Not exact matches
The poor man, too, must
by a deliberate act of the will affirm his
class identity and consciously assume the
class struggle before he will be able to realize his revolutionary potential.
I learned this not from a
class in feminist studies, but from Jesus — who was brought into the world
by a woman whose obedience changed everything; who revealed his
identity to a scorned woman at a well; who defended Mary of Bethany as his true disciple, even though women were prohibited from studying under rabbis at the time; who obeyed his mother; who refused to condemn the woman caught in adultery to death; who looked to women for financial and moral support, even after the male disciples abandoned him; who said of the woman who anointed his feet with perfume that «wherever this gospel is preached throughout the world, what she has done will also be told, in memory of her»; who bantered with a Syrophoenician woman, talked theology with a Samaritan woman, and healed a bleeding woman; who appeared first before women after his resurrection, despite the fact that their culture deemed them unreliable witnesses; who charged Mary Magdalene with the great responsibility of announcing the start of a new creation, of becoming the Apostle to the Apostles.
Class politics has been superseded
by identity politics.
Therefore, BWI does not condone silencing, tone policing, or otherwise oppressing marginalized groups, nor does BWI discriminate or permit discrimination
by any member of its community against any individual on the basis of age, citizenship status,
class, color, disability, gender expression, gender
identity, marital status, national origin, parental status, race, religion, sex, or sexual orientation.
But what makes Nixon even more purely populist than Sanders is that she combines these
class - based positions with the outright appeals to ethnic, gender, and racial
identity politics favored
by grassroots Democratic Party activists.
The unthinking
identity politics of the liberal - left maintains and extends this anti-colonialist narrative though,
by simplistically inverting the racist, sexist and ruling
class ideologies of past times.
Erlich's
identity was verified the same way, with initial sequencing done
by Columbia students in the Ubiquitous Genomics
class he and Zaaijer taught in 2015.
However, the
identity of MB neurons underlying homeostatic sleep regulation, as well as the types of sleep signals generated
by specific
classes of MB neurons, has remained poorly understood.
Parent company, Avid Life, is faced with a dozen
class - action lawsuits related to the hack
by customers who claim the site failed to protect their
identities.
The film also delves into the theme of letting go of one's past, as Brian is continually struggling between finding his true
identity at Bristol and being dragged back to his working -
class roots
by his best friend and part - time criminal Spencer (Dominic Cooper).
THE DVD
by Bill Chambers Hitting DVD in world -
class 2.35:1 anamorphic widescreen and pan-and-scan transfers (sandwiched together on the same side of a dual - layer platter) from Columbia TriStar,
Identity aims to please its fans on disc via the debut of a special extended version that cohabits with the theatrical version through the miracle of seamless branching.
Just as another of this summer's superhero movies, X-Men: First
Class, established its own
identity by sporting 1960s fashions, Captain America: The First Avenger (it's firsty work, coming up with superhero subtitles) is set during the Second World War, and it's true to the two - fisted, square - jawed spirit of a 1940s Saturday matinee serial.
Junior Linda Cardellini (late of E.R.) grounds the series as the former
class brain who rejects her place in the school hierarchy and, in startling
identity crisis, gravitates toward the school «freaks,» a group of stoners, under - acheivers, and minor key rebels, sort - of led
by charismatic rebel without a clue Daniel (James Franco, looking perpetually stoned).
I became politicized later on, mainly
by Americans who had left the US as a result of the Vietnam war and ended up my professors at Waterloo University and the University of Toronto, although admittedly this was a New Left politicization, with
identity politics, civil rights and new social movements (feminism, gay rights, immigrant rights) displacing rather than integrating into much of the previous
class - based political formations.
Teachers at Burley and Woodhead Church of England Primary School in Burley - in - Wharfedale, West Yorkshire, will be trained
by Alive and Kicking and Leeds Beckett researchers to use drama and to adopt the
identity of a writer when teaching writing to their
classes.
At a time when squatter neighborhoods were regarded as the biggest obstacle before urban development
by the urban elite in Turkey, and residents of squatter houses and thus the urban working
class were regarded as «backward» villagers, workers from both Hasköy and Güzeltepe earned respectability due to their working
class identities.
Begin the year
by forging a positive, collective
identity as a
class.
This entire year I have learned so much about the increase of punitive punishment for mostly students of color, the statistics that show 80 percent of students are taught
by white educators while their
classes are filled with students who have entirely different
identities, fact - based knowledge about the brain, trauma, and so many other components of the educational system that need to be unpacked.
