Sentences with phrase «cinematographer peter»

The passable (a remaining reel change mark or two aside) non-anamorphic transfer was supervised, as with Withnail, by cinematographer Peter Hannan; and the film's original stereo track is presented with no added enhancement.

Soderbergh, credited as cinematographer Peter Andrews, frames meticulous shots that flatter characters.

He's aided to that end by both veteran cinematographer Peter Suschitzky («The Empire Strikes Back,» «Mars Attacks»), whose complex color scheme fleshes out the storybook feel, as well as yet another awe - inspiring Alexandre Desplat score.

Cinematographer Peter Pau (an Oscar winner for Crouching Tiger, Hidden Dragon) follows the fights with discreet camerawork and Minkoff resists cutting the sequences into action editing confetti.

Raimi has assembled his own band of technical wizards and movie magicians on the project, which includes cinematographer Peter Deming («Mulholland Dr.,» «Drag Me to Hell»), two - time Academy Award ® — winning production designer Robert Stromberg («Alice in Wonderland,» «Avatar»), Oscar ® - winning film editor Bob Murawski («The Hurt Locker,» the «Spider - Man» trilogy), veteran Oscar ® - nominated costume designer Gary Jones («Spider - Man 2,» «The Talented Mr. Ripley»), visual effects Oscar ® winner Scott Stokdyk («Spider - Man 2,» «Spider - Man») and Academy Award ® — winning special makeup artist Howard Berger («The Chronicles of Narnia» series), who will create the looks of several of the unique denizens of Oz, including creatures such as the Whimsies, the Tinkers and the Winkies, as well as the ghastly look of the Wicked Witch of the West.

Cinematographer Peter Suschitzky went on to shoot Leo the Last, The Rocky Horror Picture Show, The Empire Strikes Back, Mars Attacks!

In this one - hour, nine - minute, two - second show, we hear from Fricke, Ebsen, composers / lyricists Marc Shaiman and Stephen Schwartz, author's great - great - grandson Robert A. Baum, film critic Michael Sragow, film historians Leonard Maltin and Sam Wasson, filmmakers William Friedkin and Rob Marshall, Bert Lahr's son John, actors Ruth Duccini and Margaret Pelligrini, author William Wellman, Jr., costume designer Ruth Myers, makeup artist Charles H. Schram, cinematographer Peter Deming, visual effects supervisor Craig Barron, sound designer Ben Burtt,

Raimi and his competent crew, which includes composer Danny Elfman (patching up a decade - old rift with the director), cinematographer Peter Deming (The Cabin in the Woods, Mulholland Drive, and Mike Myers comedies), make - up effects artists from The Chronicles of Narnia and visual effects veterans of Marvel hits, deliver a film that is lively, polished, and picturesque,

Filmed with an icy and detached formalism (greatly owed to the expert lensing of frequent Cronenberg collaborator, cinematographer Peter Suschitzky) and bolstered by a fearless ensemble cast which also includes startling performances from Rosanna Arquette and Holly Hunter, it's no surprise that Crash's upsetting premise and constant artful display of sex and violence strongly juxtaposed in a guilefully fetishized manner, upset so many.

Which is not to suggest that «Tale of Tales» — sumptuously outfitted by production designer Dimitri Capuani and filmed in lustrous widescreen images by cinematographer Peter Suschitzky — is without its visual wonders.

DVD Details: Image Entertainment's 2008 DVD is a spectacular 2 - disc set, complete with a great commentary track (including Herzog, producer Henry Kaiser and cinematographer Peter Zeitlinger), a trailer, and lots of extra footage, both underwater and above ground.

How does your longtime collaboration with cinematographer Peter Suschitzky and composer Howard Shore reflect that philosophy, particularly in regards to the interiors of Dead Ringers and the projected exteriors of Spider?

A second commentary with cinematographer Peter Pau digs into the technical aspects of the look and feel of the movie, and a 13 - minute interview with Michelle Yeoh and a photo gallery round out the legacy bonus materials.

Director and cinematographer Peter Nicks (The Waiting Room) embeds with the Oakland police force for two years during a time of upheaval.

Not exact matches

It is to the credit of the cinematographer (Soderbergh himself, although he is credited as Peter Andrews) and its production designer, Antxon Gomez, that the film brings Bolivia to harsh life on screen.

