Sentences with phrase «cinematographer make»

Still, the set design and cinematographer make this film impossible to dismiss.

Because of the powerful impact that the visual style of a movie can have, this documentary may offer contemporaries valuable insights into the dramatic choices cinematographers make.

Cinematographers make Italy look irresistable, and these 10 movies are no exception - old favorites and new ones I guarantee you'll love - to get you dreaming and scheming of your next trip to la bella Italia!

Not exact matches

Spielberg's sure hand and usual collaborators — musician John Williams, cinematographer Janusz Kamiński, and editor Michael Kahn (Sarah Broshar is also credited as an editor — make the movie impeccable.

Perrin, working with five crews totaling 450 people, including 17 amazing cinematographers, makes you feel as though you're traveling with and among the flocks, close enough to see the determined looks on their faces and hear the relentless beating of their wings.

Photography: Ed Peers / Cinematographer: Jeff Woods / Venue: Soho House / Bride's Dress: Rosalba by Stephanie Allin / Bride's Shoes: Christian Louboutin / Bridesmaids Dresses: French Connection / Groom's Suit: Reiss / Bride's Make Up: Mariam Jensen & Hair: Cassandra Rizzuto / Bridesmaids: Rebecca McMahon Flowers: Euphoric Flowers / Cakes: Friends / Cheese Cake: La Fromagerie / Stationery: the Groom, Ryan / DJ: Mitch Matthews at DJ Inc

His cinematographer, Darius Khondji, puts a silky contrast into the colors, making things seem velvety, dark and intense.

His cinematographer, Janusz Kaminski, who also shot «Schindler's List,» brings a newsreel feel to a lot of the footage, but that's relatively easy compared to his most important achievement, which is to make everything visually intelligible.

As a piece of technical filmmaking, Spielberg has chosen to make Lincoln a straightforward, earnest affair, with minimal nods toward complex aesthetics coming mostly from his trusty cinematographer Janusz Kaminski.

Working with an insanely talented crew that also includes cinematographer Rodrigo Prieto («Babel,» «Brokeback Mountain»), Affleck has made a film that features multiple locations, dozens of speaking roles, and the kind of tonal shifting that veterans routinely screw up and he's not only dodged the many potential pitfalls but made a modern classic by doing so.

Along with cinematographer Barry Peterson and composer Theodore Shapiro, Phillips perfectly captures the essence of a made - in - the -»70s production.

This modest indie with major ambitions is directed by veteran cinematographer Steven Bernstein, making a solid feature debut.

The Wachowskis and cinematographer Bill Pope take advantage of currently available technical trickery to create visually distinct levels of reality while setting high - speed cameras in motion to make the action sequences particularly dynamic and fluid.

What makes Under the Skin such a mind - blower has everything to do with Johansson's chillingly unempathetic turn as the, well, whatever she is, coupled with cinematographer Daniel Landin's disorienting, hallucinogenic visuals.

For the life of me, I somehow can't find the identity of this series» cinematographer, but whomever this person may be, my hat is off to him or her, as his or her efforts, while not breathtaking, is consistently quite tasteful in its plays with coloring and lighting, which has a tendency to sometimes go from tasteful to just plain stunning, thus making the series a strong visual piece, as surely as it is something of a strong musical piece, as Christopher Dedrick must also gain some recognition for his spirited and sometimes upstanding score work.

His pairing with brilliant cinematographer Roger Deakins, the script's attention to detail and thoughtful homages, and his ensemble of incredible actors combine to make Skyfall as sleek and exquisitely tailored as one of 007's suits.

Cinematographer Tim Orr imparts a strong visual style that makes the post-inferno Texas woodland setting come alive and contributes to the film's surreal feel.

Secondly, this is cinematographer Emmanuel Lubezki's first post-Gravity project to see release and he's a guy who knows how to make pretty pictures, plus there's reports of more long take wizardry in Birdman.

Like Barry Sonnenfeld, Wally Pfister and many more before her, Reed Morano is making the jump from esteemed cinematographer (her work includes «Frozen River,» «Kill Your Darlings» and more) to feature film director with the upcoming drama, «Meadowland.»

