Not exact matches
In a study of his earlier pictures, Kolker notes that «Scorsese is interested in the psychological manifestations of individuals
who are representative either of a
class or of a certain ideological grouping; he is concerned with their relationship to each other or to an antagonistic environment... [and finally] there is no triumph for his
characters» (A Cinema of Loneliness [Oxford University Press, 19881, p. 162) The Jesus of the Last Temptation fits this pattern (as do Travis Bickel in Taxi Driver, Jake LaMotta in Raging Bull and Paul Hackett in After Hours) By eschewing any reference to a resurrection — and, in an interesting theological note, allowing Paul to suggest that his preaching of the risen Christ is more important than the Jesus of history — Scorsese presents the crucifixion as the final willful act of a man driven by a God
who makes strange demands on his followers.
George Gerbner «s research at the Annenberg School of Communication in Philadelphia tells us that in the TV world two - thirds to three - fourths of the important
characters are male, American, middle
class, unmarried, and in the prime of life — and they are the people
who run the world.
An intelligent eighteen - year - old in a sociology
class who isn't a paid - up progressive quickly recognizes the ideological
character of a great deal of social science.
Meet the
characters who grow clean, green world -
class produce, and the cooks and chefs
who transform it, and delight in the vibrant, multicultural, irreverent personality that is Australian food and wine.
Hey SoOpa AeoN you got a cool but yoy don't talk cool at all along with rkw.I didn't like the way Chicarito's name was rubbed in the mad and what pains me is that you all think Giroud is better.The fact that you are a team reject does not mean you aren't good enough or can't be world
class.Do you want me to name a few rejects
who have become world
class or have come back to haunt their teams.If I was to choose between sticking with Giroud or Chicarito for thousand years we all know
who people would go for.The over hyped average players in our club is unbelievable and it's just sad.The club is also over hyped at times and we feel like we are so so big.It's a shame.The mentality of this club is so so bad and trust me with this
characters success will be far away for centuries to come.
People
who were shut out of the upper middle
class until then and became union leaders instead, were coopted into the establishment based upon their abilities and the content of their
character.
He said he will file a
class - action lawsuit and restraining order early next week to block the shutdown, and curb what he called «
character assassination» by the media and Cuomo,
who, as state attorney general, initiated the investigations into Espada's management of Soundview.
a) is of good
character as attested to by two Ghanaians
who are notaries public, lawyers, senior public officers or other
class of persons approved of by the Minister; b) has not been convicted of any criminal offence and been sentenced to imprisonment for a term of twelve months or more; c) is of independent means; d) is in the opinion of the Minister capable of making a substantial contribution to the development of Ghana; and e) has attained the age of eighteen years.
But Fisher himself was a eugenicist
who believed that upper -
class people, because they are upper
class, have a genetic predisposition to superior intelligence and «qualities of the moral
character.»
In the musical «Avenue Q,» the
character Trekkie Monster sings a song called «The Internet is for Porn,» bursting the bubble of his good - natured neighbor Kate Monster,
who just wants to teach her kindergarten
class how to use the world wide web.
The acting is first -
class, especially Gosling,
who never patronises his
character.
«Submarine» is at its best when it feels specific to its setting; Erik Wilson's often lovely cinematography captures the distinctive, watery light and raw weather of the Welsh seacoast in winter, and Hawkins, as always, captures a
character who is completely specific in terms of
class, place and period.
Blanchett is at her best with the
characters who are erudite, middle or upper
class: a CEO, a TV news reader, a primary - school teacher.
The
character comes on like a heavy metal guitarist
who's the opening act for the opening act but
who thinks he's a star, and while Wiseau dismays everyone in his acting
class, his maniacal reading of the «Stella!»
