I really love creating recipes in my head, making them in the kitchen, and closing
the circle by photographing my creations.
Not exact matches
In an extraordinary series of
photographs of Gordon Brown's last moments at No 10
by the Guardian's Martin Argles, Andrew Adonis appears twice: as a small, pale visage peering over Peter Mandelson's shoulder at the Browns and their children taking their leave, and earlier, while the inner
circle waited for Nick Clegg's final decision.
You can take a look at those
photographs and see
circled in red the word «Online Cupid» which signifies that profile is fictitious and has been created and is operated
by the administrators and third - party contractors connected with LiveFling.com.
And the September issue of Vogue runneth over with a 16 - page Edith Wharton - inspired spread styled
by Grace Coddington,
photographed by Annie Leibovitz (who, according to Anna Wintour, prepped for the shoot
by reading almost everything Wharton ever wrote) and starring some of our favorite authors as Wharton's intellectual
circle — plus an essay on Wharton titled «The Custom of the Country»
by Colm Tóibín.
From being greeted
by Katharina Fritsch's disturbingly hip, pony - tailed Händler (Dealer)(2001), with his one cloven - hoof, to Richard Prince's appropriated Marlboro Man
photograph Cowboys, to David Hammons's arcing
circle of glued together liquor bottles Untitled, to a huge room - full of Jim Shaw's profoundly weird collection of Thrift Store Paintings (1970 - ongoing), Unexchangeable does the remarkable task of restating the problem of art's paradoxical position between exclusivity and ordinary life, poised between rarity and abjection.
The Brazilian - born artist works with photography and painting to make mixed - media artworks that take cues from John Baldessari's renowned dot works
by painting
circles and geometric lines over black - and - white
photographs of landscapes.
Likewise, John Baldesssari, a conceptual artist and fellow denizen of Angeleno Americana, is featured in an homage to his home town in National City, in a suite of eight archival
photographs, layered over
by hand painted acrylic
circles.
This exhibition — featuring paintings, drawings, sculpture and
photographs by several of the artists in James's
circle, as well as a selection of his own manuscripts and letters — elucidates the connections between one of the supreme novelists of his age and the artists and works of art that nourished and inspired his fiction.
The depth and movement offered
by the acrylic glass and the
circle design, amplify both her significant Earth / Water theme and the abstract quality of the
photographs.
To illustrate this aspect of his art, the exhibition includes a group of original
photographs by the artist Thomas Eakins (1844 — 1914) and his
circle, which Fischl has referenced, and at times quoted, in his work.
The Bates Museum of Art exhibition includes three groups: three
photographs of Marsden Hartley; works from his artistic
circle including Berenice Abbott, Peggy Bacon, Chenoweth Hall, John Marin, Carl Sprinchorn, Mark Tobey, and Marguerite and William Zorach; and works
by prominent contemporary artists who live in or are connected to Maine including Dozier Bell, Robert Feintuch, and Robert S. Neuman.
Not that women couldn't, but you just had to try harder, or invent some way,» says Hershman Leeson, 64, an ambitious and enterprising woman whose experimental videos,
photographs and installations have been collected
by museums around the country and in Europe, where she's big in «new media»
circles and has won prizes and commissions.
Gedney was highly regarded in his lifetime, though his work was not well known beyond a small
circle of colleagues and curators, which included photographers Lee Friedlander, Raghubir Singh, and John Szarkowski who curated Eastern Kentucky and San Francisco:
Photographs by William Gedney (1968) at the Museum of Modern Art in New York.
The authors consider the paintings,
photographs, drawings, and sculpture produced
by artists in James's
circle, assess how his pictorial aesthetic developed, and discuss why he destroyed so many personal documents and what became of those that survived.
On their first day they were given a box of unknown objects and materials that had been assembled
by The Olana Partnership staff; all of these poems,
photographs, and historic documents surfaced from Olana's collections and
circled around the theme «Trees, Art, and Tourism».
Seen together in this survey exhibition, the sculptures,
photographs, and works on paper that he has created over the past fifteen years
circle a central paradox: that the self is plural and inherently fluid, yet decisively shaped
by larger power structures.
Basing his work on long - distance walks lasting from one day to several weeks, Fulton recorded his physical and emotional experience of the landscape
by photographing it in black - and - white with a 35 mm camera; in typical works such as Slioch Hilltop Cairn /
Circling Buzzards (2
photographs, each 118.1 * 87.6 mm, 1980; London, Tate), he then presented a single
photograph or sequence of
photographs, usually printed on a large scale and in a rich tonal range, often in conjunction with printed captions.
This exhibition is a historically informed reassessment of the artist Larry Clark's controversial first book, Tulsa (1971), a set of 50 images depicting a tight
circle of friends and drug addicts in Tulsa, Oklahoma,
photographed over a span of nine years (1963 - 71)
by one of their number, Clark himself.
She simultaneously created an internal pattern of
circles, arranged as in a time - lapse
photograph of a rising / setting sun and its reflection,
by allowing her pen to dip in those straight lines at precise intervals.