredeemable disdain for the intelligence and expectations of its audience.

«MOANA presents audiences with a lush cinematic world that they'll wish they could explore for themselves, but more importantly, it pushes the «princess movie» past its traditional boundaries to portray an honest, invigorating tale of a girl's self - actualization.»

You would think this example of pulpy shock cinema couldn't hope to compare with the more supposedly contemplative American independent cinema, much less surpass the emotional, cinematic, and humanistic impact of a world where academic characters and fashion moguls gaze into the heart of darkness within their navels.

Reporting from the front line of the film industry, the Curzon team boldly go to the film festivals of the world - Berlin, Toronto and, of course, Cannes - returning with tales of cinematic wonder, late nights, early mornings and all the news that is fit to print.

With a rich cinematic lineage and thriving art scene encompassing many forms, Cuba is a place where underrepresented voices need creative and strategic support to share their stories with the woWith a rich cinematic lineage and thriving art scene encompassing many forms, Cuba is a place where underrepresented voices need creative and strategic support to share their stories with the wowith the world.

In recent years, he's gracefully shifted gears, transitioning into a force in the cinematic world, gifting us with beautiful, stirring, moving artistry.

With the success of these movies (both in its fandom with Marvel fans and in causal moviegoers), the MCU (as a whole) has continued to grow and expanded, especially when Disney acquisitioned Marvel to bring the superhero world into the «House of Mouse», finding each new installment in their sequential Phases sagas to try to had another layer to the overall complexity to this cinematic world as well as being superhero entertainment to viewers everywhWith the success of these movies (both in its fandom with Marvel fans and in causal moviegoers), the MCU (as a whole) has continued to grow and expanded, especially when Disney acquisitioned Marvel to bring the superhero world into the «House of Mouse», finding each new installment in their sequential Phases sagas to try to had another layer to the overall complexity to this cinematic world as well as being superhero entertainment to viewers everywhwith Marvel fans and in causal moviegoers), the MCU (as a whole) has continued to grow and expanded, especially when Disney acquisitioned Marvel to bring the superhero world into the «House of Mouse», finding each new installment in their sequential Phases sagas to try to had another layer to the overall complexity to this cinematic world as well as being superhero entertainment to viewers everywhere.

Overall, Valiant is for the most part charming enough, while never approaching cinematic excellence that the ambitious design (the country's first CGI film, a World War II setting, and a low budget) might have suggested and other studios (like Pixar) might have achieved with the same elements in place.

Composers Benjamin Wallfisch and Hans Zimmer create a vigorous and lively score that pulsates on the screen with every cinematic beat while Dennis Gassner seems to take cues from our own creator to spawn a world that feels substantive and palpable.

Filed Under: Gary Collinson, Movies, News Tagged With: christopher ecclest, Doctor Who, G.I. Joe: The Rise of Cobra, Marvel, Marvel Cinematic Universe, Thor: The Dark World

Filed Under: Movies, News, Samuel Brace Tagged With: Christopher Eccleston, Marvel, Marvel Cinematic Universe, Thor: The Dark World

Here, Jodorowsky's magical realist, fable - like cinematic language finally enters the real world; if cult films like «El Topo,» «The Holy Mountain,» and «Santa Sangre» interwove elaborately absurdist imagery with narratives borrowed from genre and myth, «The Dance of Reality» feels like Jodorowsky returning to the scene of the crime — to the the childhood visions and heartbreaks that started it all.

When Tom Ford, already an iconic figure in the world of fashion, made his cinematic debut in 2009 with A Single Man, it was easy to be skeptical: The universe is rarely kind to those who excel in one field and then try to conquer another.