Thankfully, All the Money in the World is starting the 2018
cinematic year on a more positive and hopeful note.
Not exact matches
Less than twenty
years later, the hotel established by Lucien Barrière
on the Croisette was at the forefront of the beginnings of a
cinematic event that became the most important film festival in the world — the Cannes Film Festival.
A few
years later, Heavy Rain has aged well in some aspects, and worst in others, but it's still one of the best
cinematic experiences you can live
on a home console.
After spending nearly a
year assembling Django Unchained, Raskin, who is now armed with a BAFTA nomination, opens up about his work
on the Oscar - nominated film, the job of a film editor, and working with one of his
cinematic heroes.
Currently the subject of a retrospective at the National Film Theatre and riding high
on the strength of The Tree of Life, his fifth film in 37
years and winner of the Palme d'Or at Cannes, Terrence Malick is an American visionary and
cinematic poet.
Recalling John Milius» 1982 hit Conan the Barbarian (another film that launched the
cinematic action career of a then - little - known athlete named Arnold Schwarzenegger), the sword - and - sandal adventure raked in 36 million dollars
on its opening weekend and stayed at the top of the box office in the weeks following its impressive debut.Though he would return to the ring for the remainder of 2002, it didn't take Johnson long to soften
on the prospect of a return to the silver screen — and with the following
year's The Rundown, he did just that.
Though Boys scarcely represented Cooper's
cinematic debut (he appeared in Neil Jordan's Breakfast
on Pluto a couple of
years prior, among other films), it did prove a watershed, spurring the young actor
on to additional film work.
After calling it a day with the high - gloss soap opera The Battle of the Villa Fioretta (1965), Delmar Daves made one last
cinematic contribution as one of the
on - camera participants in the 1972 documentary 75
Years of Cinema Museum.
As well as her venture into the Marvel
Cinematic Universe, the Australian actress - who also has two -
year - old daughter Edith with husband Andrew Upton - has been busy working
on «Ocean's Eight» and had a «fantastic» experience shooting the heist drama with Sandra Bullock, Helena Bonham Carter, Rihanna, Mindy Kaling and Anne Hathaway.
The 44 -
year - old actress has previously starred opposite the 52 -
year - old actor as his
on - screen love interest Pepper Potts in all three «Iron Man» movies, and also had a cameo in the first «Avengers» but then was absent in the Marvel
Cinematic Universe until appearing at the end of «Spider - Man: Homecoming».
The latest film from Steve McQueen, the director of Hunger and Shame, titled 12
Years a Slave just premiered at the Telluride Film Festival and it is a profound
cinematic achievement
on every level.
Early last
year, I took a chance
on an independent New Zealand feature called «Eagle vs. Shark,» a decidedly off - beat romantic comedy which introduced me to the
cinematic brilliance of Jemaine Clement.
To think that we're
on the brink of finishing a
cinematic story about superheroes that's been unfolding for the past 10
years is pretty insane.
WHY: There aren't many directors that can boast a track record as impressive as the one that Joel and Ethan Coen have enjoyed throughout their 30 -
year careers, and «Inside Llewyn Davis» is just another notch
on that
cinematic belt.
The sense
on the Croisette is that fewer of this
year's crop are likely to progress either to Oscar contention, or into the
cinematic canon.
And even if boxing, in its very nature, is a barbaric, gladiatorial pastime, and
cinematic depictions continue to struggle with new ways to broaden its possibilities (this
year's Southpaw is a great example of familiarity's hindrance), Creed is a rarity in that it matches its own paranoia
on notions of legacy and manages to be a mighty successor to an iconic
cinematic heirloom.
Kilmer's
cinematic breakthrough arrived in 1991, for his portrayal of rock icon Jim Morrison in Oliver Stone's The Doors; some speculated that Stone hired Kilmer solely
on the basis of the musical gifts showcased seven
years prior in Top Secret!.