Social justice in education varies
by the individual people involved and not involved; obvious and not - obvious culture; social
class and economics; gender and
identity; context and community; space and time.
Their
identities are defined not only
by ethnicity, race, gender, social
class, and language background, although these of course are significant.
Living poverty as a girl: Literacy and
identity between social
classes,
by Stephanie Renee Jones
In this era of a new administration in Washington that has espoused many viewpoints fundamentally at odds with the values held
by the vast majority of Californians, we look forward to working with you to ensure that California's public school system, including its vibrant charter school sector, continues to ensure that absolutely all students regardless of immigration status, gender, gender
identity, sexual orientation, race, ethnicity,
class, faith, or disability may access high quality public school options.
Throughout a semester - long course, the nonprofit implements a civics curriculum based on students» civic
identities and issues they care about, such as gang violence, public transit, or youth employment.25 The course framework encourages students to think through an issue
by researching its root cause, developing an action plan, getting involved in their community through engagement tactics, and presenting their efforts to their
class.
The dissertation investigates how low - income youth in Rio de Janeiro have come to participate in such interventions — largely couched in neoliberal ideas of individual responsibility and carried out
by public - private partnerships — and the ways in which youth subvert and redirect these interventions and middle -
class social
identities into new forms of personhood and political agency.
I grew up reading the Brontë sisters and Jane Austen, fascinated
by the ways in which gender, culture, and
class limited the characters» movement within society, and Park added several more layers of complexity to Jane Re's story
by introducing race, cultural
identity and intergenerational conflict to the mix.
In the Classroom: As a
class,
identity the characteristics of a tall tale that are represented in Apples to Oregon: Being the (Slightly) True Narrative of How a Brave Pioneer Father Brought Apples, Peaches, Pears, Plums, Grapes, and Cherries (and Children) across the Plains,
by Deborah Hopkinson.
Chattanooga State Community College does not discriminate against students, employees, or applicants for admission or employment on the basis of race, color, religion, creed, national origin, sex, sexual orientation, gender
identity / expression, disability, age, status as a protected veteran, genetic information, or any other legally protected
class with respect to all employment, programs and activities sponsored
by Chattanooga State.
Angel's Rest Animal Society does not,
by policy or practice, discriminate against a person or group on the basis of race, color, religion, gender, sexual orientation, national origin, age, disability, gender
identity and expression, marital or military status, or based on any individual's status in any group or
class protected
by applicable federal, state or local law.
The industry - leading resolution services offered through Iris are led
by GGA's world -
class team of
identity theft experts, who provide around - the - clock, white glove services to protect customers»
identities and to restore their critical assets should theft occur.
Generali Global Assistance's industry - leading resolution services are spearheaded
by a world -
class team of
identity theft experts, who provide around - the - clock, white glove services to protect customers»
identities and to restore their critical assets should theft occur.
- the 18 returning
classes were chosen
by seeing which popular
classes would fit with the game - they also wanted to include
classes to cover roles that the roster was lacked - the Pugilist
class was added because the first group of
classes selected did not include any with bashing and binding attacks - War Magus was added because the Medic was the only healer
class in the roster at that point - they couldn't simply include all popular
classes as that would have skewed the balance of the game - as for the Hero
class, they with balanced offensive and defensive capabilities, but this made things to similar to other
classes - this was rectified
by adding after - images and other skills with good synergy - when an after - image appears, it does the same skills as the Hero, except on the following turn - it becomes possible for skills that usually can not be used multiple times in a row to be activated multiple turns in a row - it also means skills that only have an effect for one turn can be extended to two - after - images use not only the Hero's own
class skills, but also their subclass skills - if the subclass is an Imperial, the Drive skill can be used multiple times in a row - when using Hero as a subclass to Nightseeker, the character can cover the Nightseeker's weaknesses of having low defense - after - images can also help increase the chances of inflicting status ailments - subclasses can be used to make up for weakness - Swordsman, a
class that can learn speed and accuracy boosting skills, would be a good subclass for the Gunner - Reaper as a subclass for War Magus would allow that character to use the scythe's skills to inflict status ailments - the skill tree is slowly unlocked as a character grows - there are more skills that make jobs» individual styles stand out more, or expand the player's choices - the skill tree is also made so that there are less requirements to learn specific skills as compared to 5 - this makes it easier for players to get the skill they want without spending large numbers of skill points on lower skills - it's now easier to put points into skills, which makes re-specing easier - the team faced difficulty in balancing
classes that were never meant to be alongside each other - they are doing their best to ensure that they keep the individual
classes»
identities intact
The preopening hype was intense: following in the footsteps of the museum's landmark exhibitions «Homo Video» and «Bad Girls,» «Trigger,» curated
by Johanna Burton with Natalie Bell and Sara O'Keeffe, was a master
class in today's art about
identity, with a focus on how gender intersects with race,
class, sexuality, and disability.
