Sentences with phrase «cinematography score for this film»

The cinematography score for this film is minus 1000.

Not exact matches

The unanimously - praised film with a modest budget of $ 23 million deservedly won seven Academy Awards, including Best Picture, Best Director (the first for Spielberg), Best Cinematography (Janusz Kaminski), Best Adapted Screenplay, Best Original Score (John Williams), Best Editing (Michael Kahn), and Best Art Direction.

New for 2011, films in competition were also eligible for Jury Awards for Best Editing, Best Cinematography, Best Score / Music, Best Screenplay (narratives) and Breakthrough Performance (narratives).

If Tarantino fails to gain entrance into the Original Screenplay and Director categories (which would be understandable after all the shade his controversial interviews have thrown on his peers) and the Best Picture field isn't big enough to support this, the film should likely still compete for Best Cinematography and Best Original Score honors.

«The Shape of Water» leads all films this year with 14 nominations including Best Picture, Sally Hawkins for Best Actress, Richard Jenkins for Best Supporting Actor, Octavia Spencer for Best Supporting Actress, Guillermo del Toro for both Best Director and Best Original Screenplay alongside Vanessa Taylor, Dan Laustsen for Best Cinematography, Paul Denham Austerberry, Shane Vieau, and Jeff Melvin for Best Production Design, Sidney Wolinsky for Best Editing, Luis Sequeira for Best Costume Design, Best Hair and Makeup, Best Visual Effects, Best Sci - Fi or Horror Movie, and Alexandre Desplat for Best Score.

Voting is open until December 12 at 11:59 p.m. Categories include Best Picture, Best Director, Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Screenplay, Best Foreign Language Film, Best Documentary, Best Animated Film, Best Cinematography, Best Musical Score, and the Russell Smith Award (for best low - budget or cutting - edge independent film).

«La La Land,» the most nominated film of the evening, took home eight awards, the most of the night, including Best Picture, Best Director and Best Original Screenplay (a tie) for Damien Chazelle, Best Cinematography for Linus Sandgren, Best Production Design for David Wasco and Sandy Reynolds - Wasco, Best Editing for Tom Cross, Best Song, and Best Score for Justin Hurwitz.

The film also took home awards for Visual Effects, Sound, Sound Editing, Cinematography and Best Original Score.

The film was rated 93 % fresh on Rotten Tomatoes and received critical praise for its story, direction, acting from lead Hugh Jackman and supporting actor Patrick Stewart, including editing, cinematography, original score and sound design.

Shot (with one exception) in black and white by Florian Ballhaus (son of Michael), the film is set to a score that is more industrial sound than music; yet, it is the combination of the clinically clean black - and - white cinematography, the disturbing score, and the narrative's single - minded focus on the protagonist's actions (there is no moment when the film seeks to psychologise him) by which the film manages to simultaneously solicit, on the one hand, our fascination with and, increasingly, horror about the events depicted — even long after Herold has proven how scarily easy it is for him to order mass murder (and, whenever necessary, to set an example by killing himself)-- and, on the other hand, to ensure that we keep some intellectual distance from the diegetic events.

The 1962 film, still chilling today, had all the ingredients for success: accomplished director J. Lee Thompson (who also made Peck's 1962 adventure classic, «The Guns of Navarone»), a near - perfect cast, top - notch material (James R. Webb's screenplay is based on John D. MacDonald's novel «The Executioners»), a Bernard Herrmann score, cinematography by Sam Leavitt, art direction by Robert Boyle and editing by George Tomasini.

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Extras: New program on the film's cinematography featuring a conversation between Lassally and critic Peter Cowie; excerpt from a 1982 episode of «The Dick Cavett Show» featuring Finney; new interview with actor Vanessa Redgrave on director Tony Richardson, to whom she was married from 1962 to 1967; new interview with film scholar Duncan Petrie on the movie's impact on British cinema; illustrated archival audio interview with composer John Addison on his Oscar - winning score for the film; new interview with the director's - cut editor, Robert Lambert; an essay by scholar Neil Sinyard.

It's like saying that Drive is just about a getaway driver — it's not and for anyone who's seen it will know that the languid pace, the cinematography, the mood and the score are just as important to the film as any plot developments.