The film doesn't spend much time showing her stay at the hospital, lasting only as long as the opening credits, but cinematographer Sean Price Williams (The Color Wheel, Somebody Up There Likes Me) makes the most of it.

You see, what makes Medium Cool special is that director Haskell Wexler, who is better known as a cinematographer and documentary filmmaker, combined fictional drama and actors with real life events.

Aiding Howard considerably in making Rush pop off of the screen are cinematographer Anthony Dod Mantle and editors Daniel P. Hanley and Mike Hill.

History was made when Christian Berger, AAC, Alar Kivilo, ASC, CSC and Eagle Egilsson claimed top honors in the three competitive categories during the 24th Annual American Society of Cinematographers Outstanding Achievement Awards celebration in Los Angeles last Saturday.

It was a mind bender that was filmed by cinematographer Emmanuel Lubezki who made a bold choice to film the movie as if it's one long tracking shot that lasts for two hours.

Cinematographer Guy Godfree makes the subdued landscape of the Canadian province come alive in exterior shots that balance out the meticulous work he does inside the tiny little house where the Lewis couple reside.

Haynes and cinematographer Edward Lachman portray each individual era with stark visual styles — a black and white, silent movie feel for the»20s, a washed - out, grainy vibe for the»70s — making Wonderstruck a feast for the eyes.

Ford and cinematographer Gregg Toland did their own painting with light, making The Long Voyage Home his most visually experimental film.

Action cinematographer Jan de Bont (Twister, The Haunting) skillfully directs for the first time, making what by all measurements is a terrible screenplay by Graham Yost (Mission to Mars, The Last Castle — reportedly, an uncredited Joss Whedon punched up the script) into one of the better pure action movies of its era, even if it is one of the dumbest.