In order to advance a more inclusive art history, the co-curators of this year's Whitney Biennial, Christopher Lew and Mia Locks, have selected works
by artists of various races,
classes, creeds, genders and sexual orientations — many of whom address the topic of
identity and place in society.
Us is a show of new work
by younger and more established local and international artists around the theme of group
identity, whether nation, culture,
class, gender, sexuality or race.
Following in this tradition, «Trigger» extends the conversation around
identity, considering how even a fluid conception of gender is marked
by ongoing negotiations of power and can not be understood outside its complex intersections with race,
class, sexuality, and disability.
Organized
by the Art Institute of Chicago, this traveling show explores how the topic of food has «allowed American artists both to celebrate and critique their society, expressing ideas relating to politics, race,
class, gender, commerce, and how these categories define American
identity.»
Examples of the museum's ongoing efforts of acquisition and programming in this area include substantial gifts of miniature paintings from Mr. and Mrs. John Kenneth Galbraith (Catherine Atwater,
class of 1934) and the exhibitions, «The Way I Remember Them:» Paintings
by Nusra Latif Qureshi (2004) and Dislocation / Negotiating
Identity: Contemporary Photographs from South and Southeast Asia (2016).
The series title comes from the indigenous terms used
by queer working
class and transgendered men, often forced into sex work, to define their different and particular sexual
identities.
Described
by the artist as «an homage to the working
class,» the image also speaks to the very limited
identities society allows women to embody.
«Trigger» extends the conversation around
identity, considering how even a fluid conception of gender is nonetheless marked
by ongoing negotiations of power and can not be understood outside its complex intersections with race,
class, sexuality, and disability.
If both characters self - consciously construct elaborate rituals
by taking turns to portray master and servant while their mistress Madame is away, then Mirren, who similarly flits between two different social
classes to self - consciously construct her own personal
identity, is seen taking turns in Mellor's paintings to act each side of the power divide.
On show here are works belonging to the Christian Democratic Appeal (a small clay figurine representing the importance of family values and faith), the Labor Party (a piece of a new kind of asphalt, more endurable under extreme temperatures, connoting stability, employment and freedom of movement for the working
class), the Socialist Party (photos of a protest
by harbor workers in Rotterdam that went on strike in 1979 to demand higher salaries), and Leefbar («Livable») Rotterdam (an image of tolerant multiculturalism, at odds with the ideological
identity of the owners.)
Immediately following the
Class of 2014's commencement ceremony we rallied together to show support for The Cooper Union's strong and unique
identity as a tuition free institution for the study of architecture, art and engineering; and to call attention to the fiscal mismanagement and lack of accountability on the part of The Cooper Union Trustees, leading to the erosion of a 150 - year old tradition of free tuition made possible
by philanthropist Peter Cooper.
Portraits or self - portraits can reveal aspects of a person's
identity and ways in which it is influenced
by family,
class, gender, ethnicity, religion, culture, or nationality.
Nearly Real Things explores, literally or metaphorically, the act of transformation within contemporary consciousness,
identity, society, and
class by carefully investigating our relationships to current biological or technological metamorphoses.
Kothis (effeminate, underprivileged, homosexual men), Hijras (eunuchs), and Giriyas (partners of kothis and hijras) are indigenous terms used
by queer working
class and transgendered men, in their own dialect, to de ne their particular sexual
identities.
... the character of the jokes was significant — fifties - style, middle America, blue collar, Borscht Belt humor that confronted issues of sexual
identity,
class and race...
By isolating them he exposed their hidden malevolence, perversity and anger.
The first comprises Lum's earlier and more familiar pieces, which experiment with how individuals convey or project
identity through language conditioned
by class.
Sarah Jones» large scale photographs capture the betweenness of young women's
identities, influenced
by class, age and social conditioning.
In this work I am interested in challenging the stereotypes associated with working -
class people
by highlighting themes of community, cultural pride and the individuals» quest for
identity.»