The director and
cinematographer offer an audio commentary on the film and some deleted scenes.
Not exact matches
John Carpenter's «Halloween,» from 1978, has also seen plenty of video reissues, but the 35th - anniversary Blu - ray from Anchor Bay ($ 34.99; R)
offers a completely new transfer of Mr. Carpenter's elegant, elemental fable supervised by the
cinematographer Dean Cundey.
Johnny Depp to Lead «Transcendence:» News of Johnny Depp's plan to star in longtime
cinematographer Wally Pfister's directorial debut, «Transcendence,» has been around for a couple of months, but now The Wrap
offers more details.
This 35 - minute and 34 - second piece
offers info from Berg, Foxx, Cooper, Garner, Bateman, Barhoum, Suliman, Dalton, producers Scott Stuber and Michael Mann, writer Matthew Michael Carnahan, technical consultants Ahmed Al Ibrahim and Richard Klein, production designer Tom Duffield, 2nd unit director / stunt coordinator Phil Neilson, 1st AD / co-producer KC Hodenfield,
cinematographer Mauro Fiore, and actor Jeremy Piven.
Come as you are: the
cinematographer who crafted the glam looks of Wong Kar Wai's films
offers a shaggy - dog look at everyday people in Hong Kong
Because of the powerful impact that the visual style of a movie can have, this documentary may
offer contemporaries valuable insights into the dramatic choices
cinematographers make.
The rural island locations of Moonrise Kingdom are lush and wonderfully lensed by
cinematographer Robert D. Yeoman («Bridesmaids «-RRB-
offering something captivating to watch even for those who don't necessarily find enjoyment in unusual characters or stories.
Cinematographer Tim Maurice - Jones» minimal lighting and production designer Kave Quinn's confined spaces within the house
offer a claustrophobic atmosphere with long, narrow hallways and no shortage of closed doors at the ends of them.
Four
offers Cara Buono, Vincent Kartheiser and John Slattery, and a second with Weiner and
cinematographer Chris Manley.
plotting to be any fun as camp, and too ponderous to be watchable as a purely bad movie, Diablo doesn't
offer much beyond a reminder of other, better films and some choice Alberta scenery framed by a
cinematographer who shot John Carpenter and Robert Zemeckis» best work, but is now doing this.
Still, with an excellent cast and some wildly creative camera work from
cinematographer Martin Ruhe (Harry Brown, The American), this one
offers plenty on the entertainment scale.
filmmaking tips IndieWire six life saving tips for
cinematographers from the great Darius Khondji (Se7en, Evita, Midnight in Paris, and more...) Movie Line twenty - two pieces of storytelling advice from a Pixar artist LA Times
offers up awards show tips for the Oscars (hey, that's sorta filmmaking tips) via the Tony Awards though I will continue to hate everyone and especially every writer who suggests very publicly that we don't need to see Costume Designers winning their prizes.
The special effects have weight, and director J.J. Abrams (who, with
cinematographer Dan Mindel, takes full advantage of ambient lighting to give the film a suitably otherworldly look)
offers action sequences that are as diverse as the locations.
The dangers of the land grow more and more evident yet Gray and
cinematographer Darius Khondji
offer a unique perspective.
What's more, Blair
offers a few moments that suggest an innate control of tension, including a great creeping long take — orchestrated by Swiss Army Man
cinematographer Larkin Seiple — involving the retrieval of a kitchen knife.
And for the next generation of female
cinematographers and filmmakers, she
offered this advice:
Assistant director Terry Sanders, film critic F. X. Feeney, archivist Robert Gitt and author Preston Neal Jones are gathered to provide commentary and the disc
offers the original 40 - minute documentary «The Making of Night of the Hunter,» a video interview with Laughton biographer Simon Callow, an archival interview with
cinematographer Stanley Cortez, a 15 - minute episode of the BBC show Moving Pictures about the film and a clip from The Ed Sullivan Show with Shelly Winters and Peter Graves performing a scene that was cut from the film among the wealth of supplements.
Cinematographer Adriano Goldman brought astonishing chiaroscuro to 2011's Jane Eyre update, but it's hard to think of a noteworthy frame he
offers in this movie.
The one extra that really
offers a lot to chew on is a one - hour long storyboard presentation, in which Mendes and
cinematographer Conrad L. Hall compare and contrast the original visual plan with what ended up on screen.
Its characterization of the madness that begins to slowly engulf city - bred Genevieve (Kate Lyn Sheil) in the countryside is rather sketchy, and its depiction of the sexual jealousy she begins to develop toward earnest country girl Robin (Takal herself) doesn't go far beyond Eyes Wide Shut lite; still, the film packs a wallop, with a pungently atmospheric score by Ernesto Carcamo and some unnervingly prolonged long takes (Nandan Rao was the
cinematographer) that
offers an unsettling counterpoint to the beautiful scenery and naturalistic performances.
Then as now a cult director, Godard was
offering a code to initiates, some of whom could be trusted to know that Georges de Beauregard and Carlo Ponti were the producers, Raoul Coutard the
cinematographer, Bernard Evein the production designer, and Agnes Guillemot the editor.
For this show, Ms. Hewitt
offers two film installations (made in collaboration with award - winning
cinematographer Bradford Young) that are inspired by civil - rights era photographs, along with recent sculptures and prints.
The shot
offers a hint of how Schoenbachler, herself a photographer, and Sela, a
cinematographer, applied their eye during the house - building process.