Radek Ladczuk's vivid
cinematography gives scenes a properly macabre sense, the exaggerated colors, sizes, angles, and shadows evoking the living terror of a child's imagination.
Not exact matches
Robby Müller's stunningly beautiful and exquisitely composed black - and - white
cinematography, which includes a wide range of intermediate grays, is punctuated by fade - outs and blackouts between
scenes, as if
giving us forecasts of Blake's death even before he's wounded.
The
cinematography was fantastic, and the fight
scenes gave some great first person shots that made you feel as though you were there in the ring fighting along side the actors.
Soderbergh, who as usual handles
cinematography under the pseudonym Peter Andrews,
gives the film the flair and energy it needs, particularly arresting with discomfort in a trippy
scene in which Sawyer reacts to an unprescribed pill slipped in with her dose.