Director Nicholas Stoller introduced Neighbors by describing it
as a «
work in progress,»
citing only technical reasons like aspect ratios, sound mix, and some colorization of some of the scenes.
As Rosen progressed, she began creating works «where you start to get the accumulation of things on the surface,» Cassel Oliver said, citing Classical Order: Red, Yellow, Orange Enamel, in which something that could have could have started life as a preposterously thick plate seems to have sprouted a colorful mound of spherical, spiraling form
As Rosen
progressed, she began creating
works «where you start to get the accumulation of things on the surface,» Cassel Oliver said,
citing Classical Order: Red, Yellow, Orange Enamel,
in which something that could have could have started life
as a preposterously thick plate seems to have sprouted a colorful mound of spherical, spiraling form
as a preposterously thick plate seems to have sprouted a colorful mound of spherical, spiraling forms.
Gestural marks are historically associated with emotions; but for Neel, there is no problem
in the historical coding of emotion, she
cites and
works with this information, using emotion
as a narrative strategy and tracking the historical
progress of painting.