Sentences with phrase «city scenes of film»

While it earned a lot of awards in the local city scenes of film critics it's a shame it didn't get a bigger spotlight.

Not exact matches

The audience at the first screening of the film in New York City, at the Cinema Village in Manhattan's Greenwich Village, remained silent during a scene showing the death of Kim Jong Un in the downing of his helicopter.

The opening scene of «Spectre,» the latest James Bond film, centers on a Dia de los Muertos (Day of the Dead) parade shot on location in Mexico City.

Dietl was set to play the mayor of New York City in a movie scene being filmed Saturday afternoon, shortly after his appearance at Council Member Eric Ulrich's Howard Beach campaign office opening.

Covering a transformative year in Hendrix's life from 1966 - 67, in which he went from a New York City backing musician to making his mark in London's music scene up until his Monterey Pop triumph, the film presents an intimate portrait of the sensitive young musician on the verge of becoming a rock legend.

In the earthy world of Amity, the film boasted an orange feel, while scenes in the city opted for a more teal impression.

Baumbach's understanding of the New York City intellectual scene, however, certainly exceeds Hazanavicius» grasp on film history.

The State of Play and Nowhere Boy actor tells Jason Solomons what made him set his offbeat romance in his changing home town Liverpool and how the city's arts scene played a role in the film

The film meanders from time to time as Simon finds his way around the City of Lights and his own skin, but Corbet's performance is a darkly rich one in every scene, not far from Matt Damon's sociopath - turned - psychopath turn in «The Talented Mr. Ripley» but distinctively unnerving in crafting an eventually hollow façade out of this nice, young, very lost man.

By far the best part of the film are the scenes set in the Judge Dredd style mega city which owe a great visual debt to Blade Runner and the idea of a futuristic society ruled by the church is a really interesting one.

If you watch Jackie Chan's (Crime Story, City Hunter) films only for the two or three lengthy, well - choreographed fight scenes, and are able to sit patiently through ninety more minutes of bad drama in between, perhaps you will find Thunderbolt to be worthwhile in the end.

He's even opted to intercut urban «rap video» style bookmarks of the city in between scenes to avoid the typical formulaic ruts so many action films experience.

With unrestricted access to Anthony Weiner's New York City mayoral campaign, this film reveals the human story behind the scenes of a high - profile political scandal as it unfolds, and it offers an unfiltered look at how much today's politics are driven by an appetite for spectacle.

The farm scenes in particular (the poor city is reduced to only a few locations (that look like sets actually) and seems much smaller than the town in Sunrise are really stunning: much of the film feels like Days Of Heaven was the film Murnau actually wanted to make (same location: wheat field in the upper midwest, attacked by a natural disaster, though Murnau doesn't appear to have the budget for his hailstorm whereas Malick could afford locustsof the film feels like Days Of Heaven was the film Murnau actually wanted to make (same location: wheat field in the upper midwest, attacked by a natural disaster, though Murnau doesn't appear to have the budget for his hailstorm whereas Malick could afford locustsOf Heaven was the film Murnau actually wanted to make (same location: wheat field in the upper midwest, attacked by a natural disaster, though Murnau doesn't appear to have the budget for his hailstorm whereas Malick could afford locusts).

Indiepix Festival Favorites, Volume 2 Value - priced, three film set of music documentaries: «Icons Among Us: Jazz In the Present Tense,» about the modern jazz scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical documentary providing a telescopic view into the lives of Austin's vibrant young musicians as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their beloved city; and «Roaring Abyss,» a stunning audiovisual poem, the product of filmmaker Quino Piñero's two years of field recording traditional and modern music from around every corner of Ethiopia, a country of eighty different nationalities and cultures spread amongst mountains, deserts and forests.

Extras: Behind - the - scenes featurette, bonus short film: «Scent of the Morning» (directed by Maysaloun Hamoud) In 1982 Beirut, a man decides to make a cup of coffee to distract himself from the sounds of crashing bombs across the city.

«It's very Richard Linklater,» said producer Robert Teitel of the film's many scenes of winding conversations, which unfold as the couple wanders through the city, much in the same way Ethan Hawke and Julie Delpy tease and bicker and draw closer to one another in Linklater's trilogy of films beginning with «Before Sunrise.»

Picking up eight years after The Dark Knight, this film finds billionaire Bruce Wayne (Christian Bale) has retired both from his secret life of crime fighting and from Gotham City's social scene.

In fact, watching terrorists crash the President's plane into a New York City skyscraper can only evoke images of Sept. 11, 2001 when viewed today, and Plissken's landing atop one of the World Trade Center's Twin Towers is another scene that takes on new significance given America's real life history in the years that followed the film's release.

In reality: Some of the movie was actually filmed in the city, and in this scene, Shen does drive through the Dragon Gate and around Chinatown.