Todd Haynes» return to film, the 1950s romance Carol, landed an impressive 10 nominations, including Best Picture, Best Director (Haynes), Best Adapted Screenplay, technical nods for Cinematography, Costume Design, Makeup & Hairstyling, Production Design, Original Score, and two Lead Actress nominations for Cate Blanchett and Rooney Mara.

«La La Land» leads all films this year with 12 nominations including Best Picture, Ryan Gosling for Best Actor, Emma Stone for Best Actress, Damien Chazelle for Best Director and Best Original Screenplay, Linus Sandgren for Best Cinematography, David Wasco and Sandy Reynolds - Wasco for Best Production Design, Tom Cross for Best Editing, Mary Zophres for Best Costume Design, Two Best Song Nominations for «Audition (The Fools Who Dream)» and «City of Stars,» and Justin Hurwitz for Best Score.

At this early stage it's tough to suss out exactly what the chances of a film like Sicario making a big splash in the Oscar race are, but Supporting Actor (for Del Toro), Cinematography, and Sound seem like its safest bets, with nods for Actress, Director, Picture, and Score potentially in the cards — assuming the Academy doesn't brush this off as «too challenging», that is.

And yet, for all of its wealth in terms of performances, cinematography, scoring, and period, the one inescapable quality lacking that keeps True Grit a good film with great moments, rather than a purely great one, is the muted emotional punch.

The four Academy Award nominations it received included two for Brooks, for his direction and screenplay, suggesting that the film was in the thick of the competition (Jones's score and Hall's cinematography were also nominated).

Also helping are the technical aspects of the film, with gorgeous cinematography from one of Amodovar's old collaborators, Jose Luis Alcaine (Blast from the Past, Belle Epoque), and a fantastic score from Alberto Iglesias (The Dancer Upstairs, Sex and Lucia), who has done the music for the last three Almodovar movies, which are arguably his finest.

Roger Deakins won for best cinematography in «Blade Runner 2049,» «The Shape of Water» for best production design, «Phantom Thread» for score and «Baby Driver» for film editing.

This small film doesn't boast much in the way of cinematography, musical score, even London doubles as Paris with some CGI for budget restraints.

The score and cinematography are all solid, but one does not watch a film like this for Nino Rota - like music nor Gordon Willis - like cinematography.

The film's greatest strengths are Eddie Redmayne, Jóhann Jóhannsson's score, Benoît Delhomme cinematography and, at risk of crowding the list of highlights, one must credit James Marsh's helming of the project entire, which echoes his previous Oscar - winning effort, Man on Wire, in a most joyful manner by presenting Professor Hawking as a man who's physically the yin to that films uber - athlete's (tightrope walker Phillipe Petit) yang and yet a kindred spirit in terms of sheer zest for life and experience.

The film earned nominations for Best Picture, Best Director, Best Actor for star Daniel Day - Lewis, Best Supporting Actor for Tommy Lee Jones, Best Supporting Actress for Sally Field, Best Adapted Screenplay, Best Cinematography, Best Costume Design, Best Film Editing, Best Music (Original Score), Best Production Design and Best Sound Mixing.

Evoking its 1970s suburban setting through ethereal cinematography by Ed Lachman and an atmospheric score by Air, the film secured a place for its director in the landscape of American independent cinema and has become a coming - of - age touchstone.

The first round of announcements, for nominees in cinematography, costume design, film editing, makeup and hairstyling, original score, production design, animated short film, live action short film, sound editing, sound mixing, and visual effects, will take place at the oddly specific time of 5:22 a.m. PT / 8: 22 a.m. ET.

The film isn't for everyone, but between Larry Smith's stunning cinematography and Cliff Martinez's hypnotic score, «God Only Forgives» is an amazing sensory treat that deserves to be seen for the experience alone.

Though Tarantino failed to gain entrance into the Original Screenplay and Director categories (which was somewhat understandable after all the shade his recent controversial interviews have thrown on his peers) and the film failed to crack the Best Picture field of ten, the film still predictably competed for Best Cinematography and Best Original Score honors.