Working with a pricier, higher quality technical team, Nicolas Winding Refn calls in renouned cinematographer Larry Smith to assist him in delivering on nifty, stylish camera plays that often immerse as cleverly used, in spite of limitations to aesthetic value beyond stylish usage, kind of like Brian Eno's and J. Peter Schwalm's score, which isn't all that special by its own right either, but has a certain atmosphere to it that is very effective when used right.

This year's First Exposure series features the following filmmakers and films: our Opening Night director Jennie Livingston presenting Paris is Burning, Albert Maysles (Salesman), Julie Taymor (Titus), Michael Moore (Roger & Me), Kelly Reichardt (River of Grass), Cinematographer Frederick Elmes (Eraserhead), James Toback (Fingers), and Peter Bogdanovich (Targets).

Directed by David Cronenberg (Scanners, Videodrome, The Fly, Naked Lunch, Crash), adapted from John Wagner and Vince Locke's graphic novel by screenwriter Josh Olson, shot by the British cinematographer and Cronenberg's favorite collaborator Peter Suschitzky, enhanced by the score of another Cronenberg's career - long partner Howard Shore, A History of Violence is a gorgeous film with a dark heart and a message that's impossible to shake.

Also weighing in are cinematographer Arledge Armenaki, actors William Bumiller, Hank Cheyne (the Beta / VHS guy), and Shari Shattuck, screenwriter Mitch Paradise, production designer Robert Schulenberg, editor Michael Kewley, composer Peter Kaye, production coordinator David Reskin, and even Steadicam operator Elizabeth Ziegler.

The Excellence in Cinematography Award: Documentary was presented to The Redemption of General Butt Naked, directed by Eric Strauss and Daniele Anastasion; cinematographers: Eric Strauss, Ryan Hill and Peter Hutchens.

RELEASE DATE: APRIL 5 Director: Stephen Hopkins Writers: Carey Hayes and Chad Hayes Cinematographer: Peter Levy Starring: Hilary Swank, David Morrissey, Idris Elba, AnnaSophia Robb, Stephen Rea Studio / Running Time: Warner Brothers, 96 mins.

As wielded by Soderbergh (or his cinematographer alias Peter Andrews, if we must be formal about it), the device foreshortens space and tightens perspective in ways that feel aptly constrictive in a story hinging on one woman's paranoia.

Cinematographers Bárbara Alvarez — «The Second Mother,» «Whisky» C. Mitchell Amundsen — «Ride Along 2,» «Now You See Me» Adam Arkapaw — «Macbeth,» «McFarland, USA» Sergio Armstrong — «No,» «The Maid» Michael Barrett — «Ted 2,» «A Million Ways to Die in the West» Natasha Braier — «The Rover,» «The Milk of Sorrow» Lula Carvalho — «Teenage Mutant Ninja Turtles,» «RoboCop» Caroline Champetier — «Holy Motors,» «Of Gods and Men» Enrique Chediak — «The 5th Wave,» «The Maze Runner» Charlotte Bruus Christensen — «Far from the Madding Crowd,» «The Hunt» Sofian El Fani — «Timbuktu,» «Blue Is the Warmest Color» Mátyás Erdély — «Son of Saul,» «The Quiet Ones» Frank Griebe — «A Hologram for the King,» «Cloud Atlas» Kirsten Johnson * — «CitizenFour,» «This Film Is Not Yet Rated» Judith Kaufmann — «13 Minutes,» «Inbetween Worlds» Jeanne Lapoirie — «Gett: The Trial of Viviane Amsalem,» «My Little Princess» Hélène Louvart — «The Wonders,» «Pina» Félix Monti — «Our Last Tango,» «The Secret in Their Eyes» Peter Pau — «The Forbidden Kingdom,» «Crouching Tiger Hidden Dragon» Daniel Pearl — «Friday the 13th,» «Aliens vs. Predator — Requiem» Poon Hang - Sang — «Ip Man 2: Legend of the Grandmaster,» «Kung Fu Hustle» Gökhan Tiryaki — «Winter Sleep,» «Once upon a Time in Anatolia» Kim White — «Inside Out,» «Toy Story 3» Jo Willems — «The Hunger Games: Mockingjay (Parts 1 and 2),» «The Hunger Games: Catching Fire» Steve Yedlin — «Carrie,» «Looper» Nelson Yu Lik - Wai — «A Simple Life,» «24 City» Haris Zambarloukos — «Cinderella,» «Jack Ryan: Shadow Recruit» Zhao Fei — «The Sun Also Rises,» «The Curse of the Jade Scorpion»

Instead, courtesy of its go - for - broke cinematographer Anthony Dod Mantle, it conveys the thrill of the sport and the glamour of the lifestyle, while screenwriter Peter Morgan explores the drive of two men who took it to new levels.