ACE Eddie = ACE Eddie Awards (Jan. 26, 2018) ADG = Art Directors Guild Awards (Jan. 27, 2018) AFI = American Film Institute Awards (Dec. 7, 2017) African American = African American Film Critics Association Awards (Dec. 12, 2017) Alliance of Women = Alliance of Women Film Journalists Awards (Jan. 9, 2018) Atlanta = Atlanta Film Critics Circle Awards (Dec. 10, 2017) Annie = Annie Awards (Feb. 3, 2018) ASC = American Society of Cinematographers Awards (Feb. 17, 2018) Austin = Austin Film Critics Association Awards (Jan. 8, 2018) Australia = Australian Academy Awards (Jan. 5, 2018) BAFTA = BAFTA Awards (Feb. 18, 2018) Black = Black Film Critics Circle Awards (Dec. 18, 2017) Black Reel = Black Reel Awards (Feb. 22, 2018) Boston = Boston Society of Film Critics Awards (Dec. 10, 2017) Boston Online = Boston Online Film Critics Association Awards (Dec. 9, 2017) CAS = Cinema Audio Society Awards (Feb. 24, 2018) CDG = Costume Designers Guild Awards (Feb. 20, 2018) Chicago = Chicago Film Critics Association Awards (Dec. 10, 2017) Chicago Indie = Chicago Independent Film Critics Circle Awards (Dec. 30, 2017) Columbus = Columbus Film Critics Association Awards (Jan. 4, 2018) Critics» Choice = Critics» Choice Awards (Jan. 11, 2018) Critics» Choice Doc = Critics» Choice Documentary Awards (Nov. 2, 2017) Dallas - Fort Worth = Dallas - Fort Worth Film Critics Association Awards (Dec. 13, 2017) Denver = Denver Film Critics Society Awards (Jan. 16, 2018) Detroit = Detroit Film Critics Society Awards (Dec. 7, 2017) DGA = Directors Guild of America Awards (Feb. 3, 2018) Dublin = Dublin Film Critics Circle Awards (Dec. 14, 2017) European Film = European Film Awards (Dec. 9, 2017) Florida = Florida Film Critics Circle Awards (Dec. 23, 2017) Georgia = Georgia Film Critics Association Awards (Jan. 12, 2018) Golden Globe = Golden Globe Awards (Jan. 7, 2018) Gotham = Gotham Independent Film Awards (Nov. 27, 2017) Grammy = Grammy Awards (Jan. 28, 2018) Hawaii = Hawaii Film Critics Society Awards (Jan. 12, 2018) HMMA = Hollywood Music in Media Awards (Nov. 17, 2017) Hollywood = Hollywood Film Awards (Nov. 5, 2017) Houston = Houston Film Critics Society Awards (Jan. 6, 2018) IDA Doc = International Documentary Association Awards (Dec. 9, 2017) Independent Spirit = Film Independent Spirit Awards (March 3, 2018) Indiana = Indiana Film Journalists Association Awards (Dec. 17, 2017) Iowa = Iowa Film Critics Association Awards (Jan. 9, 2018) Las Vegas = Las Vegas Film Critics Society Awards (Dec. 18, 2017) Kansas City = Kansas City Film Critics Circle Awards (Dec. 17, 2017) LGBTQ = Society of LGBTQ Entertainment Critics (a.k.a. GALECA)'s Dorian Awards (Jan. 31, 2018) London = London Film Critics Circle Awards (Jan. 28, 2018) Los Angeles = Los Angeles Film Critics Association Awards (Dec. 3, 2017) Los Angeles Online = Los Angeles Online Film Critics Society Awards (Dec. 19, 2017) Memphis Online = Memphis Online Film Critics Awards (Dec. 11, 2017) MPSE = Motion Picture Sound Editors Awards (Feb. 18, 2018) MUHS = Make - Up Artists and Hair Stylists Guild Awards (Feb. 24, 2018) Music Critics = International Film Music Critics Association Awards (Feb. 22, 2018) Music Supervisors = Guild of Music Supervisors Awards (Feb. 8, 2018) NAACP = NAACP Image Awards (Jan. 15, 2018) NBR = National Board of Review (Nov. 28, 2017) Nevada = Nevada Film Critics Society Awards (Dec. 22, 2017) New Mexico = New Mexico Film Critics Awards (Dec. 10, 2017) New York = New York Film Critics Circle Awards (Nov. 30, 2017) New York Online = New York Film Critics Online Awards (Dec. 10, 2017) North Carolina = North Carolina Film Critics Association Awards (Jan. 2, 2018) North Texas = North Texas Film Critics Association Awards (Dec. 17, 2017) NSFC = National Society of Film Critics Awards (Jan. 6, 2018) Oklahoma = Oklahoma Film Critics Circle Awards (Jan. 2, 2018) Online = Online Film Critics Society Awards (Dec. 28, 2017) PGA = Producers Guild of America Awards (Jan. 20, 2018) Philadelphia = Philadelphia Film Critics Circle Awards (Dec. 10, 2017) Phoenix = Phoenix Film Critics Society Awards (Dec. 19, 2017) Phoenix Critic = Phoenix Critics Circle Awards (Dec. 16, 2017) SAG = Screen Actors Guild Awards (Jan. 21, 2018) San Diego = San Diego Film Critics Society Awards (Dec. 11, 2017) San Francisco = San Francisco Film Critics Circle Awards (Dec. 10, 2017) Satellite = Satellite Awards (Feb. 11, 2018) Seattle = Seattle Film Critics Society Awards (Dec. 18, 2017) Southeast = Southeast Film Critics Association Awards (Dec. 18, 2017) St. Louis = St. Louis Film Critics Association Awards (Dec. 17, 2017) Toronto = Toronto Film Critics Association Awards (Dec. 10, 2017) USC Scripter = USC Scripter Awards (Feb. 10, 2018) Utah = Utah Film Critics Association Awards (Dec. 17, 2017) Vancouver = Vancouver Film Critics Circle Awards (Dec. 18, 2017) VES = Visual Effects Society Awards (Feb. 13, 2018) Washington D.C. = Washington D.C. Area Film Critics Association Awards (Dec. 8, 2017) WGA = Writers Guild of America Awards (Feb. 11, 2018) Women = Women Film Critics Circle Awards (Dec. 22, 2017)

Taylor is also working with cinematographer Dante Spinotti, who may not exactly rise to Heat or Public Enemies form but at least makes a lot of low - rent action look more polished than it might have otherwise.

