Sentences with phrase «circulating exhibitions from»

Exhibitions at Karsh - Masson and City Hall art galleries feature the work of professional artists working in visual art, media art and fine craft and include solo, two - person and group exhibitions; curated exhibitions; exhibitions from the diplomatic sector, and circulating exhibitions from other institutions.

Not exact matches

In the present moment of virtual like, love, and swipe, when all aspects of public and private life circulate in seemingly endless supply on the Internet, the exhibition takes a step back to look at the formidable history of this subject from photography's early days to the present.
Lyrical Abstraction was the title of a circulating exhibition which commenced at the Aldrich Contemporary Art Museum, Ridgefield, Connecticut from April 5 through June 7, 1970, [18] and ended at the Whitney Museum of American Art, New York, May 25 through July 6, 1971.
Regina Five, the name given to the artists in the 1961 National Gallery of Canada's circulating exhibition «Five Painters from Regina,» presented the work of Kenneth Lochhead, Arthur McKay, Douglas Morton, Ted Godwin and Ronald Bloore.
The museum has organized and circulated many major traveling exhibitions accompanied by scholarly publications either in catalogue or book form, for example The Sculpture of Nancy Graves: A Catalogue Raisonne (1987), El Dia de los Muertos: The Life of the Dead in Mexican Folk Art (1987), and Selected Works from the American Collection: 1940 to the Present (1988).
1954 - 1955 Five paintings included in «American Primitive Paintings from the 17th Century to the Present,» exhibition circulated in Europe by the Smithsonian Institution for the U.S. Information Agency (Lucerne, Vienna, Munich, Dortmund, Stockholm, Oslo, Manchester, London, Trier).
From 1908 the Telfair also exhibited shows circulated by the American Federation of Arts (AFA), an exhibition service in New York.
For this exhibition, Rirkrit Tiravanija invited artists from Asia and Europe, as well as from the San Francisco Bay Area, to contribute works related to the circulation and anthropology of food and kitchen culture that have circulated across regions and time.
Jess: To and From the Printed Page is a traveling exhibition organized and circulated by iCI (Independent Curators International), New York.
«Corporate Video Decisions» is the title of similar exhibitions he presented at Michael Lett gallery in Auckland, New Zealand, and now at Friedrich Petzel in New York — but also that of a trade magazine from the late 1980s, circulated to corporations to help them boost consumer confidence using video after a market meltdown.
The 20th century California artist, whose name has is circulating once again after being included in the debut exhibition at Hauser Wirth & Schimmel, is now the subject of her own retrospective, tracking her entire career, from the 1930s to the»90s.
1987 Art — to — Wear Fashion Show, Boutique and Luncheon, The Cleveland Center for Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aexhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, AExhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aexhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, CO..
1985 Drawings 1975 — 1985, Barbara Toll Fine Arts, New York, USA Great American Prints, Dolan Maxwell Gallery, Philadelphia, USA Fabrications, Gallery 400, College of Architecture, Art and Urban Planning, University of Illinois at Chicago, USA A New Beginning: 1968 — 1978, Hudson River Museum, Yonkers, USA With an Eye to Nature, Jeffrey Hoffeld & Co, New York, USA New York Now: Correspondences, Laforet Museum, Tokyo, Japan, traveled to Tochigi Prefectural Museum of Fine Arts, Japan; Tasaki Hall, Espace Media, Kobe, Japan Eighth Anniversary Exhibition1977 — 1985, McIntosh / Drysdale Gallery, Washington, USA New Work on Paper 3, Museum of Modern Art, New York, USA Ten Gallery Artists, Nina Freudenheim Gallery, Buffalo, New York, USA Appropriations: Black and White, Vanguard Gallery, Philadelphia, USA Nine Printmakers and the Working Process, Whitney Museum of American Art, New York (Exhibition traveled to Munich, Germany, Process und Konstruktion) From Organism to