The most prominent
characters include Haven Hamilton (Henry Gibson), a socially conservative, arrogant country music star; Linnea Reese (Lily Tomlin), a gospel singer and mother of two deaf children; Del Reese (Ned Beatty), her lawyer husband and Hamilton's legal representative,
who works as the local political organizer for the Tea Party - like Hal Philip Walker Presidential campaign; Opal (Geraldine Chaplin), an insufferably garrulous and pretentious BBC Radio reporter on assignment in Nashville, or so she claims; talented but self - involved sex - addict Tom Frank (Keith Carradine), one - third of a moderately successful folk trio
who's anxious to launch a solo career; John Triplette (Michael Murphy), the duplicitous campaign consultant
who condescendingly tries to secure top Nashville stars to perform at a nationally - syndicated campaign rally; Barbara Jean (Ronee Blakley), the emotionally - fragile, beloved Loretta Lynn - like country star recovering from a burn accident; Barnett (Allen Garfield), Barbara Jean's overwhelmed manager - husband; Mr. Green (Keenan Wynn), whose never - seen ailing wife is on the same hospital ward as Barbara Jean; groupie Martha (Shelley Duvall), Green's niece, ostensibly there to visit her ailing aunt but so personally irresponsible that she instead spends all her time picking up men; Pfc. Glenn Kelly (Scott Glenn),
who claims his mother saved Barbara Jean's life but
who mostly seems obsessed with the country music star; Sueleen Gay (Gwen Welles), a waitress longing for country music fame, despite her vacuous talent; Bill and Mary (Allan F. Nicholls and Cristina Raines), the other two - thirds of Tom's folk act, whose ambition overrides constant personal rancor; Winifred (Barbara Harris), another would - be singer - songwriter, fleeing to Nashville from her working -
class husband, Star (Bert Remsen); Kenny Frasier (David Hayward), a loner
who rents a room from Mr. Green and carries around a violin case; Bud Hamilton (Dave Peel), the gentle, loyal son of the abrasive Hamilton; Connie White (Karen Black), a glamorous country star
who is a last - minute substitute for Barbara Jean at the Grand Old Opry; Wade Cooley (Robert DoQui), a cook at the airport restaurant where Sueleen works as a waitress and
who tries unsuccessfully to convince her that she has no talent; and the eccentric Tricycle Man (Jeff Goldblum),
who rides around in a three - wheel motorcycle, occasionally interacting with the other
characters, showing off his amateur magic tricks, but
who has no dialogue.
«The tale is an encapsulation of what Quentin sees as the thankless, futile nature of corporate employment and
class aspirations, and it is a nice peek into the mind of a
character who has not revealed much of himself so far.»
Hamilton and D'Abo are both understated and terrific here, as are the
character actors
who served as Baumbach's rep company during the first phase of his career: Eigeman, unsmiling and hostile; the hilarious Jacott, all self - aware neuroses; and obligatory»90s indie mascot Eric Stoltz as Chet, the bartender
who's still working on his thesis and maintaining an encyclopedic knowledge of
classes and campus events.
And he's created a
character every bit as iconic as his painterly alter - ego, one
who eloquently embodies the anxieties, thwarted aspirations and stubborn tenacity of a rural middle
class facing inexorable decline.
Though the incoming freshman can expect some abuse — sometimes accompanied by genuine hostility, courtesy of Parker Posey as a queen - bee type and a hilariously belligerent Ben Affleck as a two - year senior — the only troubled
characters in Dazed And Confused are the heads of each
class: Randall «Pink» Floyd (Jason London), the good - natured quarterback
who doesn't want to be pigeonholed as a jock and told not to run with the wrong crowd, and Mitch Kramer (Wiley Wiggins), in many ways his heir apparent, an 8th - grade star pitcher whose awkward transition comes with extra pressure (and extra beatings).
He's at an all - boys school, but there's a bus load of female
characters who come in to take
classes with them for some reason — basically only because the movie needs Wes to be able to form a connection with someone his age.
