Sentences with phrase «cinematographic film»

Key areas of analysis were the interaction between cinematographic film and media art, critical strategies and techniques of film deconstruction, the montage of found footage and the receptive use of filmic structure and iconography in video art and art films.

Not exact matches

The warm color palette is appropriately garish at necessary thematic times, while a few more intimate moments of dialogue towards the third act of the film do reflect a more modern cinematographic flair.
This moody, elegiac film has universally been acclaimed as a cinematographic masterpiece, from the talents of Cuban - born European Nestor Almendros (and «additional photography» by Haskell Wexler), with naturally - lit, sweeping, 70 mm images of crystal clarity and scope, and artfully composed scenes reminiscent of Andrew Wyeth paintings.
The cinematographic approach of the film suggests some unholy hybrid of the aesthetic and genre indulgences of Michael Bay and the hyper - literalist plot construction of Christopher Nolan.
It's a smart little film, although there are some odd cinematographic moments — curious, at best.
While Thomas W. Kiennast's black - and - white cinematography is quite beautiful to behold (Gröning's film certainly features some excellent cinematographic moments as well), Atef's film never manages to convey why we should care, today, about this brief moment in Schneider's well - documented life, including her never - ending struggle with the German press, her inability to escape the role of Sissi that made her instantly famous as a teenager, and the various tragedies that befell her, including the suicide of her ex - husband.7 The film is not a biopic per se (and Atef declared that she did not intend to make one): thus, audiences who are not already familiar with Schneider certainly will not come away from viewing the film with much of a sense of her life's story); yet, given it is not a biopic, one wonders what the film is, or what it tries to accomplish.
Both films boast stunning cinematographic depth and are brashly expressive enough to make them contenders, but Skyfall has the added benefit of Deakins's Randy Newman - like winless streak as a potential story for voters to latch onto.
It can never quite figure out what kind of film it wants to be, however, mixing deep thoughts about artificial intelligence (A.I.) with crazy drunken synchronized dancing (which, I will admit, was extremely fun to watch), and although it has fine cinematographic elements that are reminiscent of the best of Stanley Kubrick (slow tracking shots, some on steadicam), if one ponders the subject matter for more than a minute or two, it all seems very dumb.
That film is the story of several characters with particularly diverse sexual orientations, and it uses sex in different cinematographic forms because it's simply too interesting to leave to porn.
The film is one of the most exciting and remarkable cinematographic events in modern cinema.
9:00 pm — TCM — Rear Window Hitchcock, Stewart, and Kelly mix equal parts suspense thriller, murder mystery, romance, voyeristic expose, ethical drama, caustic comedy and cinematographic experiment to create one of my favorite films of all time.
2:15 am (1st)-- TCM — Rear Window Hitchcock, Stewart, and Kelly mix equal parts suspense thriller, murder mystery, romance, voyeristic expose, ethical drama, caustic comedy and cinematographic experiment to create one of the greatest films of all time.
Sexy Beast has a fairly easy linear flow to it - the film gets to the point, and does not bother with useless backlog of character history, and a bank - robbery scene which is not lacking in imagination not only in narrative but also in montage editing and cinematographic terms.
For this exhibition she has selected some of her most significant landscape drawings and collections of found natural objects and has created a body of new work culminating in a major, one hour - long, two - screen 35 mm Cinemascope film, Antigone, which uses multiple exposures to combine places, people and seasons into a single cinematographic frame.
The resulting film, Empire, 1964, is a study as much in cinematographic looking as it is on the properties of film itself; though the image of the building at night is otherwise fixed, small dramas play out through exposure, the shifting of light over time, and the slight jumpiness of the image as the celluloid passes through the projector.
This quasi-narrative film, featuring writer / poet Anne Carson and actor Stephen Dillane, combines multiple places, geologies and seasons into a single cinematographic image.
American Night (2009) is a homage to the medium of film and a reflection on the construction of fictional narratives using cinematographic and iconographic references.
The titles were inspired respectively by the work of cinematographic art pioneers at the end of the 19th Century: George Méliès» magical films and the Lumiére brothers» documentaries.
In this experimental, quasi-narrative film, which features writer / poet Anne Carson and actor Stephen Dillane, Dean has gone so far as to combine multiple «scapes» and events within the single film frame, therefore, mixing different places, geologies and seasons into a single cinematographic image.
This quasi-narrative film features writer / poet Anne Carson and actor Stephen Dillane and combines multiple places, geologies and seasons into a single cinematographic image.
Brazil About Youtuber Horror Movies 2.0 is intended to foster interest in horror - related cinematographic works in general through full - length dubbed and le films.
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