One wonders why Garland — who read the book once, wrote the script based
on his «dream memory» of it, and completely ignored its sequels (both of which were published in the same
year as Annihilation)-- felt the need to give Lena some of the most prosaic motivation you can give to a
cinematic character, but its very irrelevance forgives it.
Washington is accompanied
on screen by Viola Davis, who also won a Tony for that 2010 revival of the play, and got one of her first major roles in film from her director in Antwone Fisher,
years before her
cinematic breakout with her Oscar - nominated role in Doubt.
Even the French landing
on English shores that should be the climax of the flick looks like nothing so much as a retread of any
cinematic D - Day landing depicted in the last 50
years with arrows instead of bullets.
Three
years ago, The Guardians of the Galaxy was considered the first big risk of the Marvel
Cinematic Universe, completely removed from the rest of the Avengers
on other planets with characters even avid comic book readers weren't overly familiar with, all led by an actor who was primarily known as the chubby goofball
on an NBC workplace sitcom.
If you'd told me 20
years ago that the director of Dazed and Confused would go
on to make the most truthful and elegant
cinematic expression of love since Annie Hall, I would have never stopped laughing.
On Tuesday, it was announced that Baz Luhrmann «s «The Great Gatsby» would open this year's Cannes Film Festival, still the most prestigious, and arguably most important event on the cinematic calenda
On Tuesday, it was announced that Baz Luhrmann «s «The Great Gatsby» would open this
year's Cannes Film Festival, still the most prestigious, and arguably most important event
on the cinematic calenda
on the
cinematic calendar.
Depending
on how you look at it, the Marvel
Cinematic Universe took upwards of 45
years to piece together (counting the company's comic book origins), but according to the filmmakers entrusted with the next stages of the story, its deconstruction has already begun.
As we fast approach the end of the first chapter of the Marvel
Cinematic Universe with Avengers: Infinity War and next
year's Avengers 4, it is expected that we'll be bidding farewell to some of our favourite heroes as contracts expire, actors move
on, and the landscape of the MCU shifts towards some newer faces.
And yet, as the
years roll
on, it's a film whose reputation has just snowballed, to the point where many a hardened Kubrickite would single it out as his crowning
cinematic achievement.
For those accustomed to
years of syndicated TNG reruns
on daytime TV, this new 1080p transfer is going to be a bit of a shock: Never before has the series looked so sharp and crisp, with its iconic palette of primary colors (especially the reds of the federation uniforms) upgraded from cable - TV softness to a sumptuous,
cinematic boldness.
What You Need To Know: While we've faced apocalypses aplenty this
year already, one thing we haven't seen so far is a coming - of - age, human drama - based take
on the
cinematic staple.
Along the way we'll take note of probable nominees and winners, but the major emphasis here will be
on what should happen,
on those that are most deserving, the most impressive
cinematic achievements in a strong
year for movies.
In the
years since his passing, however, there has been a gradual reappraisal of Demy's
cinematic legacy, spurred
on in no small part by the efforts of Varda, who has helped to keep the flame alive by supervising restorations and reissues of his films as well as directing both «Jacquot de Nantes,» a 1991 biopic focused
on his early
years, and the 1995 documentary «The World of Jacques Demy.»
A great mix of old and new
cinematic gold, this
year's lineup includes Ildikó Enyedi's Berlinale Golden Bear - winner
On Body and Soul; Mrs. Fang, Wang Bing's unflinching document of an elderly woman in her final days, which won the Golden Leopard at Locarno; the North American premiere of Katharina Wyss's powerful debut feature Sarah Plays a Werewolf, about a woman who channels her fears into theater; Govinda Van Maele's fiction feature debut Gutland, featuring Phantom Thread's Vicky Krieps; the U.S. premiere of Slovenian director Rok Biček «s The Family, a compassionate portrait of a young man's life over the course of 10
years; and experimental artist Bertrand Mandico's exhilarating, gender - bending Wild Boys.
This
year's installment, «Love the Coopers,» promises to deliver
on the
cinematic cheer, but is more...
Anghus Houvouras with his
cinematic confessions
on Looper and Guillermo del Toro... It's a new
year and time for a new column.
