Sentences with phrase «cinematographer emmanuel»

Award - winning cinematographer Emmanuel Lubezki («Gravity»), in particular, astonishes and awes yet again.

The footage, which includes actors Michael Keaton, Zach Galifianakis, Amy Ryan, and Edward Norton as well as Iñárritu & the film's cinematographer Emmanuel Lubezki, gives viewers an interesting glimpse at the production process on Birdman both in rehearsal and in production.

Meanwhile, cinematographer Emmanuel Lubezki shot only with natural light, meaning that the window for filming was extremely slim each day.

Mega props to editors Douglas Crise and Stephen Mirrione for their incredible work stitching this movie together, and cinematographer Emmanuel Lubezki and his camera team for executing it so flawlessly.

Aside from the fact that it's a technical marvel, thanks to the extraordinary talents of cinematographer Emmanuel Lubezki, the film is a cathartic release and change in direction for Mexican filmmaker Alejandro González Iñárritu, who lets out on everything from critics to art to love and everything inbetween.

«I think what he and [cinematographer Emmanuel Lubezki] achieved in this sequence is gonna be groundbreaking cinematically,» DiCaprio said.

Inarritu and cinematographer Emmanuel Lubeski (this year's Oscar winner for Gravity) set it up to act as one long continuous take, but differentiates itself from movies like Rope by not taking place in real time.

They are definitely beautiful images, with cinematographer Emmanuel Lubezki doing superb Oscar - bound work, but Malick's determination to recreate every nuance of his childhood era becomes a hindrance in such a long, rather shapeless film.

Inarritu and cinematographer Emmanuel Lubeski (this year's Oscar winner for

It may get Leonardo DiCaprio his long - deserved Oscar ® — and it might give cinematographer Emmanuel Lubezki a shot at his third consecutive Oscar ®.

The Great Collaborator: «Revenant» Cinematographer Emmanuel Lubezki on Working with Iñárritu, Cuarón and Malick

Fox Searchlight was a big winner, with its «Birdman» nabbing four prizes: for director Alejandro Gonzalez Inarritu, supporting actor Edward Norton, cinematographer Emmanuel Lubezki, and for acting ensemble.

Shot using 100 % natural light for a few hours each day, it's both testament to the visionary film - making genius of both director Alejandro G Inarritu and cinematographer Emmanuel Lubezki and reassurance to film lovers everywhere that, in a world of «Dirty Grandpa» and «Wedding Ringer», movies like this can still be made.

It helps that the technology used to photograph the shots in Gravity were actually invented by cinematographer Emmanuel Lubezki, director Alfonso Cuaron, and their team, but even without that piece of trivia it's obvious that Lubezki's work is simply extraordinary.

Along with longtime collaborator, cinematographer Emmanuel Lubezki, the director has ushered forth textured visions of skewed fairytales for over a decade.

The sense of spiraling panic is multiplied by director Alfonso Cuarón and cinematographer Emmanuel Lubezki's decision to shoot the entire setpiece in one take — an all - or - nothing approach that meant that if one or two details hadn't come off as planned, the whole sequence would have been unusuable.

The Revenant won the top film prize at the 30th annual ASC Awards, making it a threepeat for cinematographer Emmanuel Lubezki.

Less than a year removed from his Best Director and Best Picture Academy Award wins for Birdman, director Alejandro G. Iñarritu has refueled his addicition to risky filmmaking through another ambitious collaboration with cinematographer Emmanuel Lubezki.

But it is an extraordinary technical achievement, and Inarritu's daring and artistry — as well as his creative connection with the brilliant cinematographer Emmanuel Lubezki — are formidable.

Iñárritu does his best Terrence Malick impression with this gorgeous drama filmed largely in the Canadian wilderness, reteaming with cinematographer Emmanuel Lubezki to deliver more of the same great visuals and signature tracking shots, which amplify the realism of the never - ending suffering that Leonardo DiCaprio's character endures throughout the story.

A LITTLE PRINCESS is adapted respectably by screenwriters Richard LaGravenese and Elizabeth Chandler, meticulously produced, opulently designed — particularly in the colorful fantasy sequences — elegantly photographed by cinematographer Emmanuel Lubezki and adequately (in the case of Eleanor Bron,

Director Alejandro Gonzalez Inarritu and cinematographer Emmanuel Lubezki show off their skills in this powerhouse of a film.

As always, the cameraman is the star, and ace cinematographer Emmanuel Lubezki scored an Oscar nod for his masterful visions on celluloid.

Working with the great cinematographer Emmanuel Lubeski (Children Of Men), Malick spends much of the brilliant first hour assembling exalted images of man and nature with an intuitive, poetic style that recalls Wong Kar - wai.

González Iñárritu and his two - time Oscar - winning cinematographer Emmanuel «Chivo» Lubezki have achieved an extraordinary look using only natural light for this grueling ride.

