Sentences with phrase «cinematography of»

The scenes of people eating in diners and restaurants are inspired by film stills, while the cinematography of his films is inspired by his long experience with paintings, and it has been said that it is reminiscent of his art work.

Using codified cinematographic techniques (extreme angles, sweeping, panning and zooming shots), her vocabulary draws on the languages of video games, sports coverage, television broadcasting, and the cinematography of the early twentieth century.

Informed by a vast array of cultural references, from the cinematography of the1979 sci - fi classic «Stalker» to the architecture of Cambodia's ancient temples at Angkor Wat, her work transcends time and place.

Known for the cinematography of visually sumptuous films like Delicatessen and Seven, Khondji's presence in the exhibition at CCS Bard will be palpable.

Informed by a vast array of cultural references, from the cinematography of 1979 sci - fi classic «Stalker» to the architecture of Cambodia's ancient temples at Angkor Wat, Bhabha's work transcends a singular time and place.

The movie has odd characters, dark humor, and picturesque cinematography of dusty wastelands.

«Nightcrawler»: Dan Gilroy and Jake Gyllenhaal — aided by the incomparable cinematography of Robert Elswit — craft an unforgettable trip into darkness.

While it's great to be given a lot of time to soak up the impeccable cinematography of Roger Deakins and the physically built semi-dystopian lands of production designer Dennis Gassner, the eventual length of it all is undeniably felt.

Much of the success of Everest comes from Kormákur's clever pacing and relentless building of tension and the, at times, dizzying cinematography of Salvatore Totino (pictured: Sam Worthington)

Much of the success of Everest comes from Kormákur's clever pacing and relentless building of tension and the, at times, dizzying cinematography of Salvatore Totino.

For its beautifully nuanced and spare portrayal of the struggle to discover who you are, both because of and in spite of where you are from, featuring a stunning and expressive central performance and lush cinematography of a rarely seen culture, we present the Grand Jury Prize to Sami Blood.

Throw in some of the best cinematography of the year from Hoyte Van Hoytema and a punishing score from Hans Zimmer that makes the action even more visceral (if such a thing were even possible), and the result is Nolan's most vital film in years, and a reminder of what he can do when he puts his mind to things.

A key element to the film's fairy - tale - like feel is the lush cinematography of Frederick Elmes (Blue Velvet, Night on Earth, Wild at Heart, The Ice Storm).

Brought to life by the cinematography of Léo Hinstin and original music by Keefus Ciancia, AS ABOVE, SO BELOW stars Perdita Weeks and Ben Feldman.

While I am not entirely sold on the «murky - attic» cinematography of the new film (the Coen's first film in over a decade without Roger Deakins on photographing duties), I am entirely sold on tone and content.

The startling black - and - white cinematography of Aldo Scavarda is rendered beautifully in this 4K restoration, and there are numerous extra features to sink your teeth into that place the film culturally.

One star for the fabulous performances and another star for the rich and gorgeous cinematography of this period piece, but it's a subject matter I don't much care for, and it's very difficult to summon sympathy for one that probably got help to wipe one's own arse.

Also worth noting here is the outstanding cinematography of Yves Belanger.

The bold cinematography of Lost River is nicely rendered in the Blu - ray's sharp, vibrant 2.40:1 presentation.

Film Movement has still yet to make the leap to Blu - ray, which leaves the thoughtful cinematography of 1,000 Times Good Night lacking some luster in standard definition.

It still pains me that Michael Ballhaus was not even nominated by AMPAS, best cinematography of that year, hands down!

It strikes me as reaching, even if Llewyn does feature the second best cinematography of the year.

This is due to teamwork of a high order: the moving performances of Hackman and Pacino, the sensitive direction of Jerry Schatzberg and the glowing landscape cinematography of Vilmos Zsigmond.

There's so much to recommend «Out of Sight,» from it's snappy score that so reminded me of movies like «Three Days of the Condor» and «Killer Elite,» and the handsome cinematography of Elliot Davis.