It had to be someone
who was a number of things: an intelligent actor
who wasn't going to sentimentalise the part or make it Hollywood — because Fran's never been that — but also she's a working -
class character and I didn't want to patronise that.
But even members of that
class who somehow missed one of the most extensive advertising campaigns of all - time (certainly the most celebrity - oriented for an animated film) would be sure to recognize the voice and stylings behind the film's lead
character; Barry B. Benson is essentially Jerry Seinfeld, if Seinfeld were a talking honey bee.
«It is not an acting
class, it is not a
character switch, it really is
who I am.»
This time Woody Allen has no problem identifying his principal
characters as Jewish, including one Member of the Tribe
who is an outright gangster (Corey Stoll as Ben Dorfman), and two folks
who are lower - middle -
class products of 1930's Jews living in a humble Brooklyn residence (Jeannie Berlin as Rose and Ken Stott as Marty).
The idea is that each
character can hold one and it'll absorb their abilities or the skills of the monsters they're fighting, so that they can then be passed onto a different
character who can then use skills not usually available to their
class.
The muse for the
character of Danny (played by Manchester by the Sea's Lucas Hedges), a skinny kid with a good singing voice from an upper - middle -
class Irish Catholic family, was Gerwig's high school boyfriend, Connor Mickiewicz,
who remembers making out with her in the McKinley Park rose garden, inspiring a key scene in the movie.
The story of Burt Shavitz, the bearded, backwoodsy photojournalist - turned - homespun entrepreneur whose beekeeping and honey - selling business morphed into the Burt's Bees empire, «Burt's Buzz» spends its first hour as a charming
character study of an idiosyncratic man
who lives a ramshackle life («sort of like a high -
class hobo») when he's not serving as the public face of a huge brand.
The DVD is one of the best ever, with two audio commentaries: one with Altman and one with Fellowes,
who reveals how much he borrowed from his own upper -
class family background in the creation of
characters.
Seymour Cassel and Harry Dean Stanton rank high among the
class of
character actors
who gain notice in just about every role they play.
This documentary, from writer - turned - director Ron Nyswaner (The Painted Veil screenplay), tells the story of lifelong
character actress Mary Louise Wilson (
who finally won a Tony Award in 2007 after years on stage and screen) as she heads back to her native New Orleans to teach an acting
class at Tulane University.
The previously announced recurring cast members include: Christian Slater as Elliot Decker, the school crossing guard and self - proclaimed «Safety Czar» of Jefferson G. County,
who has made it his mission to protect the world from Milo; Vanessa Williams as Zack's mom Eileen Underwood; Sarah Chalke as science teacher Miss Murawski; Jemaine Clement as Dr. Zone, a popular television show
character who travels through time with his trusty sidekick Time Ape; Chrissie Fit as Amanda Lopez, an overachieving perfectionist in Milo's
class; Vincent Martella as Bradley Nicholson, Milo's envious and pessimistic classmate; Diedrich Bader as Milo's dad Martin Murphy; Pamela Adlon as Milo's mom Brigette Murphy; Kate Micucci as Milo's sister Sara Murphy; Mackenzie Phillips as Principal Elizabeth Milder; Dee Bradley Baker as Milo's dog Diogee; Brett Dalton as high - level time travel agent Brick; Gregory Michael Cipes as classmate Mort Schaeffer; Sophie Winkleman as Dr. Zone's sidekick Time Ape; Michael Culross as high school teacher Kyle Drako; and Kevin Michael Richardson as Coach Nolan Mitchell.
The
character of Leslie's father, Jack (Frank Langella)
who initially appears to be the film's antagonist, a wealthy, upper
class fat - cat hell bent on sinking his claws into Ben's family, but we soon come to hear him as a voice of reason.
«But I also would have said before First
Class that there would be no way that we could find actors
who can stand alongside Ian McKellan and Patrick Stewart, and I think we managed to with Michael and James, finding their own interpretations of the
characters and not doing an impersonation,» he continued.