Two - time Academy Award winning cinematographer Emmanuel «Chivo» Lubezki will go to any length to capture an image, so it's clear why he gets along well with fellow Mexican filmmaker Alejandro G. Inarritu, the audacious director of last year's Best Picture Oscar winner, Birdman.

Iñárritu showcases incalculable skill and unwavering commitment both, proving he's anything but a flash in the pan, while compatriot cinematographer Emmanuel Lubezki turns the fleeting, frozen hours of dewy sunlight into a wholly visceral apocalyptic dreamscape.

On Birdman, the ace cinematographer Emmanuel Lubezki gave viewers the illusion they were watching a film in a single take.

He spoke with us about his process, executing Inarritu's epic vision as well as reuniting with his Malick co-worker, cinematographer Emmanuel Lubezki, for the fifth time.

Both Birdman and The Revenant also brought Mexican cinematographer Emmanuel «Chivo» Lubezki two of his three Best Cinematography Academy Awards.

Cinematographer Emmanuel Lubezki, having just completed work on Terrence Malick's masterpiece The New World, shoots in natural light, giving the movie a bright, almost garish look, and uses many, many long takes to emphasize the reality of any given moment.

Cuaron did not go into science but instead studied Philosophy at the National Autonomous University of Mexico (UNAM) and filmmaking at CUEC (Centro Universitario de Estudios Cinematográficos) where he began his rich collaboration with cinematographer Emmanuel Lubezki.

Cinematographer Emmanuel Lubezki («The Revenant») made history Sunday night, when he became the first person to win five awards with the American Society of...

Inarritu utilizes Cuaron's regular cinematographer Emmanuel Lubezki, who rightly won on Oscar for Gravity.

Inarritu re-teams with two of his key artistic collaborators from «Birdman» in editor Stephen Mirrione and cinematographer Emmanuel Lubezki, both Oscar - winning masters in their fields.

On collegiate turf, doltish Michael would be no competition for Laney's feelings against the quick - witted Troy, whose aloofness is easily romanticized, but in the «real world» (ever too bounce - lit by cinematographer Emmanuel Lubezki to seem a shock to the system), Michael's stable career and emotional availability even the score.

Colours are brilliant, though cinematographer Emmanuel Lubezki works in a largely desaturated palette.

Iñárritu does his best Terrence Malick impression with this gorgeous drama filmed largely in the Canadian wilderness, reteaming with cinematographer Emmanuel Lubezki to deliver more of the same great visuals and signature tracking shots, which amplify the realism of the never - ending suffering that Leonardo DiCaprio's character endures.

Knight Of Cups was shot by regular Malick cinematographer Emmanuel Lubezki.

Cinematographer Emmanuel Lubezki accepts the Best Cinematography award for «The Revenant» onstage during the 88th Annual Academy Awards at the Dolby Theatre on February 28, 2016 in Hollywood, California.

On the occasion of the film's 20th anniversary, HitFix talked to 10 individuals involved with the production of the film: stars Ethan Hawke, Winona Ryder, Janeane Garofalo and Steve Zahn; screenwriter Helen Childress; producers Michael Shamberg and Stacey Sher; cinematographer Emmanuel Lubezki; and singer / songwriter Lisa Loeb.

But it looks like Hanan Townshend will join folks like production designer Jack Fisk, editor Billy Weber and cinematographer Emmanuel Lubezki as one of the lucky few.

Though the strong work of Sandra Bullock and George Clooney — the only two actors who appear on camera — is essential to what the film accomplishes, the great lure of «Gravity» is the way director Alfonso Cuarón, cinematographer Emmanuel Lubezki and visual effects supervisor Tim Webber have collaborated to make us feel we're stranded in outer space ourselves, no questions asked.

«The Revenant» additionally pulled in wins for Iñárritu (his second consecutive directing Oscar) and cinematographer Emmanuel Lubezki (his third straight award after wins for «Gravity» and «Birdman»).

Malick's vision is certainly a beautiful one and his cinematographer Emmanuel Lubezki delivers some striking work.

Cuaron's direction combined with the efforts of previous collaborators, editor Mark Sanger and cinematographer Emmanuel Lubezki (who is also Terrence Malick's go - to DP), creates a visually arresting movie that doesn't look like anything else you've seen this year.

Malick's go - to cinematographer Emmanuel Lubezki once again lavishes his soft focus on nature's abundant wonders — the film is sumptuous.

Given Terrence Malick's usual work rate, it feels almost perverse to begin talking about his next film while his current one is still in theaters, but that's precisely what his new go - to cinematographer Emmanuel Lubezki does in a fascinating Sight & Sound interview.

It was a mind bender that was filmed by cinematographer Emmanuel Lubezki who made a bold choice to film the movie as if it's one long tracking shot that lasts for two hours.

There are great performances across the board — especially by Edward Norton and Emma Stone — and if cinematographer Emmanuel Lubezki's Oscar win for Gravity last year causes him to be passed over this year, it only means the award no longer has meaning.