Architecture, New York Studio School, USA Jonathan Borofsky, Douglas Huebler, William Leavitt, Pat Steir, William Wegman Drawings, Richard Kuhlenschmidt Gallery, Los Angeles, USA New Expressive Landscape, Sordoni Art Gallery, Wilkes College, Wilkes — Barre, USA Doppelganger, organized by Paul Groot, Aorta, Amsterdam, Netherlands Promenades, Centre d'art Contemporain, Geneva, Switzerland New Art Modernism, San Francisco, USA Contemporary American Prints: Louis Comfort Tiffany Foundation Purchases, Brooklyn Museum, Brooklyn, New York, USA Harry de Jur Playhouse, Henry Street Settlement, New York, The Second Hurricane (Music by Aaron Copeland, Libretto by Edwin Denby, Back drop contributed by Pat Steir) Large Drawings, Bass Museum of Art, City of Miami Beach, USA, traveled to Madison Art Center, Madison, WI; Winnipeg Art Gallery, Winnipeg, Manitoba, Canada; Norman MacKenzie Art Gallery, University of Regina, Regina, Saskatchewan, Canada; Anchorage Historical and Fine Arts Museum, Anchorage, Arkansas; Santa Barbara Museum of Art, Santa Barbara, USA (Exhibition organized and circulated by Independent Curators Incorporated, New York) The Success of Failure, Diane Brown Gallery, New York, USA
But in the modern era, which freed art from its ritual context and made it into a circulating commodity, wall painting became an ephemeral medium, as the title of these joint exhibitions suggests.
This touring exhibition of political posters, curated by FemFour aims to keep the voices and images of resistance from the Women's March circulating in the public sphere.
Masters of modern Italian art from the Collection of Gianni Mattioli: presented in New York by Olivetti... March 5 - 30, 1969; circulated by the International Exhibitions Foundation, 1967-1968-1969: [participating museums, 1967 - 1968, The Phillips Collection, Washington, D.C.... et al..]
Masters of modern Italian art from the Collection of Gianni Mattioli circulated by the International Exhibitions Foundation, 1967 - 1968.
The 20th century California artist, whose name has begun to circulate once again in the art world after she was included in the debut exhibition at Hauser Wirth & Schimmel, is now the subject of her own retrospective, tracking her entire career, from the 1930s to the»90s.
Bywaters was a founding member of Lone Star Printmakers, a group of artists in Texas who produced and published editions of original prints and circulated touring exhibitions of prints from 1938 to 1941.
Tulsa Kinney is a painter and performance artist from Los Angeles, California, and Ron Terada is a Vancouver artist whose work was shown recently in the exhibition Young Contemporaries, circulated by the London Regional Museums in Ontario.
Abstract and Surrealist American Ar (organized by the Art Institute of Chicago; circulated by the American Federation of Arts, Washington, D.C.), Kalamazoo Art Center, Mich., February 1 — 22, 1948; J. B. Speed Art Museum, Louisville, Ky., March 7 — 28, 1948; Cincinnati Modern Art Society, Cincinnati Art Museum, April 11 — May 2, 1948; San Francisco Museum of Art, May 17 — June 6, 1948; Modern Institute of Art, Beverly Hills, Calif., June [16]-- July 11, 1948; Dallas Museum of Fine Arts, July 25 — August 15, 1948; Cranbrook Academy of Art Museum, Bloomfield Hills, Mich., September 1 — 26, 1948; Baltimore Museum of Art, October 6 — 27, 1948; Vassar College Art Gallery, Poughkeepsie, N.Y., November 9 — 30, 1948; Isaac Delgado Museum of Art, New Orleans, December 15, 1948 — January 8, 1949; selected works from the exhibition shown at Art Institute of Chicago, 1948 (see separate entry)[venue catalogues].
From there he went to the museum's department of circulating exhibitions.
Sisters of Menon was the first Susan Hiller work to materialize from her experiences with automatic script, the theme around which her present exhibition circulates.
I returned to painting in April 1966 by sharing a loft with my former classmate and friend Dan Christensen at 4 Great Jones Street and a few months later Philip bought a 108 «x72» painting and included it in a group exhibition of Minimal Art that was circulating from museum to museum in the Midwest in 1966.
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