Sentences with phrase «cinematographic works»

Brazil About Youtuber Horror Movies 2.0 is intended to foster interest in horror - related cinematographic works in general through full - length dubbed and le films.

If so requested by a country that is a party to the North American Free Trade Agreement, the Minister may, by a statement published in the Canada Gazette, grant the benefits conferred by this section, subject to any terms and conditions specified in the statement, to performers who are nationals of that country or another country that is a party to the Agreement or are Canadian citizens or permanent residents within the meaning of subsection 2 (1) of the Immigration and Refugee Protection Act and whose performer's performances are embodied in works other than the prescribed cinematographic works referred to in subsection (3).

Canadian Broadcasting Corporation v. Sodrac 2003 Inc et al., 2014 FCA 84 (35918) SODRAC applied to certify a proposed tariff which related to royalties on copies of cinematographic works for retail, rental and theatrical use.

As an example, two portraits, one of the French writer Virginie Despentes whose literary and cinematographic work sometimes refers to Malthusian feminism — which describes maternity as a «social function» to which women would be reduced to — and the other, the Pharaoh - queen Hatchepsout, condemned to oblivion through damnatio memoriae.

(a) in the case of any work, whether published or unpublished, including a cinematographic work, the author was, at the date of the making of the work, a citizen or subject of, or a person ordinarily resident in, a treaty country;

Subsection (1) does not authorize a large print book or a cinematographic work to be sent outside Canada.

Not exact matches

In strictly cinematographic terms, however, God Knows Why But It Works (1975) is the most noteworthy.

His works are discerned by a pioneering, unconventional directing viewpoint, and moreover, his distinct cinematographic techniques have resulted in numerous visually stunning movies and countless breathtaking scenes.

For this exhibition she has selected some of her most significant landscape drawings and collections of found natural objects and has created a body of new work culminating in a major, one hour - long, two - screen 35 mm Cinemascope film, Antigone, which uses multiple exposures to combine places, people and seasons into a single cinematographic frame.

I love also photographers as Gregory Crewdson, who creates very artificial and cinematographic scenes, and I love especially the Robert Adams black and white work.

During this period she began to incorporate her cinematographic experience to create works in photography and video.

He called this work The Drain, and it is a piece emblematic of a «cinematographic» style that he developed across many series, which are overly allegorical, full of suggested narrative and allusions to both history painting and scenes from early modern painting.

His work is rooted in his fascination with cinematographic iconography, and his thematics study the relationship between the individual and architecture.

In conceiving her work, indeed, Cornelia Parker was inspired by some very «cinematographic» archetypes, namely the paintings of Edward Hopper, the traditional American red barns, and the sinister house Alfred Hitchcock imagined as the perfect family abode for the disturbed character of Norman Bates in Psycho (1960), which was clearly inspired by Hopper's painting House by the Railroad (1925).

The distant, yet eerie quality of the blurred focus is an example of Aitken's cinematographic artistry at work, provoking the viewer with the sensation of having stumbled upon a private moment.

Shot in 16 mm and 35 mm and using a visual language so reduced it is at times almost abstracted, the works use the early cinematographic technique of multiple exposure as a framework to investigate synchronicity and divergence, originality and reproduction and the deferment of artistic control.

Rooted in his love of architecture, and nourished by cinematographic sources, James Casebere's pioneering work has, for the past twenty - five years, placed him at the forefront of artists working with staged photography whose other prominent exponents include Jeff Wall and Gregory Crewdson.

The titles were inspired respectively by the work of cinematographic art pioneers at the end of the 19th Century: George Méliès» magical films and the Lumiére brothers» documentaries.