Paquin was one of the many «X-Men» movie veterans
who returned for «Days of Future Past,» and though her scene has been cut during the editing process, the «X-Men: First
Class» sequel marked her fourth run at portraying the
character.
The title
character is Molly Bloom (Jessica Chastain), an ex-Olympic
class skier
who never made the team.
Rather than picking a
character class from a number of pre-set
classes, you're instead given a
character who is a jack of all trades, with your skill set, abilities and approach to combat instead defined by what equipment you take into battle, including weapons.
So, what that mostly leaves are the jokes, the majority of which could use some serious punching - up from a screenwriter
who's a lot less inclined toward delivering the most obvious gags in any given situation; if, in a movie, you've ever seen the wrong person get zapped with a taser, a poisonous snake biting someone's naughty bits, or a rich, out - of - touch
character humorously failing to relate to the working
class, well, you've probably seen it executed better than it is here.
The story is comprised of four separate vignettes, following the romantic misadventures of various
characters in Rome - a retired American opera director tries to make a star of his daughter's father - in - law to be,
who can only sing in the shower; a pair of newlyweds are separated for a day and have their fidelity tested by a prostitute, movie star and a burglar; a middle -
class office worker unexpectedly becomes a celebrity targeted by the paparazzi; and an architect runs into a young man
who reminds him of a younger version of himself - and is about to make the same romantic mistakes....
On the street is 24 - year old Maud Watts (a composite of several real life
characters), a working
class laundress, wife, and mother
who has been slaving since childhood underpaid, overworked, and sexually violated by her male bosses along with countless other women and children.
The former indicted Gerwig as part of a nouveau - boho
class of Brooklyn artists
who blended the slacker archetype of the early»90s with a kind of scarf - wearing artistic pretension; the latter was a term invented as a critique of movies that created female
characters whose dual purpose was to beguile the male hero and then send them on their way a changed - for - the - better person, all without asking for even basic personhood of her own.
A
character who is believable as both a Marine - trained combat expert and a world -
class financial analyst is borderline superhero stuff, so a fine line must be walked.
Literature circles and
class discussions can be held on literary
characters and people throughout history,
who demonstrate one of more of the six traits.
These
character - based grades would reward students
who contribute meaningfully to
class discussion (not just speaking up to hear themselves talk).
There is the usual large cast size to accommodate a
class group, with the many, small parts offset by having the two main
characters who are onstage for the majority of the production.
Learning about Scientists Through Research You Can Count on
Characters «Guess
Who's Coming to
Class Today?»
This has upset and alienated the teachers and parents
who are critical to maintaining schools» middle -
class character.
The speakers were Joan Duffell, executive director of Committee for Children; Maurice Elias, director of the Rutgers Social - Emotional and
Character Development Lab; Janice Deguchi, executive director of the Denise Louie Education Center and Head Start program in Seattle; and Keeth Matheny, a teacher at Austin (Texas) High School
who offers a popular
class titled «Methods for Academic and Personal Success.»
The Rolls - Royce Ghost is intended to snag buyers
who feel they've outgrown Bentley and
who don't see the appeal in the more reserved Teutonic
character of cars like the Mercedes - Benz S -
Class.
But it is also a remarkably nuanced novel whose currents run much deeper, delving into the minds of four
characters: Aguilar, a husband passionately in love with his wife and determined to rescue her from insanity: Agustina, a beautiful woman from an upper -
class Colombian family
who is caught in the throes of madness; Midas, a drug - trafficker and money - launderer,
who is Agustina's former lover; and Nicolás, Agustina's grandfather.
Simonson's
characters are easily recognisable: the self - indulgent adult offspring with their focus on money; the hopeful spinster trying to be noticed by the last eligible male; the young Asian woman trying to escape the oppressive family; the professional Asian couple ingratiating themselves with the British Upper
Class; and, of course, the stiff British Major
who turns out to be terribly human, and therefore eminently likeable.