And what better way to do so than to kick off the 2013 installments of our
On The Rise feature, where we look at the rising names in various
cinematic fields that may be making a big impression in the coming
year or so.
For fans of the Coens, though (and I consider myself one), it suggests, especially
on the heels of No Country for Old Men, that they have rediscovered their
cinematic vision after several lean
years.
In his My
Year Of Flops entry
on Elizabethtown, Nathan Rabin coined the phrase «Manic Pixie Dream Girl» to describe that bubbly, shallow
cinematic creature that «exists solely in the fevered imaginations of sensitive writer - directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures.»
But amid the drear, the director James Marsh (Man
on Wire) has fashioned the most psychologically intricate and exciting film of the
year so far and the first in a long time to restore the violent bequest of the Troubles to the
cinematic primacy we associate with the likes of Cal or The Crying Game.
Following
on from the picture exclusive we smuggled out in April last
year, the first teaser trailer for the
cinematic version of BBC spy series Spooks, The Greater Good, has now hit the Interwebs.
While we can't wait for the culmination of ten
years of
cinematic build - up, we're also mentally preparing ourselves to see some of the greatest Marvel heroes die
on screen in brutal and unusual ways.
They've been seeded throughout the Marvel
Cinematic Universe since 2011, and now, with the release of Avengers: Infinity War
on April 27, all the logistical heavy lifting of seven
years» worth of films — chasing the Stones, finding them, wielding them, handing them off to shady minor characters for safekeeping — comes to a head.
And in what might be the ultimate act of documentary reflection, every seven
years since 1964, the subjects of Michael Apted and Paul Almond's 56 UP reconvene
on screen for a
cinematic update
on their lives, revealing heartrending relatability and unfathomable events that turn up as life unceasingly marches
on.
Flickering Myth's writing team present our top ten movies of 2016... As 2016 draws to a close and we ring in the New
Year, Flickering Myth's writers have been putting our collective heads together to vote
on the best
cinematic offerings from the past twelve months.
But the fact that Field is doing so in her first leading role in 20
years is
on the same level of a
cinematic event as Lily Tomlin's hardcore domination of «Grandma» or Blythe Danner's delicate command of «I'll See You in My Dreams.»
The super cool thing to know about Lupita Tovar is that she is the grandmother of Chris Weitz and Paul Weitz, both filmmakers (Paul wrote and directed Grandma this
year) so her
cinematic legacy lives
on.
Producer Stanley Kramer was
on the cusp of establishing himself as America's
cinematic conscience; his own directorial career would take wing a few
years later with such prominent message films as The Defiant Ones (1958), Judgment at Nuremburg (1961), and Guess Who's Coming to Dinner (1967).
The Chair, which is being submitted in the reality competition category at this
year's Emmys, follows two first - time directors as they embark
on the
cinematic journey of creating a feature using the same original screenplay.
Chris Hemsworth, who plays Thor in the Marvel
Cinematic Universe, was the biggest percentage gainer
on the list, his earnings up 250 percent over last
year due to an increase in his fees.
As this
year's Winter Olympics kick off this Friday, we look at the best
cinematic takes
on the world's biggest sports event, from the from dramatic feats to comedic riffs.
The question of the title of the film therefore takes
on a deeper resonance as one considers the tantalizing mélange produced by a marriage of noir, the western, and a jazz movement founded
on unrest and violence, sold through a uniquely Japanese medium (animé, natch) that has been the vehicle for some of the most profound examinations of nihilism, violence, and romanticism (thinking especially of masterworks like Grave of the Fireflies and last
year's Spirited Away) in the modern
cinematic vocabulary.
1) «Anna Karenina» From Terrence Malick «s «To The Wonder» to the aforementioned «Tabu,» the spirit of Leo Tolstoy «s «Anna Karenina» ran through a lot of film this
year, so it's appropriate that 2012 saw a
cinematic version of the original story that, while bold and cinematically inventive, manages to come close to being a definitive take
on the classic, as well as being my favorite film of the
year.