Under the pretenses of being filmed as a documentary, this movie lacks both the plot and cinematography of the horror films from which it has drawn inspiration.

The film takes every opportunity to show off the sumptuous New Zealand landscape and the cinematography of the wilderness is stunning.

Editor Jean - Baptiste Beaudoin's work remains noteworthy throughout the film, highlighting the skillful cinematography of many well constructed scenes.

The Oscar - winning cinematography of

Featuring the cinematography of Tim Orr, these scenes are vibrant and speak to the heart and soul of the film in creatively unexpected ways.

The New York Film Academy is a purveyor of great cinematography of any genre, but faculty staff at the filmmaking school particularly enjoy a good film noir, especially when using it to teach students the nuances of expressionism.

Obviously each to their own opinion but complete nonsense about the cinematography of Avatar.

Through the incredible cinematography of Ivan Strasburg along with a wonderful score and sensational sound, the story of Haile Gebrselassie comes alive — even if you can't / refuse to read subtitles.

Flawlessly reproducing Jeff Cronenworth's digital cinematography of plunging black levels and Nordic chill, as well as an audio track that howls with Trent Rezor and Atticus Ross» hair - raising score, this Blu - Ray set also comes stacked with bonus features.

The beautiful cinematography of the original film has been replaced by almost colorless, video - like textures and the dialogue is laughable (The subtitled version I screened featured the incessant mantra, «Men.

The gravity of Watney's isolation is underlined by impeccable cinematography of Dariusz Wolski («The Counselor,» «Prometheus,» «Exodus: Gods and Kings»), which revels in the expanse of the theater screen the way «Lawrence of Arabia» did in 1962.

Stylistically, Meru doesn't do anything we haven't seen before in documentaries — cinematography of the Himalayas is no longer unique, but that doesn't mean it isn't just as breathtaking.

Kurzel is aided in his Shakespeare adaptation by some evocative cinematography of the forbidding Scottish heathland that served as the shooting location, but otherwise there is little to suggest a particularly original or eye - opening slant on the tragedy.

A rooftop chase scene has a strong resemblance to Martin Scorsese's 2006 film «The Departed,» while the cinematography of David Higgs allows the viewer to glimpse the complete surroundings of the characters.

This film features two wonderful performances from Megan Boone and David Nordstrom, and down - to - earth cinematography of massive sequoias.

6) DUNKIRK: definitely best cinematography of the year, didn't really feel connected to the story even though it was perfectly shot.

But once again, peripheral vision is deftly utilised by the extraordinary cinematography of Tim Curtin.

The movie doesn't do anything wrong per se, merely suffers the same problems all action movies created in the early 2000s have, especially when compared to the sleek cinematography of the modern Bond films and the Raid.

Gone is the moody, light - and - dark cinematography of Blood Simple, replaced by loops and swoops beneath the bleached Arizona sun.

The most exceptional thing of all is the cinematography of Bradford Young.

Even the usually excellent cinematography of Wally Pfister goes overboard with it's variegation of browns, greys, and blacks.

The fine transfer highlights the brilliant cinematography of Babette Mangolte, with its household golds and browns and intricate knickknacks.

Nice Vanity Fair piece about the cinematography of the nominated films: The Hurt Locker «Äôs director of photography, Barry Ackroyd, uses Super-16 cameras to create a raw, documentary feel for his sun - drenched canvas in Kathryn...

Couple the process with the outstanding cinematography of multiple Oscar nominee Caleb Deschanel (father of Zooey and Emily) and you're on the edge of your seat.

What turns this fairly ordinary - sounding family drama into something on the edge of epic is its use of landscape and setting — the desert Southwest, California's San Fernando Valley (also the setting for Wenders's 1997 The End of Violence), and the concrete canyons of Houston — reinforced by the stunning cinematography of regular early collaborator Robby Müller and a plangent slide - guitar score by Ry Cooder (with whom Wenders would later make the Oscar - nominated documentary Buena Vista Social Club).

The new version released by Flicker Alley at last does justice to the cinematography of William Mellor, and it's the difference between a decent little movie and one that's near - great.