The film also weaves in lots of scenes that are meant to make us think that Barnum was the first 21st century - style «woke» white straight man in America — a goodhearted fellow who gave circus jobs to outcasts of one kind or another (talk about a big tent: the repertory company includes African - Americans, little people, giants, conjoined twins and a bearded lady), not just because they happened to possess certain talents or physical characteristics that Barnum could exploit (often by appealing to the majority's prurient interests or bigotries) but because the onetime poor boy Barnum sees himself in their striving, and wants to build a theatrical - carnival arts utopia in America's largest city with help from his new partner, rich kid turned playwright Philip Carlyle (Zac Efron).

This image taken from film provided by Amazon Studios / IFC Films shows a scene from filmmaker Matthew Heineman's documentary, «City of Ghosts.»

This image taken from film provided by Amazon Studios / IFC Films shows Aziz in a scene from filmmaker Matthew Heineman's documentary, «City of Ghosts.»

There's even an interactive map of New York City that allows users to browse the various «doors» throughout the city and watch some short behind - the - scenes featurettes on each location, and a copy of the film on City that allows users to browse the various «doors» throughout the city and watch some short behind - the - scenes featurettes on each location, and a copy of the film on city and watch some short behind - the - scenes featurettes on each location, and a copy of the film on DVD.

Jaimie Alexander and Sullivan Stapleton film a scene for their NBC series Blindspot on Thursday (February 23) in the streets of New York City.

The scenes of visual excitement in the film (the bar entrances of Charlie and then Johnny Boy, the pool fight, Charlie's drunk scene, Johnny Boy's run through the city) make heavy use of non-diegetic music and are similar to Hollywood musical song and dance numbers.

While the 2016 - 2017 season didn't see any new show rise to Hamilton - like popularity — it's hard for any TV show, film or stage production to reach that level of pop culture zeitgeist — there are plenty of standout showcases of what fans have come to know and love about the New York City theater scene.

Behind - the - scenes featuretts include: The Journey Begins (creative concepts, story development and casting), Shaping Mind and Body (Christian Bale's transformation into Batman), The Tumbler (reinvention of the Batmobile), Gotham City Rises (production design of Gotham City, the Batcave, Wayne Manor, and more), Saving Gotham City (the development of miniatures, CGI, and effects for the monorail chase scene), Genesis of the Bat (a look at the Dark Knight's incarnation and influences on the film), Path to Discovery (filming in Iceland), and Confidential Files (go beyond the movie and discover facts and story points not in the film).

The Mission Impossible star nearly died, when he was out filming scenes for Mission Impossible 5 in the city, almost walking into the path of an upcoming red double decker bus.

Allen is a drawcard, dominating every scene he's in and shepherding a small army of children across the city, and the Orthodox neighbourhood is one rarely captured so colourfully on film.

The 20 - minute biographical portrait Tati Story features generous clips of Tati on film, stage and TV, the six - minute Au - del de Playtime reveals rare behind - the - scenes footage from the city set he built on the outskirts of Paris, there's a rare audio interview with Tati from the Q&A of the U.S. debut of Playtime at the 1972 San Francisco Film Festival and Jacques Tati in Monsieur Hulot's Work, a 1976 program on the director made for the BBC art series Omnibus.

Perhaps the most memorable scene of the film comes during the exciting climax where Doyle is chasing a subway train containing his would - be assassin through the busy streets of New York City.

Guillermo Del Toro's beauty - and - the - beast love story «The Shape of Water» had its Toronto premiere Monday at the city's historic Elgin Theater — the same venue featured in a couple key scenes in the film.

One of the most beloved American films of the last 25 years, this iconic movie filmed key scenes in Savannah, one of America's most beloved historic cities.

In this light, Marczak's film turns out to have a completely coincidental yet nevertheless fitting companion piece in theaters right now: Terrence Malick's Song to Song, which chronicles a similar phase in young - adulthood through a love triangle of its own, albeit set in the gritty indie - music scene of Austin, Texas, rather than in the big - city glamour of Warsaw, Poland.

Many of the scenes in «Mockingjay — Part 2» were filmed in Paris, and before the audience got to witness the spectacular results, Lionsgate chief Jon Feltheimer pledged support to the City of Lights.

Anderson's Japanese fetish makes the film challenging to absorb — in the city scenes, there's something going on in every corner of the frame — with borrowings that include bits of music from Akira Kurosawa's Seven Samurai and a villain who looks like Toshiro Mifune in Kurosawa's High and Low.

Cynthia Nixon played the role of Miranda on all of the seasons of Sex and the City, as well as in both films, and now, she's revealing which scene left her devastated.

There are many moving scenes in City Of Ghosts, but towards the end of the film one especially powerful sequence shows a RBSS member shaking uncontrollably as he thumbs through a stack of pictures of his friends, dead and alivOf Ghosts, but towards the end of the film one especially powerful sequence shows a RBSS member shaking uncontrollably as he thumbs through a stack of pictures of his friends, dead and alivof the film one especially powerful sequence shows a RBSS member shaking uncontrollably as he thumbs through a stack of pictures of his friends, dead and alivof pictures of his friends, dead and alivof his friends, dead and alive.