Based on two true stories, this modest indie with major ambitions is directed by veteran cinematographer Steven Bernstein, making a solid feature debut.

Endless scenes of Gilbert, bathed in golden light by the great cinematographer Robert Richardson, complaining about guys (Billy Crudup, James Franco, Javier Bardem) who don't understand her needs made me want to starve curse hate and put commas where they belong.

NEW YORK (AP)-- Guillermo del Toro's lavish monster romance «The Shape of Water» fished out a leading 13 nominations, Greta Gerwig became just the fifth woman nominated for best director and «Mudbound» cinematographer Rachel Morrison made history...

Cinematographer Roger Deakins has shot what is one of the most beautiful movies ever made, and yet somehow he still won't win an Oscar this year because life is cruel.

Bonus: • Audio Commentary with Director Martin Scorsese, Former GoodFella Henry Hill, Co-Screenwriter Nicholas Pileggi, Producers Irwin Winkler and Barbara De Fina, Cinematographer Michael Ballhaus, Editor Thelma Schoomaker, and Actors Robert De Niro, Ray Liotta, Paul Sorvino, Lorraine Bracco, Joe Pesci And Frank Vincent • Audio Commentary with Henry Hill and Former FBI Agent Edward McDonald • «Scorsese's GoodFellas» Featurette • «Getting Made: The Making of GoodFellas» Featurette • «The Workaday Gangster» Featurette» • «Made Men: The GoodFellas Legacy» Featurette • «Paper Is Cheaper Than Film» Featurette • Theatrical Trailer • «Public Enemies: The Golden Age of the Gangster Film» Documentary • Four Looney Tunes / Merrie Melodies Shorts • Trailer

Cinematographer - turned - director (in his directorial debut, no less) Jan de Bont makes excellent use of both skills.

The whole film often looks over-exposed, with a patina of rainbow shimmer infusing every shot, but cinematographer Rob Hardy (Ex Machina) has made a deliberate and distinctive piece.

City of God and The Constant Gardener director Fernando Meirelles talks to Jason Solomons about his new film Blindness, working with cinematographer César Charlone and his dream of making a hopeful, funny film

Roger Deakins may be inching closer to making good on his 14th Oscar nomination after winning the American Society of Cinematographers» feature film award for «Blade Runner 2049.»

The camera work of cinematographer Bradford Young (Selma) helps make the style and story work.

Much of what makes Hagazussa worth watching is the cinematic language and visual splendor Feigelfeld creates with cinematographer Mariel Baqueiro.

Another two articles from the August 1980 issue of American Cinematographer, detailing the making of Stanley Kubrick's horror masterpiece.

Though the strong work of Sandra Bullock and George Clooney — the only two actors who appear on camera — is essential to what the film accomplishes, the great lure of «Gravity» is the way director Alfonso Cuarón, cinematographer Emmanuel Lubezki and visual effects supervisor Tim Webber have collaborated to make us feel we're stranded in outer space ourselves, no questions asked.

«Mudbound» cinematographer Rachel Morrison also made history as the first woman nominated in the category.

But the movie has its own vibe, as Roskam and cinematographer Nicolas Karakatsanis work some remarkable effects with lighting, making Schoenaerts look simultaneously bulky and small, and as Roskam has his characters grunt at each other and move through sliding doors, on their way to the slaughter.

Nominated for Netflix's «Mudbound,» Morrison made similar history two weeks ago with her nomination in the feature - film category at the American Society of Cinematographers Awards.

A mere two months in, and it's already been a career - boosting, history - making year for cinematographer Rachel Morrison.

Cinematographer Javier Aguirresarobe, who shot the luminous «Vicky Cristina Barcelona» also does a beautiful job here, making «Jasmine» look luxurious where it needs to and quaint and unremarkable, but never oppressive, in the scenes involving Ginger's humble abode.

The one remaining elephant in the room is the 2015 Silver Screen Riot Awards where we pick and choose from the elite and populist alike to make our selection for best director, performer, cinematographer, screenplay, documentary, foreign film, action movie, horror movie and comedy.

The first is that relatively unknown cinematographer Markus Förderer («I Origins») has made sure that this «historical drama» is the most beautifully shot and lit...