Sentences with phrase «claims of other exploits»

Conflicting reports about whether the firmware had been updated and claims of other exploits didn't help the situation.

Not exact matches

... «2.2... DD claims that he has been damaged by alleged actions against him, including but not limited to the alleged threatened selling, transferring, licensing, publicly disseminating and / or exploiting the Images and / or Property and / or other Confidential Information relating to DD, all without the knowledge, consent or authorization of DD.

I fully indemnify, defend and hold harmless Car Throttle (and any third parties authorised by Car Throttle using or exploiting the Content), their respective officers, employees, successors, licensees and permitted assigns from and against: (a) any costs, claim, demand, action, damages, loss and / or expense arising from actions brought by any third parties arising from any breach of any of the representations, warranties or agreements made by you; (b) any claims of or respecting slander, libel, defamation, invasion of privacy or right of publicity, false light, infringement of copyright or trademark, or violations of any other rights arising out of or relating to any use of the Content as authorised herein.

A group, Human Rights Watch in October released a report claiming that Camp leaders, Police Officers, Soldiers, Vigilante groups and other authorities working at Internally Displaced Persons camp in the North, have been raping and sexually exploiting some of the Female IDPs.

They argued that rejecting the university's claims could undermine 3 decades» worth of patents under the U.S. Bayh - Dole Act, the 1980 law that gives universities and other institutions the right to exploit government - funded discoveries made by their staff.

The 500 or so Kuikuro may have known of their ancestors» exploits — and they may have drawn the attention of Fawcett and other explorers — but only now can the «lost cities» of the Amazon claim to have been found.

Impermissible Uses.You understand that you may not: • modify, adapt or hack the Service or modify another website so as to falsely claim or imply that it is associated with the Service, AuthorMarketingClub.com, AMC, Author Marketing Club or any other AMC service; • reproduce, duplicate, copy, sell, resell or exploit any portion (including, without limitation, the contents of the AMC email or similar notification, the look and feel of the AMC website, and the contents of the web pages of the Service, use the Service or access the Service without the express written permission of Author Marketing Club; • verbally, physically, or otherwise abuse (including threats of abuse or retribution) any AMC member or AMC employee, agent or officer; • upload, post, host, or transmit unsolicited email, SMSs, or spam messages; • transmit worms or viruses or any code of a destructive nature; • as a Reader Member, utilize the information provided in a Query other than to provide a relevant response to a Specific Query posted by a Author Member; • violate any applicable federal, state or local laws or regulations; or, • plagiarize, violate or otherwise infringe upon the trademark, copyright, patent, trade secret, or any other rights of any person, firm or entity, expressly including but not limited to libel, slander or invasion of rights of privacy, publicity or «moral rights».

Anyone who denies that Quiet is a lot of other things in Metal Gear Solid V and claims she is just a luridly exploited pair of breasts is objectifying her by reducing her to her sex appeal, as if those camera angles are the only view of the character.

His cauldron of references contains essences of, among others, Cecily Brown, Karen Kilimnik, Richard Prince, and Sue Williams, but though Whitmore exploits recognizable images and styles, he also claims to embrace a degree of ambiguity not always associated with the practice, and to want viewers to question both what they see and the sincerity of the artist.

Johns and Rauschenberg, and soon Andy Warhol, Roy Lichtenstein, and others, complicated modernism's claims of artistic authorship and authenticity by turning to popular and often banal subjects drawn from mass culture and producing works that mimicked — and often exploited — commercial modes of production.

Analysis of the Authorsí Article and Other Claims The August 24, 2001 «Exploiting Wind versus Coal» Science «Policy Forum» article has engendered considerable discussion (principally by e-mail), debate, criticism, and efforts to obtain clarification, data and justification for the authorsí highly publicized conclusions.

Not only can a civil claim force these bad actors to compensate past victims for their damages, but this type of lawsuit can also set a precedent and help bring legislative changes that will preemptively help others from being exploited in the future.

We have seen similar strategies from other patent trolls who exploit the permissiveness of the Patent Office to get an absurd number of nearly identical claims, which can then be used to force defendants to play an expensive game of whack - a-mole in court.