Repertoire (Alphabetical order by director) Du levande (You, the Living, Roy Andersson, 2007) En kärlekshistoria (A Swedish Love Story, Roy Andersson, 1970) Sånger från andra våningen (Songs from the Second Floor, Roy Andersson, 2000) Les ordres (Michel Brault, 1974) Jagdszenen aus Niederbayern (Hunting Scenes from Bavaria, Peter Fleischman, 1969) La faille (Weak Spot, Peter Fleischman, 1975) Proverka na Dorogakh (Trial on the Road, Aleksei German, 1971) Moy drug Ivan Lapshin (My Friend Ivan Lapshin, Aleksei German, 1984) La Verifica Incerta (Alberto Grifi & Gianfranco Baruchello, 1965) Die linkshändige frau (The Left - Handed Woman, Peter Handke, 1978) Poison (Todd Haynes, 1990) Feng gui lai de ren (Boys from Fengkuei, Hou Hsiao - hsien, 1983) Jak zyc (How to Live, Marcel Lozinski, 1981) The savage eye (Ben Maddow / Sidney Meyers / Joseph Strick, 1960) Kundskabens træ (Tree of Knowledge, Nils Malmros, 1981) Drenge (Boys, Nils Malmros, 1977) Visita ou Memórias e Confissões (Visit or Memories and Confessions, Manoel de Oliveira, 1982/2015) De ofrivilliga (Involuntary, Ruben Östlund, 2008) Minotaur (Nicolás Pereda, 2015) La parmigiana (The Girl from Parma, Antonio Pietrangeli, 1963) Chroniques turcs (Turkish Shorts, Maurice Pialat, 1963) La gueule ouverte (Mouth Agape, Maurice Pialat, 1978) Passe ton bac d'abord (Graduate First, Maurice Pialat, 1978) La maison des bois (Maurice Pialat, 1971) Silvia Prieto (Martin Rejtman, 1999) Entrenamiento Elemental para Actores (Elementary Training for Actors, Martin Rejtman, 2009) Rapado (Martin Rejtman, 1992) Trás - os - Montes (Antonio Reis & Margarida Cordeiro, 1976) Os Verdes Anos (The Green Years, Paulo Rochas, 1963) Sagro Gra (Gianfranco Rosi, 2013) Carriage trade (Warren Sonbert, 1968) Nicht versöhnt oder Es hilft nur Gewalt wo Gewalt herrscht (Not Reconciled, Straub - Huillet, 1965) Idioterne (The Idiots, Lars von Trier, 1998) Im Lauf der Zeit (Kings of the Road, Wim Wenders, 1976) Die Angst des Tormanns beim Elfmeter (Goalie's Anxiety at the Penalty Kick, Wim Wenders, 1971) Summer in the City (Wim Wenders, 1970) Ich war neunzehn (I Was 19, Konrad Wolf, 1968) Ljudi (U Prolazu)(People (In Passing), Lordan Zafranović, 1967) Poslihe Podne (Puska)(Afternoon (The Gun), Lordan Zafranović, 1968) Crni film (Black Film, Želimir Žilnik, 1971)

We can speculate on the roots of its popularity: that it satisfies the genre and arthouse crowds; that it uses framing, sound, editing and camera movement to unreel a transfixing tale and flesh out excruciatingly authentic characters; that it dares to coax out the ghosts lurking in every watery passageway in Venice, Europe's most ornate and singular city; that it contains arguably the greatest sex scene on film.

Expansive in its coverage, and impassioned about its subject, the film is very much a classic social justice documentary, right down to the final scenes of enormous crowds thronging the city streets, demanding change.

The only new extras are a Production Art Gallery, a 10 - minute segment showing the «All - Time Best Godzilla Fight Scenes» (which of course means the Japanese films), and three episodes from the animated Godzilla: The Series which is an odd little show where the monster has become an unintentional defender of New York City.

Speaking to ComicBook.com at the premiere of Deadpool 2 in New York City, the film's writers Rhett Reese and Paul Wernick revealed that the scene might have been too much — even for a Deadpool movie.

Aït Benhaddou, the famous fortified, Moroccan city (and also a location in Lawrence of Arabia), was used for the caravan scenes in the film.

Ciudad Perdida Like a scene torn from an Indiana Jones film, the trek to Colombia's «Lost City» is a challenging four - day (return) journey to the overgrown ruins of a large pre-Columbian town.

This one scene from the film pretty much sums up what Gotham City Imposters is; what would happen if normal people decided to replicate the Dark Knight and Clown Prince of Crime (that's the Joker to you, Batman noob) and go head - to - head?

The movements of people and light are captured brilliantly, and it's a testament to Farr's skill how easy it is as a viewer to get totally immersed in the city scenes that whirr past the car window that forms our viewpoint for much of the film.

Lots of pictures to see this week, from gallery shows around the city and one epic art film with quite a few scenes to make the squeamish squeam.

When placed alongside Chow Chun Fai's paintings of famous Chinese movie scenes, they ask questions about cultural identity and film histories iconic to the city.