Hop over to the other similarly sterling yakker to hear DP Peter Deming (later cinematographer for David Lynch, Wes Craven, and Sam Raimi), co-screenwriter Richard Jefferies, and composer Terry Plumeri go into all aspects of the production, such as the possibility of a remake, the Chris Walas film The Vagrant (also written by Jefferies), and how the film was so very angry.

The movie does look glossily appealing, with director Rosenthal and his cinematographer, Peter Simonite, capturing Los Angeles to classic sun - kissed, noir - tinged perfection.

Rich in detail and utterly faithful to Peter Jackson and cinematographer Andrew Lesnie's dramatic vision, where colours and hues really pop thanks to the digital colour grading.

Wenders is also the only «member» of the 1970s German film movement to have attended film school (the then theatre director / playwright Rainer Werner Fassbinder was turned down by Munich's Hochschule für Film und Fernsehen, from which Wenders and his long - time cinematographer, Robby Müller, and long - time editor, Peter Przygodda, graduated).

New high - definition digital restoration, with uncompressed monaural soundtrack Scenario de «Sauve qui peut (la vie)» (1979), a short video created by director Jean - Luc Godard to secure financing for «Every Man for Himself» New video essay by critic Colin MacCabe New interviews with actor Isabelle Huppert and producer Marin Karmitz Archival interviews with actor Nathalie Baye, cinematographers Renato Berta and William Lubtchansky, and composer Gabriel Yared Two back - to - back 1980 appearances by Godard on «The Dick Cavett Show» «Godard 1980», a short film by Jon Jost, Donald Ranvaud, and Peter Wollen, featuring Godard Trailer PLUS: An essay by critic Amy Taubin

It's not enough to hire a good cinematographer to produce attractive frames (for the record, The Water Diviner is lensed by Peter Jackson's go - to DP Andrew Lesnie, who sadly passed away last night), you have to consider what every single object in every single frame signifies.

Venue: Sundance Film Festival (U.S. Dramatic Competition) Production company: Eon Productions Writer - director: Christina Choe Cast: Andrea Riseborough, J. Smith - Cameron, Steve Buscemi, Ann Dowd, John Leguizamo Producers: Amy Lo, Michelle Cameron, Andrea Riseborough Executive producers: Barbara Broccoli, Michael G. Wilson, Mynette Louie, Rachel Song Cinematographer: Zoe White Production designer: Charlotte Royer Costume designer: Tere Duncan Composer: Peter Raeburn Editor: David Gutnik Casting: Lauren Grey, Lois Drabkin 87 minutes

Production companies: Campfire, Free Association Distributor: Netflix Writer - director: Marja - Lewis Ryan Cast: Abbi Jacobson, Dave Franco, Charlotte Carel, Madeline Carel, Maya Erskine, Dawan Owens, Jen Tullock, Lisa Bierman, Pierce Minor, Heidi Sulzman, Tim Matheson, Jane Kaczmarek Producers: Samantha Houseman, Ross M. Dinerstein, Reid Carolin, Peter Kiernan, Channing Tatum Executive producers: Ian Bricke, Lynette Howell Taylor Cinematographer: Polly Morgan Music: Heather McIntosh Editor: Brian Scofield Production designer: Michael Fitzgerald Casting: John McAlary Venue: SXSW Film Festival 74 minutes

PRODUCERS: Gordon Carroll, David Giler, Walter Hill; DIRECTOR: Ridley Scott; SCREENWRITER: Dan O'Bannon (based on a story by O'Bannon and Ronald Shusett); EDITORS: Terry Rawlings, Peter Weatherley; CINEMATOGRAPHER: Derek Vanlint; COMPOSER: Jerry Goldsmith; PRODUCTION DESIGNER: Michael Seymour; SET DESIGNER: Ian Whittaker; SPECIAL EFFECTS: Carlo Rambaldi, Bernard Lodge; COSTUMES: John Mollo, H.R. Giger, Roger Dicken

As well, you can have a film school experience by listening to the commentary of director Peter Weir and his writing / cinematography team, or watching Master of Sound: Alan Splet (featuring new interviews with David Lynch and Peter Weir) and Cinematography Master Class (cinematographer John Seale conducts an intensive and inspirational lighting workshop).

