Sentences with phrase «cinematography allows»

But while James Laxton's cinematography allows each part to look distinctive, they're not disconnected from the whole.

Black and white cinematography allows you to bring the film down to its primary elements.

Paul Yee's vivid widescreen cinematography allows for out - of - focus backgrounds and master - shot framing that highlight Toni's loneliness and introspection.

The final climatic battle between the Soviet zombies and Nazi zombies was well choreographed, while the cinematography allowed you to see everything that was going on during the fights in all their gory glory.

The pristine cinematography allowed me to watch their life as it may have actually been.

Not exact matches

Offering powerful drama and stunning cinematography, this documentary from the BBC illustrates the balancing acts that allow animals to survive in a challenging environment.

With gorgeous cinematography and an exceptional cast, including a breakout performance from Josh Wiggins, Hellion allows its audience to travel the downward spiral of a broken family and is absolutely gripping thanks to its authentic feel.

With its deliberate pace and excellent cinematography, «The Duel» is an evocative movie that bottles one point in time, allowing us to observe it at our leisure.

The cinematography here is spectacular largely because Waititi has taken the time to allow his nations of visual artists to give their CGI and practical effects the same kind of weight and substance.

This earned an Oscar for Best Cinematography, though had a Best Makeup award existed back then, surely Don Cash would have been a contender for superb work that allowed a then -41-year-old Wayne to convincingly pass for someone a quarter - century older.

His hand gestures, perfectly timed pauses between dialogues and even his impatient attitude does not allow you take your eyes away from him, even though the cinematography in these scenes by Javier Aguirresarobe, is beyond stunning.

Meanwhile, the cinematography of real people also captures them in the same boxes, photographing the characters through windows, just like the windows of the computer applications, or through fences, exemplifying the borders that persist to exist between us all, allowing us to peek through, but we remain disconnected from each other physically.

It's a beautiful restoration that allows the cinematography to truly shine.

A movie to watch for the fabulous acting, fabulous scenery and fabulous cinematography, but not for the storyline, which is really just an excuse to allow the former.

The Split Diopter allows for Deep Focus cinematography but requires much less light.

The black and white cinematography from Laszlo Kovacs (Easy Rider, Ghostbusters) is gorgeous, utilising deep focus to allow for some fantastic long takes where the actors can really work together and further detail and interest can happen within the frame.

«Slo - mo» creates a plot device that allows for impressive cinematography, making a bullet ripping open someone's face look more like a ballet than a crime.

A rooftop chase scene has a strong resemblance to Martin Scorsese's 2006 film «The Departed,» while the cinematography of David Higgs allows the viewer to glimpse the complete surroundings of the characters.

The most striking success in Krabat is the set design and cinematography that combine to allow a sense of menace and darkness to pervade the entire film.

Newly stripped down and awash in silence and environmental fatigue — rain falling on ash resting on wilted flowers, expired vehicles and animals littering the roads — the narrative allows Macdonald time to breathe and also showcase some haunting digital cinematography from DoP Franz Lustig.

Then there is the unobtrusive cinematography by Sam Levy, which also has moments of fancy in overhead shots but can also keep a distance in movingly dramatic scenes that allow the actors all the space they need to perform, which may be a bonus about having an actress at the helm of the film.

Filmed almost entirely in Switzerland, the beautiful cinematography, the fables of the snake clouds, and Assayas's choice in the editing room to allow this film to unfold as unpredictably as the «Maloja Snake» captivated me from beginning to end.

The look of the film is dark, perhaps too dark, as the cinematography rarely allows for us to take in the sights and sounds, Actors are framed closer than normal, going for many extreme close - ups, perhaps to give the mood of immediacy, but it comes off making the tone seem rather strange.

Yet, while fanciful, it allows this sequel to boast some exhilarating animation, cinematography, and camerawork, set to the tremendous score of Bruce Broughton.

Its animation is some of the best the studio has come out with, and its new technique (the deep canvas process) allows more freedom in terms of cinematography.

And the picturesque scenes of Amelia touching down in remote locations around the world allows for plenty of impressive cinematography as well.

Stunning cinematography from Fredrik Wenzel allows the mountains to assert their dominance over the crisp landscape.

Besides the magical storytelling, there is a true mastery of animal training and cinematography that allowed the filmmakers to capture hundreds of dogs on film.

The inclusion of the three levels of foreground, middle ground and extreme background objects create for the viewer a effect similar to a depth of field composition in cinematography; allowing the viewer to focus on both close and distant planes.

The FAA's 26 - page response to Trudeau's petition stated, «The proposed exemption would allow Trudeau to operate the PHANTOM 2 Vision + quad - copter unmanned aircraft system (UAS) to conduct aerial videography and cinematography to enhance academic community awareness for those individuals and companies unfamiliar with the geographical layout of the metro Tucson area and augment real estate listing videos.»