Special Features New, restored 4K digital transfer, supervised by cinematographer Caleb Deschanel, with uncompressed monaural soundtrack on the Blu - ray New documentary on the making of the film, featuring interviews with members of the production team Excerpts from a 1980 American Film Institute seminar with director Hal Ashby Author Jerzy Kosinski in a 1979 appearance on «The Dick Cavett Show» Appearances from 1980 by actor Peter Sellers on NBC's «Today» and on «The Don Lane Show» Promo reel featuring Sellers and Ashby Trailer and TV spots Deleted scene, outtakes, and alternate ending PLUS: An essay by critic Mark Harris

Cast & Credits Executive Producer: Mike Larocca, M. Blair Breard, Dennis Lehane Producer: Peter Chernin, Jenno Topping Production Company: Chernin Entertainment Principal Cast: Tom Hardy, Noomi Rapace, James Gandolfini, Matthias Schoenaerts, John Ortiz Screenplay: Dennis Lehane Source Author: Dennis Lehane Cinematographer: Nicolas Karakatsanis Editor: Christopher Tellefsen Music: Marco Beltrami Production Designer: Therese DePrez

- Peter Debruge, Variety Variety «Telluride Film Review: Palo Alto» Lula Magazine «Shooting Stars» Film Comment «Hot Property: Palo Alto» Shoot Online «Memorable Firsts and Lasts At Toronto Fest» The Hollywood Reporter: «Palo Alto» Cinematographer on James Franco and Sensitive Subject Matter «Autumn Durald's moodily sensuous cinematography is a huge asset» - Larry Gross, Chief Writer, Telluride Telluride Film Festival Program Guide: Palo Alto Kodak InCamera Magazine: «The Story of a Man in a Room»

Cinematographers Maxim Arbugaev, Peter Indergand

Assistant director Terry Sanders, film critic F. X. Feeney, archivist Robert Gitt and author Preston Neal Jones are gathered to provide commentary and the disc offers the original 40 - minute documentary «The Making of Night of the Hunter,» a video interview with Laughton biographer Simon Callow, an archival interview with cinematographer Stanley Cortez, a 15 - minute episode of the BBC show Moving Pictures about the film and a clip from The Ed Sullivan Show with Shelly Winters and Peter Graves performing a scene that was cut from the film among the wealth of supplements.

Directed by the great Tomas Alfredson (Let the Right One In, Tinker Tailor Soldier Spy), with a screenplay written by the talented trio of Peter Straughan (The Debt), Hossein Amini (Drive) and Søren Sveistrup («The Killing»), featuring behind - the - scenes work from the likes of editor Thelma Schoonmaker (Raging Bull), cinematographer Dion Beebe (Chicago), composer Marco Beltrami (The Hurt Locker) and production designer Maria Djurkovic (The Imitation Game), and listing Martin Scorsese (Silence, The Wolf of Wall Street) as one of its primary producers, how things turned out so disastrously I have no idea.

He's been cagey about confirming her identity, but he's known to use the names Peter Andrews when he's the film's cinematographer or Mary Ann Bernard when he's the sole editor.

Emmanuel Lubezki, ASC, AMC; Jonathan Freeman, ASC; John Lindley, ASC; and Peter Flinckenberg, FSC earned top honors in the four competitive categories at the 29th Annual American Society of Cinematographers (ASC) Awards for Outstanding Achievement.

Director Peter Weir, Cinematographer John Seale, and Writer Tom Schulman together provide an audio commentary track (and I use «together» loosely, as there's not really a conversational tone to it, which may have helped spice things up).

However, it turns out that Soderbergh was always on the set, working as the film's cinematographer under his pseudonym, Peter Andrews.

featuring photographic works by cinematographers: Ed Lachman Jacek Laskus Phil Parmet Peter Rodger Vilmos Zsigmond

The Loft at Liz's presents CONCEPT TO REALITY curated by Simon Edery featuring photographic works by cinematographers: Ed Lachman Jacek Laskus Phil Parmet Peter Rodger Vilmos Zsigmond and behind the scenes photographer Isabella Vosmikova Our Projects Room features select works from the 2014 IPA (Int» l Photography Awards) annual juried ONE SHOT competition.